Associate Professor Koyama started his business career at a major advertising agency after receiving a Bachelor’s degree in Philosophy at Kyoto University. After working as a producer at Shochiku Co., Ltd. to launch a new business based on the theme of Kabuki, he established Bloom Concept Inc. Professor Koyama received an MBA from the Thunderbird School of Global Management and Ph.D. from Kyoto University of the Arts, before joining NUCB Business School in 2015, and his research interests include business models, innovation, and concept creation. In addition to developing new products and producing new businesses such as the HACKS! Notebook, he has given many lectures, seminars, and corporate training programs based on increasing productivity in daily life.
Authors
Koyama Ryusuke
小山龍介
다른 사람들
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He graduated from Hongik University, College of Fine Arts, Department of Wooden Furniture, and majored in Industrial Design at Rochester Institute of Technology, USA. He has worked as a senior designer at Spoon Design, an adjunct professor at the Department of Industrial Design at Rochester Institute of Technology, a commissioned researcher at the Korea Institute of Design Promotion (KIDP), and is currently a professor at the Department of Living Furniture Design at Seoil University.
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Seoul Biennale of Architecture and Urbanism
Established in 2017, the Seoul Biennale of Architecture and Urbanism explores the diverse challenges arising from rapid urban growth through the lens of architecture and urbanism. With a focus on Seoul and other global cities, the Biennale seeks to address pressing urban issues and propose innovative solutions. The Biennale features Thematic Exhibitions centered on a specific theme, Guest Cities Exhibition showcasing pioneering public projects from around the globe, and On-site Projects that … -
Kwak Yung-bin
He is an art critic and visiting professor at Yonsei University’s Graduate School of Communication, and holds a PhD from the University of Iowa, USA, with a “The origin of Korean Trauerspiel”. In 2015, he was awarded the inaugural SeMA-Hana Art Criticism Award, the first national art criticism award established by the Seoul Museum of Art (SeMA). His recent publications include “The Blind Past and the Eternal Return of Global Civil War: Difference and Repetition in Omer Fasth … -
Leonard S. Marcus
Leonard’s pathfinding writings and exhibitions have earned him acclaim as one of the world’s preeminent authorities on children’s books and the people who create them. He is the author of more than 25 award-winning biographies, histories, interview collections, and inside looks at the making of children’s literature’s enduring classics. His reviews and commentary have been featured in the New York Times Book Review, Washington Post, The Horn Book, and on numerous radio and television programs … -
Kang Sung-joong
After graduating from Hanyang University with a degree in precision mechanical engineering, he worked as an engineer at Ssangyong Engineering before graduating from Seoul National University with a degree in industrial design. He then completed a master’s degree in industrial design at Seoul National University, a master’s degree in interaction design at Carnegie Mellon University, and a doctorate in design at Seoul National University. He has trained designers at Hanyang University … -
2023 Typojanchi Team
The 2023 Typojanchi Team is a working group consisting of Artistic Director Park Yeoun-joo, Curators Shin Hae-ok, Yeo Hye-jin, Jeon Yu-ni, and Coordinator Lee Ju-hyun. -
Peter Jones
Dr. Peter Jones is Distinguished University Professor of Systemic Design at Tec de Monterrey, and an associate professor at Toronto’s OCAD University. He is a cofounder of the Systemic Design Association (systemic. design) and the RSD Symposia series, and is Editor in Chief of the SDA journal Contexts. Peter is the founder of Redesign Network, an innovation research firm, leading systemic and platform design and research in healthcare, informatics and media, and public sector strategy. He has … -
William Bevington
He is on the executive team of the Parsons Institute for Information Mapping(PIIM) New School. He currently teaches at Parsons School of Design. He has worked at Rudolf de Harak & Associates, Peter Schmidt Studio(Hamburg, Germany), and the world-renowned Pushpin Group, and taught design and typography at Cooper Union for 15 years. He has also been a visiting lecturer at Columbia University and the State University of New York at Purchase. -
정혜선
한국전통문화대학교를 졸업한 후 전통 회화의 재료학적 기법 연구와 지류 문화재 보존을 심도 있게 연구하기 위해 일본으로 유학을 가 도쿄예술대학원 문화재보존학 석박사 학위를 취득하였다. 일본에서 다수의 회화 문화재 복원 모사 및 수리 작업의 연구원으로 활동했으며, 한국에 귀국한 후 객원 연구원으로서 회화 문화재의 복원 모사 사업에 참여했다. 장황에 대한 새로운 접근을 시도하고자 권민성과 함께 2022년 SOKO 장황 스튜디오를 설립했다. 장황이 지류 문화재의 보존 처리와 작품을 표장하는 것에 국한되지 않고 하나의 독립된 공예로 분류되길 바라며 장황을 기반으로 한 다양한 디자인 작업을 진행한다. 현재 SOKO 공동 대표로 활동하고 있으며, 후시카솔 스튜디오 및 전통문화교육원 전통문화사화교육과정에서 모사(전통 회화) 강의를 병행하고 있다. -
Lee Yil
Lee-Yil is an art critic who made a significant contribution to recognizing and establishing the concept of art criticism and review in the Korean art world from the 1960s to the 1990s. Born in 1932 in Gangseo, South Pyongan Province, Lee was a student at Seoul National University, where he was active as a literary youth, organizing the ‘Literature and Literature Society’ and appearing as a poet. After dropping out of college, he studied abroad in France in 1956, where he completed … -
Korea Craft & Design Foundation
The Korea Craft & Design Foundation (KCDF) is a public organization affiliated to the Korean Ministry of Sports, Culture and Tourism. The objective of the organization is to promote Korea’s craft, design and hanbok both in Korea and internationally. It is our responsibility to promote the field in order to create opportunities for young makers, artists and related groups. We focus on preserving our own cultural heritage by re-interpreting tradition, research on craft materials/skills and … -
Park Hyun-taek
Majored in visual design at Hongik University and lectured at several universities before coming across the National Museum of Korea, where work has continued for over twenty years. While working in the fields of ‘museums,’ ‘design,’ and ‘culture,’ doubts arose about the fact that design was being absorbed only in external decoration. Reevaluating design led to confronting the question of ‘why and for whom to design,’ rather than ‘how to design.’ This process led to the realization that design …