Jan V. White (1928-2014) was an American designer, communication design consultant, and graphic design educator and writer. Czech by birth, he was educated in England at Leighton Park School and held degrees in architecture from Cornell University and Columbia University School of Architecture, Planning and Preservation. From 1951 to 1964 he worked on two of TIME’s architectural magazines: Architectural Forum (1951–56) as associate art director, and House & Home (1956-1964) as art director. Since 1964 he has worked as a designer, design consultant, writer and teacher. He redesigned more than 200 publications on four continents, and influenced many more with his books and articles about design for print. Initially focused on periodical design, in the mid-1980s White brought his analysis of the visual rhetoric of structure, white space and typographic hierarchy to bear on corporate publishing in a way that shared common ground with information design. As an educator ‘his most valued contribution for people trying to learn how to design has been his articulation, in very clear and easy-to-follow language, what publication design is about; and his insistence that it is not a mystery, but a rational activity of manipulating the elements of a publication in order to achieve certain defined communication outcomes.’ ‘White was an early proponent of the idea of design as being more than “good looks”.’ Author of more than a dozen books on editorial design including the 1974 landmark work, “Editing by Design” in which he first presented his original thesis that design is a clarifying tool rather than a decorative tool. “Editing by Design” is now in its fourth edition (co-authored by his son Alex W. White) and has been in continuous publication since 1974. In 2012, he dedicated several of his design books to the public domain. He was the son of the illustrator and architect Emil Weiss, and the father of the designer, writer and educator Alex W White. He is buried in New Canaan, Connecticut and is survived by his four sons and seven grandchildren.
Authors
Jan V. White
다른 사람들
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She is a lawyer, patent attorney, and legal designer. She received her B.A. in design and information culture from Seoul National University, her J.D. from Kyungpook National University College of Law, and her J.D. from Seoul National University, specializing in intellectual property law, with a thesis entitled A Study on the Intellectual Property Law System for Protecting the Form of Virtual Goods. While running the law firm Artis, he served as a lawyer for legal counseling for artists at the …
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Seo Ji-su
She majored in ancient art history at university. After graduating from the Glbab Academy, she worked in various Japanese translation jobs and is currently working as a professional Japanese translator at Bareun Translation. -
Yonsei HCI Lab
The Yonsei HCI Lab focuses on research in human-AI interaction, with a special emphasis on UX design for digital health systems that enhance well-being and treat diseases. The lab members, who are not just HCI experts but ‘Experience Engineers,’ are dedicated to developing innovative digital health products that help bring meaningful experiences through AI technology. -
Kim Kwang-hyun
He graduated from the Department of Architecture at Seoul National University, studied at the Graduate School of Architecture, and received his PhD from the University of Tokyo Graduate School. For 42 years, he taught and researched architectural design and architectural theory based on the commonness of architecture at the University of Seoul and the Department of Architecture at Seoul National University. He has served as a member of the Presidential Committee on National Architectural … -
손용학
1970년에 동산방에 들어가 박주환 선생에게 표구를 배웠으며, 1986년에 낙원표구사로 옮긴 후 2002년에 묵호당을 열어 현재까지 표구업에 몸담고 있는 50년 이상 경력의 표구 장인이다. 2014년부터 2019년까지 한국표구협회 회장을 지냈으며, 문화재수리기능자 제1365호 자격을 보유하고 있으며, 고용노동부 선정 숙련기술전수자(배첩기능) 제2021-3호로 지정되었다. 2024년에는 이화여자대학교에서 표구를 가르쳤다. -
An Byeong-hak
With a keen interest in the relationship between text and image, he explores the boundaries where design and its adjacent fields intersect, grounded in typographic principles. He was a member of the visual culture experimental group Jindalrae and held solo exhibitions such as Arrangement of Fragments or a Spectacle (2014) and Juxtaposition (2013). He served as the general director for the 5th Typojanchi: Body and Typography (2016-2017), the 1st Public Design Festival Thematic Exhibition: … -
Fukasawa Naoto
Naoto Fukasawa was born in 1956 in Yamanashi, Japan. He graduated from Tama Art University in 1980 and began his career at Seiko Epson, where he worked on advanced designs for watches and other micro-electronic devices. In 1989, he joined ID Two, a San Francisco-based product design firm that later became IDEO. In 1996, Fukasawa returned to Japan to establish and oversee IDEO’s Tokyo office. In 2003, he founded Naoto Fukasawa Design . Since 2001, he has served as a design advisor for MUJI … -
Nicole Miñoza
Director of Product Management, Fonts & Type at Adobe. She has been working for creative product users in a variety of roles at Adobe for nearly 20 years. -
Lee Yu-jin
Lee Yu-jin graduated from Ewha Womans University with a B.A. in Sociology and received her M.A. in Art History from Hongik University. She has been engaged in art education for the general public, exhibition planning, and publishing activities at museums. She is the author of Critic Lee Il and the AG Group in the 1970s , Critic Lee Il Anthology and The Birth of a Hero among other books. -
Kwak Yung-bin
He is an art critic and visiting professor at Yonsei University’s Graduate School of Communication, and holds a PhD from the University of Iowa, USA, with a “The origin of Korean Trauerspiel”. In 2015, he was awarded the inaugural SeMA-Hana Art Criticism Award, the first national art criticism award established by the Seoul Museum of Art (SeMA). His recent publications include “The Blind Past and the Eternal Return of Global Civil War: Difference and Repetition in Omer Fasth … -
Lee Suk-woo
Lee Suk-woo graduated from Hongik University, worked for Samsung Electronics in South Korea, Fuse Project and Teague in the US, and acted as a global creative leader and chief designer at Google-Motorola, Korea. Following the establishment of the industrial design office SWNA in 2011, he established his own object brand, The Liberal Office. In 2015, he was selected as one of the top 10 Global Design Studios in the design concept category at the Red Dot Awards and received the Minister of Trade, … -
정혜선
한국전통문화대학교를 졸업한 후 전통 회화의 재료학적 기법 연구와 지류 문화재 보존을 심도 있게 연구하기 위해 일본으로 유학을 가 도쿄예술대학원 문화재보존학 석박사 학위를 취득하였다. 일본에서 다수의 회화 문화재 복원 모사 및 수리 작업의 연구원으로 활동했으며, 한국에 귀국한 후 객원 연구원으로서 회화 문화재의 복원 모사 사업에 참여했다. 장황에 대한 새로운 접근을 시도하고자 권민성과 함께 2022년 SOKO 장황 스튜디오를 설립했다. 장황이 지류 문화재의 보존 처리와 작품을 표장하는 것에 국한되지 않고 하나의 독립된 공예로 분류되길 바라며 장황을 기반으로 한 다양한 디자인 작업을 진행한다. 현재 SOKO 공동 대표로 활동하고 있으며, 후시카솔 스튜디오 및 전통문화교육원 전통문화사화교육과정에서 모사(전통 회화) 강의를 병행하고 있다.