He majored in calligraphy at Wonkwang University and completed his doctoral program at Dongguk University. In 2002, he founded CalliDesign, a company specializing in calligraphy, where he is currently the president, and served as a board member of the Korea Calligraphy and Design Association. He has been in charge of important large-scale projects in Korea, including the slogan titles for the 17th and 18th presidential inaugurations, the slogan titles for the opening of Gwanghwamun Square, the slogan titles for the opening of Incheon Bridge, the poster and slogan titles for the 60th anniversary of the Armed Forces Day, the Korean character CI for Hyundai Heavy Industries, and the Korean character CI for Hyundai USS Korea. Recently, he has been focusing his efforts on establishing the theory of calligraphy, a barren field. His books include Practical Calligraphy 1 and 2, Calligraphy, In Search of Korean Monuments, Introduction to Korean Calligraphy 1, and Understanding Calligraphy (co-authored).
Authors
Lee Kyu-bok
이규복
Lee Kyu-bok의 책
다른 사람들
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Lee Yong-shin studied Korean Language and Literature at Yonsei University, Industrial Design at Seoul National University, and Communication Design at Pratt Institute Graduate School. He has worked as a designer at magazines Glamour and Advertising Age , and now works as an art director at CMYK+WHITE, a design firm in New York City.
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김지선
이화여자대학교 중어중문학과를 졸업하고 동 대학원에서 석사 학위를, 고려대학교 중어중문학과 대학원에서 고전문학 전공으로 박사 학위를 받았다. 현재 동국대학교 중어중문학과 교수다. 중국 고전소설에 기반한 상상력, 스토리텔링, 문화 콘텐츠 등을 연구하고 있다. 저서로 『수신기 괴담의 문화사』, 공저로 『붉은 누각의 꿈』, 역서로 『신이경』 『열녀전』 『부생육기』 등이 있다. -
Dunne & Raby
Dunne & Raby use design as a medium to stimulate discussion and debate amongst designers, industry and the public about the social, cultural and ethical implications of existing and emerging technologies. They are the authors of Hertzian Tales (CRD Research, 1999, MIT Press, 2005) and co-author, with Fiona Raby, of Design Noir (Birkhauser, 2001) and Speculative Everything (MIT Press, 2013). Projects include Technological Dream Series, No 1: Robots (2007), Designs For An Over Populated … -
ZERO PER ZERO
ZERO PER ZERO is a design studio founded in Seoul in 2008. We focus on themes of ‘EARTH, TRAVEL, LOVE,’ creating a wide range of graphic designs and illustrations that capture precious moments discovered in travel and everyday life. Initially inspired by themes related to travel, we have since expanded to include warm family portraits, dogs, cats, flowers, and national treasures, continually building our own graphic dictionary. Through our work, we aim to celebrate and share the … -
Go Yun-seo
She explores how text, graphics, and people interact between the virtual and the real. After working as a designer and developer at graphic design studio Everyday Practice, She recently went independent to run his own creative design studio, YYY. Continues to experiment with digital interaction in the graphic web experimentation group HHHA. -
Doi Akifumi
Born in Hiroshima in 1957. Owner of Tom’s Box. Handles picture books and books related to picture books. He has been involved in the planning and editing of over 300 picture books to date, including the Forest of Images series (Holp Shuppan) and Neko no Sweater (Oikawa Kenji, Takeuchi Mayuko). He also organizes the workshop Atosaki Juku with Akira Ono, which aims to nurture picture book authors. -
Yoon Je-won
Yoon Je-won majored in geography education and aesthetics at Seoul National University and graduated from the Gumbap Academy. She was very interested in performing arts, art, and video, which she was exposed to in college, and was active in performance festivals and film festivals. She pursues natural translation by utilizing her long experience in video translation and is interested in various fields such as education, cooking, philosophy, art, and foreign languages, and strives to convey … -
Hansil
Awakened to the disarray in the Korean language, he dedicated himself to reviving dying words, simplifying difficult Sino-Korean terms into accessible native expressions, and interpreting Korean words in Korean. He established “Maum-Dakkeuneun Maeul” (Mind-Polishing Village) at the foot of Surime (Mount Songni) in the Sabara region (Sangju) of Nosarasa (Gyeongbuk). There, he leads meditation practices to help anyone polish their mind, freeing themselves from suffering to live a … -
Yun Suh-young
SuhYoung Yun is the former Cultural and Public Affairs Officer at the Embassy of Switzerland in Seoul. She spent part of her childhood in Switzerland while accompanying her diplomat father on his posting in Geneva. She holds a BA in International Studies from Ewha Womans University and an MA in Strategic Design and Management from Parsons School of Design. Her career spans over a decade as a culture and travel journalist, contributing to newspapers, magazines, radio, and television. She … -
Hwal
‘Life designer, lifestyle adventurer, director of the No Money Economic Center, chieftain of the early days of the shortage of balance, thought collector, rag master, place lessor for the multi-base living lifestyle, daytime planner.’ He creates such strange jobs for himself. He majored in industrial design, but converted to life design after realizing that industry is threatening everyone’s life. How can we save life? What kills life? Where can we start to change life? With these topics in … -
Kuma Kengo
Born in Yokohama in 1954, he studied architecture at the University of Tokyo and was a visiting scholar at Columbia University’s Department of Architecture and Urban Planning in the United States. He is currently a principal of Kengo Kuma and Associates and a special professor and professor emeritus at the University of Tokyo. His major works include Kiro-San observatory (1994), Water/Glass, Atami, Noh Stage in the Forest /Moributai Traditional Performing Arts Museum, Bato Hiroshige … -
Korea Craft & Design Foundation
The Korea Craft & Design Foundation (KCDF) is a public organization affiliated to the Korean Ministry of Sports, Culture and Tourism. The objective of the organization is to promote Korea’s craft, design and hanbok both in Korea and internationally. It is our responsibility to promote the field in order to create opportunities for young makers, artists and related groups. We focus on preserving our own cultural heritage by re-interpreting tradition, research on craft materials/skills and …