He graduated from Yonsei University with a bachelor’s degree in architecture and received his master’s degree in architectural design from Harvard University Graduate School of Design (GSD). He has interned and practiced at various offices including Kennedy & Violich Architecture (KVA), Office for Metropolitan Architecture (OMA), and Safdie Architects. He is currently a professor at Seoul National University of Science and Technology, where he founded the OA-Lab architectural research center. Through OA-Lab, he pursues experimental architecture and works on a wide range of projects, from small products to buildings, moving between research and practice. He aims to realize designs based on observation and experimentation that capture life experiences and function positively in our daily lives and society. He graduated from Harvard University as a finalist for the thesis award and with a letter of recommendation, and has since been awarded the AIA Boston Architects’ Housing Competition Grand Prize and the AIA International Council of Regional Architects Grand Prize.
Authors
Nam Jung-min
남정민
Nam Jung-min의 책
다른 사람들
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NAMELESS Architecture is a idea-based design practice, based in Seoul. Committed to the simplicity on the unpredictable world, they explore the world of architecture, city, and global cultural phenomenon. NAMELESS’s work has been widely published and exhibited at Museum of Modern Art (MoMA), New York Center for Architecture, Parsons The New School, Museum of Modern and Contemporary Art (MMCA) and Seoul Museum of Art, National Museum of Korea. The office has received numerous awards, including …
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Ahn Graphics
Ahngraphics is a Korean design publishing company and company founded by visual designer Ahn Sang-soo on February 8, 1985. It was converted to a stock company in 1990 and has grown into a comprehensive design company covering four sectors: design, digital, media, and publishing. It was the first design company to introduce DTP into practice, and contributed to the development of Korean graphic design through high-quality editorial design centered on letters. It celebrated its 30th anniversary … -
Karl Gerstner
Karl Gerstner (1930–2017) was a leading representative of Swiss typography and one of the most important innovators of typography, advertising graphics and corporate design. From 1945 to 1948, he completed an apprenticeship in Fritz Bühler’s studio and attended courses at the Allgemeine Gewerbeschule Basel, where Armin Hofmann and Emil Ruder were his instructors. In 1949 he followed Max Schmid’s call and joined the legendary design team of Geigy Pharmaceuticals, where he later met … -
Jo Eun-ji
Studied Interaction Design at Delft University of Technology (Technische Universiteit Delft) in the Netherlands and Service Design and Design for Social Innovation at Politecnico di Milano in Italy. She earned her Ph.D. under the supervision of Ezio Manzini at Politecnico di Milano. Since 2014, she has been working as an assistant professor in the Department of Design at Hunan University in China. -
Kim Lee-hong
He is currently an assistant professor at Hongik University Graduate School of Architecture and Urbanism and a principal at Leehong Kim Architects. After graduating from Yonsei University’s School of Architecture and Harvard University’s Graduate School of Design (GSD), he practiced at Samwoo Architects and Steven Hall Architects for seven years. Since opening Leehong Kim Architects, he has been working on various projects between Korea and the United States. He participated in the … -
Jan Tschichold
Jan Tschichold also known as Iwan Tschichold or Ivan Tschichold, was a German calligrapher, typographer and book designer. He played a significant role in the development of graphic design in the 20th century – first, by developing and promoting principles of typographic modernism, and subsequently idealizing conservative typographic structures. His direction of the visual identity of Penguin Books in the decade following World War II served as a model for the burgeoning design practice of … -
Gilda Williams
Based in London since 1994, Dr. Gilda Williams is a contemporary art critic and teacher; editor of ON&BY Andy Warhol (MIT/Whitechapel Press, 2016); and author of the bestselling art book How to Write about Contemporary Art (Thames & Hudson, 2014), now published in seven languages. From 2008-23 Williams was Senior Lecturer on the MFA Curating programme at Goldsmiths College (University of London), where she taught art writing. Dr. Williams has also taught at the The Ruskin School of Art, … -
Valentina Vergara
Valentina Vergara is a multidisciplinary designer and illustrator who’s interested in using design as a catalyst for change. She’s collaborated on projects addressing gender disparity in graphic design education and continues to explore ways in which she can dismantle oppressive design thinking and continue to advocate for and uplift marginalized perspectives. -
Peter Troxler
An independent researcher and concept developer, he focuses on the overall composition and design of the social, technological, and commercial dimensions of businesses. His work pays particular attention to companies as permanent organizations and projects as temporary organizational structures. -
Margaret Colquhoun
1947–2017. Goethean biologist and the Founding Director of the Life Science Trust, based at Pishwanton Wood in East Lothian, Scotland, at the foot of the Lammermuir Hills. She studied zoology and genetics with agricultural acience at Edinburgh University in the 1960s and worked there as a Research Associate in the 1970s on questions of population genetics and evolutionary biology. Later on, still carrying questions into the reality and relationship of taxonomy and evolution, she spent four … -
Lee Yong-je
Lee Yong-je studied visual design at Hongik University and was the first designer to receive a PhD in Hangul design from the same graduate school. He worked at the Hangeul Design Institute from 1999-2003, and since 2004, he has been running ‘Hangeul Space’, a space for research and design. He has designed numerous fonts, including ‘꽃길’, a font for vertical writing, and ‘아리따’, a typeface for Amorepacific. Recently, he has been focusing on ‘ink-saving … -
Zo Za-yong
Born in Hwangju, Hwanghae-do, he graduated from Pyongyang Teachers’ College (平壤師範學校) at the age of 18 and briefly worked as an elementary school teacher. After the liberation of Korea, he moved south, worked as a houseboy for the U.S. military, and at 22, went to study in the United States. He graduated from Wesleyan College and Vanderbilt University and earned a master’s degree in Structural Engineering from Harvard University. Returning to Korea in 1954, he pursued a career in …