Jan V. White (1928-2014) was an American designer, communication design consultant, and graphic design educator and writer. Czech by birth, he was educated in England at Leighton Park School and held degrees in architecture from Cornell University and Columbia University School of Architecture, Planning and Preservation. From 1951 to 1964 he worked on two of TIME’s architectural magazines: Architectural Forum (1951–56) as associate art director, and House & Home (1956-1964) as art director. Since 1964 he has worked as a designer, design consultant, writer and teacher. He redesigned more than 200 publications on four continents, and influenced many more with his books and articles about design for print. Initially focused on periodical design, in the mid-1980s White brought his analysis of the visual rhetoric of structure, white space and typographic hierarchy to bear on corporate publishing in a way that shared common ground with information design. As an educator ‘his most valued contribution for people trying to learn how to design has been his articulation, in very clear and easy-to-follow language, what publication design is about; and his insistence that it is not a mystery, but a rational activity of manipulating the elements of a publication in order to achieve certain defined communication outcomes.’ ‘White was an early proponent of the idea of design as being more than “good looks”.’ Author of more than a dozen books on editorial design including the 1974 landmark work, “Editing by Design” in which he first presented his original thesis that design is a clarifying tool rather than a decorative tool. “Editing by Design” is now in its fourth edition (co-authored by his son Alex W. White) and has been in continuous publication since 1974. In 2012, he dedicated several of his design books to the public domain. He was the son of the illustrator and architect Emil Weiss, and the father of the designer, writer and educator Alex W White. He is buried in New Canaan, Connecticut and is survived by his four sons and seven grandchildren.
Authors
Jan V. White
다른 사람들
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정혜선, 권민성이 공동으로 운영하는 장황 디자인 스튜디오이다. 이름 SOKO는 Something of Korea의 준말로, 한국 장황이 도달할 수 있는 미지의 가능성을 의미한다. 디자인, 교육, 출판 등 다양한 활동과 장황을 접목하여 전통과 현대를 잇는 새로운 지평을 열고자 한다.
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비유에스건축
BUS Architects is an architectural design firm led by three partners: Park Ji-hyun, Woo Seung-jin, and Cho Sung-hak . The firm focuses on establishing diverse relationships between cities, culture, and people , drawing from meaningful imagination that can emerge through architecture and space. Rather than emphasizing the “construction” of architecture, BUS Architects prioritizes the “process” behind it. In this context, “BUS” represents both a commitment to … -
Fleur Watson
Fleur Watson PhD is a curator, creative producer and author. Her academic and cultural leadership extends across a broad spectrum of creative disciplines including architecture, design, visual art, and expanded spatial practices. Fleur is an Associate Professor, School of Architecture & Design at RMIT University and founder of independent curatorial practice Something Together. She is an experienced researcher within an ‘integrated scholarship’ framework with a focus on curating … -
현경훈
한양대학교 실내건축디자인학과 부교수이자 인간-중심 AI 디자인 연구센터 센터장. 2026년 한국차세대과학기술한림원(YKAST)에서 미래를 선도할 차세대 과학자로 선정되었으며, 컴퓨테이셔널 디자인과 HCI 분야에서는 유일한 회원이다. 또한 〈ACM UIST〉와 《디자인학 연구(Archives of Design Research)》의 편집위원으로 활동하고 있다. 일리노이대학교에서 산업 디자인을 공부했으며, 로드아일랜드스쿨오브디자인에서 산업 디자인으로 석사 학위를, 한국과학기술원(KAIST) 문화기술대학원에서 컴퓨테이셔널 디자인으로 박사 학위를 취득했다. 디자인 자동화와 인간-컴퓨터 상호작용을 연구하며, AI가 디자이너의 창의성과 의사 결정을 효과적으로 지원하는 방법을 개발해왔다. 그 성과로 국내외 저명한 학술지와 학술대회에 약 50편의 논문을 게재했다. -
2023 Typojanchi Team
The 2023 Typojanchi Team is a working group consisting of Artistic Director Park Yeoun-joo, Curators Shin Hae-ok, Yeo Hye-jin, Jeon Yu-ni, and Coordinator Lee Ju-hyun. -
Emil Ruder
He was born in Zurich in 1914. After primary and secondary school in Zurich and vocational training as a caterer, he studied in Paris and earned a degree in French at the Cercle Commercial Suisse de Paris. He then worked as a commercial printer at a Zurich publishing house. He attended a weekly course in typesetting and letterpress at the Kunstgewerbeschule Zürich, where he learned typography from Alfred Willimann (1900-1957) and Walter Käh (1901-1970). In 1942 he was appointed permanent … -
정의철
서울대학교 디자인학부 산업디자인전공 교수. 제품 인터랙션 디자인 및 디자인 방법론 분야를 강의하며, 기술을 인간 관점으로 해석하는 통찰에 기반한 다양한 디자인 연구를 수행하고 있다. 한국디자인학회 Design Works 논문편집장을 맡고 있으며, 한국산업디자인상, G-Mark, iF, Red Dot, Meta 공모전에서 수상한 바 있다. -
Bong Seong-chang
2005년 경향게임스에서 게임 전문기자를 시작으로, 지디넷코리아 산업팀장, 씨넷코리아 편집장을 거치며 IT 전문기자로, 매일경제TV 산업팀장과 비즈한국 산업팀장을 거쳐 경제 전문기자로 전문 영역을 꾸준히 확대해 왔다. 2017년부터 비즈한국에서 개최하는 ‘브랜드비즈 컨퍼런스’를 기획 총괄하며, 기업의 브랜딩 및 디자인 전반에도 관심이 많다. -
Youngjoo Park
She earned her master’s degree in Visual Communication Design from the Department of Visual Design at Hongik University and the Graduate School of Art and Design at the University of Tsukuba. She is currently pursuing a Ph.D. in Human Environmental Design at the Graduate School of Natural Science at Chiba University. She is a member of the Korea Package Design Association, VIDAK (Visual Information Design Association of Korea), and the Korean Society of Basic Design & Art. Her research … -
Park Jaeyong
He is a writer, translator, and curator primarily based in Seoul, South Korea. A bibliophile, he founded and operates Seoul Reading Room (@seoulreadingroom), a contemporary art and theory library. He is also a frontman of the research band NHRB (@nhrb.space) alongside Heo Youngkyun, and co-runs the stand-up comedy group Seochon Comedy Club (@westvillagecomedyclub) with Jung Sung-eun and Kim Su-ji. His translated works include There Is No Last Revolution: Art and Political Imagination Since 1980 … -
정시화
국민대학교 조형대학 시각디자인학과 명예교수. 1976년부터 30여 년간 그래픽 디자인 창작실기, 디자인론, 색채계획, 전통색채론 등을 가르치며 교육자로서 활발히 활동했다. 대한민국산업디자인전에 추천작가·초대작가로 선정됐으며, 심사위원을 역임했다. 한국시각디자인협회 국제부회장을 지냈으며, 88서울올림픽위원회 중 디자인전문위원회의 주요 일원으로 활동했다. 국립현대미술관 「한국전통표준색명 및 색상: 제1차 시안」에 연구위원으로 참여했고, 서울시립미술관 개관전 〈한민족의 빛과 색〉에는 자문위원으로 참여했다. 국제디자인협의회(ICoD, 전 세계그래픽디자인협의회), 국제색채심포지엄, 바우하우스 답사 연구 등 다양한 국제 활동을 통해 세계 그래픽 디자인의 동향을 한국 디자인계에 반영하는 데 일조했다. 지은 책으로 『현대 디자인 연구』 『한국의 현대 디자인』 『산업 디자인 150년』이 있으며, 옮긴 책으로 『디자인론』 『포스터 디자인사』가 있다. 대표 논문으로는 「덴마크 디자인의 에센스」 … -
Ko Hyun-seon
Graphic designer at Toss. Plans and creates all visual aspects of Toss. She focuses on the visual consistency of Toss graphics by establishing and spreading a visual identity based on the emoji font “Toss Face”.