Book designer, illustrator, art director, and author, whose witty work is active in various fields. After dropping out of Musashino Art University’s Visual Communication Design Department, he worked for the advertising company Hakuhodo. In 1988, he opened Yorifuji Design Office, and in 2000, he founded Bunpei Ginza, a limited company. In 2008, he won the 29th Kodansha Publishing Culture Award in the Book Design category for Life Miscellany Notebook and Designers Who Don’t Design. He received the Tokyo ADC Award and the Japan Typography Yearbook Award for his posters and newspaper advertisements for the Japanese tobacco industry, which he created with copywriter KINYA Okamoto. His books include Death Catalog and Elemental Life and his books introduced in Japan include Earthquake, Measure of Numbers, Heaven of Change, and Doodle Master.
Authors
Yorifuji Bunpei
寄藤⽂平
다른 사람들
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IDR is a combination of letters reminiscent of ordinary English words such as idea and ideal. It is intended to be a more free architecture that responds flexibly to various external conditions without being bound by a specific logic or theory. Questioning what is taken for granted in our cities and architecture is the starting point of his work, and he is particularly interested in the role of architecture as a mediating background between users and everyday life.
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현경훈
한양대학교 실내건축디자인학과 부교수이자 인간-중심 AI 디자인 연구센터 센터장. 2026년 한국차세대과학기술한림원(YKAST)에서 미래를 선도할 차세대 과학자로 선정되었으며, 컴퓨테이셔널 디자인과 HCI 분야에서는 유일한 회원이다. 또한 〈ACM UIST〉와 《디자인학 연구(Archives of Design Research)》의 편집위원으로 활동하고 있다. 일리노이대학교에서 산업 디자인을 공부했으며, 로드아일랜드스쿨오브디자인에서 산업 디자인으로 석사 학위를, 한국과학기술원(KAIST) 문화기술대학원에서 컴퓨테이셔널 디자인으로 박사 학위를 취득했다. 디자인 자동화와 인간-컴퓨터 상호작용을 연구하며, AI가 디자이너의 창의성과 의사 결정을 효과적으로 지원하는 방법을 개발해왔다. 그 성과로 국내외 저명한 학술지와 학술대회에 약 50편의 논문을 게재했다. -
Moon Joo-ho
He is a licensed architect in South Korea and serves as both partner and representative of Gyeonggye Eopneun Jakyeopsil (“Studio Without Boundaries”). After graduating from the Department of Architecture at Seoul National University, he gained practical experience at Gyeongyeongwi-Chi Architects & Associates. He later founded Studio Without Boundaries, where he explores and practices the evolution of spatial value through open-minded thinking. He is currently a lecturer at Seoul National … -
Park Kum-jun
He is a graphic designer, the CEO of 601bisang, and a member of the Alliance Graphique Internationale (AGI). He graduated from the Department of Visual Communication Design at the College of Fine Arts, Hongik University, in 1988 and from the Graduate School of Advertising and Public Relations at Hongik University in 1999. From 2002 to 2005, he served as an adjunct professor in the Department of Visual Communication Design at Hongik University’s College of Fine Arts. Previously, he worked as an … -
Ko Il-hong
She graduated from the Department of Archaeology and Art History at Seoul National University and received her MA and PhD in archaeology from the University of Sheffield, UK. She has taught at Seoul National University, KyungHee University, Soongsil University, and Chungnam National University, and was a research professor at the HK Research Institute of Humanities at Seoul National University, and is currently a senior researcher at the Seoul National University Asia Center. She is the … -
Seo Ji-su
She majored in ancient art history at university. After graduating from the Glbab Academy, she worked in various Japanese translation jobs and is currently working as a professional Japanese translator at Bareun Translation. -
Dunne & Raby
Dunne & Raby use design as a medium to stimulate discussion and debate amongst designers, industry and the public about the social, cultural and ethical implications of existing and emerging technologies. They are the authors of Hertzian Tales (CRD Research, 1999, MIT Press, 2005) and co-author, with Fiona Raby, of Design Noir (Birkhauser, 2001) and Speculative Everything (MIT Press, 2013). Projects include Technological Dream Series, No 1: Robots (2007), Designs For An Over Populated … -
Sugiura Kohei
Sugiura Kohei is a Japanese graphic designer and researcher in Asian iconography. Throughout his career, Sugiura has been a pioneer within the design world using processes that enables the visualization of consciousness in his large body of work that ranges from record jackets and posters, to books, magazines, and exhibition catalogues, to diagrams, stamps, and more. He is also active in promoting the study of traditional Asian cultures through producing innovative catalogue designs and … -
Fraser Muggeridge
Fraser Muggeridge attended the University of Reading in the 1990s and studied in the Department of Typography & Graphic Communication. He worked for Sara Chapman at The Letter g before establishing his own studio in 2001. In 2010 he founded the annual Typography Summer School as a way to introduce students to the instruction he had enjoyed at Reading. He established a New York Summer School (in collaboration with Other Means) in 2013, adding a Los Angeles version in 2019. Muggeridge teaches … -
Jeong Ha-rin
A typeface designer and graphic designer who studied Graphic Design at Yeungnam University and Yale University. From 2014 to 2017, he worked as a type researcher and designer at Ahn Graphics’ Typography Institute, where he contributed to the creation of AG Choijeongho Typeface and AG Superblack Gothic. During the same period, he taught typeface design at the PaTI (Paju Typography Institute). -
Choi Jeong-ho
A Pioneer of modern Korean type design and typeface research. He moved to Japan, where he worked at a printing company, mastering various printing techniques, and studied at Yodobashi Art Academy. In 1957, he developed the Dong-A Publishing Typeface, which received high acclaim. In the early 1970s, he collaborated with Japanese phototypesetting companies Shaken (寫硏) and Morisawa (モリサワ) to create Hangeul typefaces. In his later years, he focused on writing and researching the philosophy and … -
Lim Dae-geun
Im Dae-geun graduated from the Department of Western Painting and the Graduate School of Art Theory at Seoul National University and completed the Ph.D. coursework in Art History at the University of Melbourne. Since 1997, he has been primarily responsible for exhibition planning at the National Museum of Modern and Contemporary Art (MMCA), organizing notable exhibitions such as «Multiple/Dialogues∞» (2009), «Untitled» (2015), «Cracks» (2018), «Park Iso: Records and Recollections» (2018), «MMCA …