She studied design at Seoul National University and Cornell University Graduate School. She has contributed articles on design issues to the monthly Design and Designnet, and has expressed her vision of design as a social issue in the “Seoul Declaration of Industrial Designers” (2001), “Korea Design Declaration” (2007), “Charter of Women Designers” (2007), and “Human City Design Seoul Declaration” (2018). While a professor at Hansung University, she has served as a special exhibition curator for the Gwangju Design Biennale, a member of the board of directors of the International Association of Societies of Design Researchers (IASDR), president of the Korean Society of Design Science (KDSD), president of the Woman Designer Leadership network (WDLnet), and a member of the National Research Foundation of Korea (NRF).
Authors
Ko Young-lan
고영란
다른 사람들
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A lead researcher and type designer at AG Typography Institute , the designer has created typefaces such as AG Hunminjeongeum and AG Choteuktae Myeongjo . They have also directed, researched, and designed both AG original typefaces and custom corporate identity fonts, including Amorepacific’s “APHQ Hangul” , Projekt Produkt’s “PP Sans” , Hyundai Department Store’s “Happiness Sans” , and Jeju Air’s “Flight Sans.”
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Go Hae-won
She graduated from Ewha Womans University in Seoul, Korea, where she studied composition and the Master of Music program. Since then, she has worked as a composition instructor at the Conservatory of Music and Incheon Yeongo, and currently teaches students preparing for music college entrance exams at Suryeon Music Academy. She dreams of a harmonious life like an orchestra and continues her journey with music through her composing and arranging activities. -
Farah Kafei
Farah Kafei is a designer and art director who has led initiatives addressing gender disparity in design education and fostered communities pushing for a more inclusive industry. She’s had the pleasure of working for the Metropolitan Museum of Art and studios such as Sagmeister & Walsh and Doubleday & Cartwright. -
Leonard Koren
Leonard Koren was born in New York City and raised in Los Angeles. While a teenager he designed and built a full-scale Japanese tea house out of scavenged materials. While an undergraduate student at UCLA, Koren was awarded a fellowship to pursue experiments in photographic process. He also worked as an exhibition installer at the university’s fine arts and ethnographic museums. In 1969 Koren quit school and co-founded the Los Angeles Fine Arts Squad, a trompe l’oeil mural painting group that … -
Yang Ok-kum
Yang Ok-kum studied Performance Design at Central Saint Martins College of Art in the UK, completed an MA in Art and Space (Curating) at Kingston University Graduate School, and completed a certificate program in Museum Studies at Harvard University. She began her career as an intern at the List Visual Arts Center at MIT, where she worked as a curator at Gallery SSamji, the Dean of Academic Affairs at Hansol Cultural Foundation (now Museum SAN), and Chief Curator at Hyundai Card, and is … -
Renate Menzi
Renate Menzi enjoyed a craft-based design education at the Kunstgewerbeschule Zürich, which she continued at the Bezalel Academy in Jerusalem. Having graduated in 1996, she worked as an assistant at the Chair of Visual Design in the Department of Architecture at ETH Zurich and studied Theory of Design and Art at the Zurich University of the Arts. Since 2008, she is the curator of the design collection at the Museum für Gestaltung Zürich where she teaches, collects, researches and publishes in … -
Kim Min-young
Typography consultant. He majored in visual design at Hongik University and received his master’s degree from Musashino Art University in Japan, where he proposed a new direction for CJK-Latin multilingual blending based on the history of multilingual typography and a study of modern and contemporary blending samples in his master’s thesis. After working at Japanese type foundries Morisawa and Fontworks, he founded the typography studio Em Dash in Tokyo, Japan. Based on his diverse … -
Asaba Katsumi
Asaba Katsumi is one of those rare individuals who has led the graphic world with both art direction and typography. With his insatiable curiosity and keen eye for detail, Asaba, who says that art direction is a combination of the two, has been the first to discover interesting things and has produced many advertisements and designs that have made people’s eyes light up. without sleeping. He believes that reading a lot of books, training his body including manual work, and … -
Chris Ro
Chris Ro is a graphic designer based in Seoul, South Korea working on projects spanning both the cultural and commercial sector. Originally educated at UC Berkeley and the Rhode Island School of Design, the thinking behind Chris’ work connects a diverse range of concepts spanning architecture, graphic design, typography, motion, photography and form making. His work has been honored by the New York Type Directors Club, Tokyo Type Directors Club, Art Directors Club Global, Communication Arts … -
Chung Kyung-won
A leading authority in design management, he has served as the President of the Korea Institute of Design Promotion (KIDP) and the Chief of Design Seoul Headquarters for the Seoul Metropolitan Government. He studied Industrial Design at Seoul National University and its graduate school, earned a Master’s degree in Industrial Design from Syracuse University in the United States, and a Ph.D. in Design Strategy from Manchester Metropolitan University in the United Kingdom. He debuted as a designer … -
Jeong Jin-uk
Majored in Aesthetics at university and admires musicians who compose and transcribe invisible music. Believes that love resembles music in its essence. During times of turbulence, instead of leaning on a prewritten life, he embraces her uncertainties and writes imperfect sentences as if transcribing music, striving to play his future more vividly. He is the publisher of ESSAI , an independent magazine for minimalists, and the author of Etudes on Love . -
Lee Yong-je
Lee Yong-je studied visual design at Hongik University and was the first designer to receive a PhD in Hangul design from the same graduate school. He worked at the Hangeul Design Institute from 1999-2003, and since 2004, he has been running ‘Hangeul Space’, a space for research and design. He has designed numerous fonts, including ‘꽃길’, a font for vertical writing, and ‘아리따’, a typeface for Amorepacific. Recently, he has been focusing on ‘ink-saving …