Jan V. White (1928-2014) was an American designer, communication design consultant, and graphic design educator and writer. Czech by birth, he was educated in England at Leighton Park School and held degrees in architecture from Cornell University and Columbia University School of Architecture, Planning and Preservation. From 1951 to 1964 he worked on two of TIME’s architectural magazines: Architectural Forum (1951–56) as associate art director, and House & Home (1956-1964) as art director. Since 1964 he has worked as a designer, design consultant, writer and teacher. He redesigned more than 200 publications on four continents, and influenced many more with his books and articles about design for print. Initially focused on periodical design, in the mid-1980s White brought his analysis of the visual rhetoric of structure, white space and typographic hierarchy to bear on corporate publishing in a way that shared common ground with information design. As an educator ‘his most valued contribution for people trying to learn how to design has been his articulation, in very clear and easy-to-follow language, what publication design is about; and his insistence that it is not a mystery, but a rational activity of manipulating the elements of a publication in order to achieve certain defined communication outcomes.’ ‘White was an early proponent of the idea of design as being more than “good looks”.’ Author of more than a dozen books on editorial design including the 1974 landmark work, “Editing by Design” in which he first presented his original thesis that design is a clarifying tool rather than a decorative tool. “Editing by Design” is now in its fourth edition (co-authored by his son Alex W. White) and has been in continuous publication since 1974. In 2012, he dedicated several of his design books to the public domain. He was the son of the illustrator and architect Emil Weiss, and the father of the designer, writer and educator Alex W White. He is buried in New Canaan, Connecticut and is survived by his four sons and seven grandchildren.
Authors
Jan V. White
다른 사람들
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1970년에 동산방에 들어가 박주환 선생에게 표구를 배웠으며, 1986년에 낙원표구사로 옮긴 후 2002년에 묵호당을 열어 현재까지 표구업에 몸담고 있는 50년 이상 경력의 표구 장인이다. 2014년부터 2019년까지 한국표구협회 회장을 지냈으며, 문화재수리기능자 제1365호 자격을 보유하고 있으며, 고용노동부 선정 숙련기술전수자(배첩기능) 제2021-3호로 지정되었다. 2024년에는 이화여자대학교에서 표구를 가르쳤다.
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Lee Seung-heon
Lee Seung-heon is a professor of interior architecture at Dongmyung University. He majored in architectural engineering at Dong-A University and earned his PhD from Pusan National University with a thesis on the meaning and expression of locality in architecture. He writes and lectures on various media for public understanding of architecture, and his research interests include the evolution of space and the aesthetics of weaving. He has worked as a planner and designer for ‘Reno House , … -
Shin Hyun-woo
A digital culture researcher specializing in critiques of information capitalism, game studies, and technology and information culture. Actively engaged in various writing projects. Co-authored the book Mario, Born in 1981. -
Gerrit Noordzij
Typographer, type designer, book designer, author, historian, and educator. Born in 1931 in Rotterdam, Netherlands, he taught type design at the Royal Academy of Art in The Hague from 1960 to 1990. Over three decades, he transformed the academy into one of the world’s leading institutions for type design education. He has influenced the field profoundly, producing numerous students who have become prominent type designers in Europe and the United States, collectively known as the “Hague … -
Saras D. Sarasvathy
Saras D. Sarasvathy (born 1959) is an American entrepreneurship professor and recipient of the 2022 Global Award for Entrepreneurship Research. She is currently the Paul M. Hammaker Professor in Business Administration at the University of Virginia Darden School of Business and the Jamuna Raghavan Chair Professor in Entrepreneurship, Indian Institute of Management, Bangalore. She serves on the editorial boards or as associate editor of several academic journals as well as serving as an outside … -
Gilda Williams
Based in London since 1994, Dr. Gilda Williams is a contemporary art critic and teacher; editor of ON&BY Andy Warhol (MIT/Whitechapel Press, 2016); and author of the bestselling art book How to Write about Contemporary Art (Thames & Hudson, 2014), now published in seven languages. From 2008-23 Williams was Senior Lecturer on the MFA Curating programme at Goldsmiths College (University of London), where she taught art writing. Dr. Williams has also taught at the The Ruskin School of Art, … -
Kiura Mikio
Born and raised in Osaka. He has two master degrees in computer science at Nara Institute of Science and Technology and design at Copenhagen Institute of Interaction Design. Currently, he runs his award-winning design studio ANKR DESIGN in Tokyo and designs new products and services with his clients. He thoroughly understands the Japanese manufacturing industry, as well as, the workflow of large companies and startups in Japan. He also has a profound knowledge of Japan’s unique culture and … -
Lee Kyu-bok
He majored in calligraphy at Wonkwang University and completed his doctoral program at Dongguk University. In 2002, he founded CalliDesign, a company specializing in calligraphy, where he is currently the president, and served as a board member of the Korea Calligraphy and Design Association. He has been in charge of important large-scale projects in Korea, including the slogan titles for the 17th and 18th presidential inaugurations, the slogan titles for the opening of Gwanghwamun Square, the … -
Kim Yeong-seon
She graduated from the Department of Creative Writing at Chung-Ang University and completed coursework in Aesthetics at Hongik University Graduate School. After working as a publishing editor and caregiver, she is currently active as a professional translator. Her translated works include The Death of Truth , Churchill’s Black Dog, Kafka’s Mice , Automating Inequality , Capital Without Borders , To the Letter , The Art of Forgetting and “Why Heidegger Should Not Be … -
강수진
이화여자대학교 디자인학부 교수로, CXD 랩(Connected eXperience Design Lab)을 운영한다. 삼성전자 수석 디자이너, 뉴욕 어도비 시니어 UX 디자이너, 디지타스 및 R/GA 디자이너로 20여 년간 일했으며, 한국디자인학회 이사로 활동 중이다. 이화여자대학교에서 영어영문학과 경영학을 공부한 뒤, 뉴욕 스쿨오브비주얼아트에서 미술 석사 학위(MFA)를 취득했다. 최신 기술과 문화 트렌드를 바탕으로 미래를 현재로 연결하고 사람과 사람을 잇는 경험을 디자인하며, 학생들과 함께AI가 변화시키는 디자인 프로세스를 탐구해 새로운 가능성을 열어가고 있다. -
미리암 스와르크
건축가이자 도시계획가. 지난 30여 년간 주거 건축을 전문으로 하는 건축사무소를 이끌어왔다. 파리 전역에서 수많은 건축 프로젝트를 진행하고 세계 각지를 여행하며 쌓은 경험을 예술에 대한 깊은 호기심과 애정의 원동력으로 삼는다. 예술품 수집가로서의 안목을 바탕으로, 2024년 파리에 건축 전문 상상건축(IMAGINAIRES D’ARCHITECTURE)갤러리를 설립했다. 갤러리는 건축, 건설, 그리고 추상을 예술적 지향점으로 삼는 작가들을 조명하는 데 주력한다. 또한 드로잉, 사진, 조각 등 다양한 매체로 자신만의 예술적 세계를 구축해가는 건축가들에 대한 연구와 전시를 병행한다. 상상건축갤러리는 다른 갤러리와의 협력 및 프랑스 건축 문화의 정수를 보여줄 수 있는 상징적인 장소들을 활용해, 전시장이라는 물리적 공간을 넘어선 ‘외부 확장형’ 프로젝트 전개를 또 하나의 핵심 가치로 추구한다. -
도니스 A. 돈디스
시각 문해력 분야의 선구자이자 시각 커뮤니케이션 교육자로 활동한 디자이너. 시각 커뮤니케이션의 기본 원리를 하나의 언어처럼 배우고 이해해야 한다고 주장하며 시각 문해력을 정립했고 이를 가르치는 교육 과정을 설계하고 확산시켰다. 시카고대학교를 졸업한 후 보스턴대학교 커뮤니케이션아트학부에서 조교수 및 기획자로 활동했다. 디자인과 디자인 교육에 공헌한 인물로 매사추세츠예술디자인대학은 그의 이름을 딴 ‘도니스 A. 돈디스 트래블 펠로우십Donis A. Dondis Travel Fellowship’을 제정해 학생들의 해외 연구, 창작을 지원하고 있다.