Ahn Graphics

Ahnsangsoo 2012 Type Specimen

안상수체 2012 글꼴보기집

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Fonts are back with a new look

Meet ‘Ahnsangsoo 2012’ in book form

Ahn Sang-soo’s signature font, Ahnsangsoo 2012, is an expanded version of Ahnsangsoo 2012, a book that introduces the font Ahnsangsoo 2012, and is a revised version of Ahnsangsoo 2012 Type Specimen published in 2013. Ahnsangsoo 2012 is the first font released by the ag Typography Institute, and it first appeared in 1985 as an issue of Donga Science. It has been reorganized from a three-bullet to a multi-bullet non-square type, adding more type families, and introducing ‘Hangeul group kerning’ for the first time in Korea. Also included are various works by Ahn Sang-soo, such as posters and logotypes that used Ahnsangsoo in the early days. Ahnsangsoo 2012 Type Specimen is a meaningful attempt at a full-fledged introduction to the font. In addition, the revised edition includes both Korean and English fonts to broaden the range of readers.

About Ahnsangsoo

Ahnsangsoo was designed by designer Ahn Sang-soo in 1985 as the title of Donga Science and is a three-level combinatorial non-square type font that derives 11,172 characters by combining 19 initial characters, 21 odd characters, and 27 base characters. The Hangeul characters are geometric shapes such as vertical lines, horizontal lines, oblique lines, and gardens, and are characterized by the columns of the holy characters that extend out and meet in the middle of the base. It was introduced in 1991 as a bundled font in the Hangeul computer ‘Daewoo Hangeul’ and was released in 2004 as the ‘Suh Series’ of Ahn Sang-soo’s typefaces through the ‘Hangeul Design Institute’. After the first edition in 2006, in 2012, it was reorganized into a multivalued font by correcting the shapes of Hangeul consonants, romanization, and numbers to make them easier to read, expanding the font family from three to five, and applying Hangeul group kerning for the first time in Korea.

Ahn Sang-soo

Ahn Sang-soo is a graphic designer and typographer with a keen interest in Korean visual culture. He studied in the Visual Communication Design Department at Hongik University, where he also completed his graduate studies. A former professor at his alma mater, he took early retirement in 2012 to establish the Paju Typography Institute, where he currently serves as the president, also known as ‘Nalgae.’ In 2007, he received the Gutenberg Prize from the city of Leipzig, Germany. He is also a visiting professor at the Central Academy of Fine Arts (CAFA) in Beijing and a member of the Alliance Graphique Internationale (AGI).

Noh Eun-yu

Font designer and researcher. She founded Notype in 2018 and has been creating letters based on research and experimentation since then. She teaches typography at Konkuk University, Ewha Womans University, and Hongik University. She graduated from Hongik University’s Department of Visual Design in 2006, and received her master’s degree in 2008 with a thesis on “A study on the Hangul phonetic alphabet system for phonetic transcription of Japanese” and her doctorate in 2011 with a thesis on “A study on the morphological characteristics and lineage of Choi Jeong-ho’s Hangeul typeface” from the same graduate school. In 2017, She studied Latin design at the Royal Academy of Arts in The Hague, Netherlands. She is the co-author of Hangeul Designer Choi Jung Ho (2014), Glyphs Type Design (2022), and His representative fonts include Optique (2019), Sori (2020), NAVER Maru Buri (2021), and Climate Crisis Font (2022).

Noh Min-ji

She is a typeface designer based in Seoul. She received her master’s degree from Hongik University Graduate School with a research on Korean punctuation. He has been working as a typeface designer at the AG Typography Institute since 2012, after having worked at the Yoon Design Institute. She has developed typefaces such as Boeunche, Maleungullimche, and Bomnunche.

AG Typography Institute

AG Typography Institute was founded in 2012 as an affiliated institute of Ahn Graphics. We designs and develops typefaces based on in-depth studies, and aims to create new typeface culture and trend.
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