Chung Dah-young is a curator at the National Museum of Modern and Contemporary Art, specializing in architecture and design exhibitions and writing. She has curated significant exhibitions, including Diary of Drawings: Chong Ki-yong Architecture Archive (2013), Itami Jun: Sculpting the Wind (2014), Experiments of Architopia (2015), Paper and Concrete: Korean Modern Architecture Movements 1987–1997 (2017), Kim Chung-up: Dialogue (2018), The Olympic Effect: Korean Architecture and Design of the 80s and 90s (2020), and Young Architects 2023: Annotations for a Museum (2023). She has also contributed as a co-author and planner to books such as Pavilions: Filling Cities with Emotions (Hongsi, 2015) and Architecture, Exhibition, Curating (Mati, 2019). She served as a co-curator for the Korean Pavilion at the Venice Architecture Biennale (2018) and was an adjunct professor in the Department of Industrial Design at Konkuk University (2019–2021).
Authors
Chung Dah-young
정다영
다른 사람들
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He was born in Italy in 1931 and studied architecture in Milan and Venice from 1950 to 1957. After actively engaging in various projects, including designing posters and graphic materials for the 1964 Venice Biennale, he moved to the United States in 1956. In Chicago, he co-founded Unimark International, and in 1971, together with his wife and business partner Lella, established Vignelli Associates in New York. From 1966 to 1980, he worked on the graphic program for Knoll; in 1966, he designed …
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Nam Ho-jung
She graduated from Hongik University College of Fine Arts and Dong Graduate School of Visual Design and earned a PhD in visual design. Since then, She has worked at a design institute, planned and produced numerous corporate projects, served as the president of the Korea University Press Association, director of the Korea Industrial Artists Association, and director of the Gwangju Jeonnam Design Association. She is currently an associate professor of art at Chonnam National University College … -
권민성
학부에서 미술 이론을 공부하며 전시 기획자를 꿈꿨으나, 작품 보존에 흥미를 느끼게 되면서 한국전통문화대학교 석사 과정에 진학했다. 대학원에서 지류 및 회화 보존을 전공한 후 도쿄예술대학원 문화재보존학 연구실에서 특별 연구생으로 활동했다. 이후 서울대학교 규장각 한국학 연구원과 간송미술관의 소장품 수리 사업에 참여했고, 국가유산수리기술자(보존과학) 제1994호 자격을 취득했다. 2022년에 한국 장황의 새로운 가능성을 열고자 정혜선과 함께 SOKO를 설립했으며, 현재는 SOKO를 운영하며 국가유산 수리 업체 운산에서 소장으로 재직 중이다. -
Yu Hye-young
She graduated from Sookmyung Women’s University in 1994 with a degree in Industrial Design and completed her MFA at Elisaba Design School in 2000. He has exhibited at Sol Ferino , Seoul Design Festival Milan (Milan, 2007), Seoul Design Olympics, Design is Air (Seoul, 2008), Spanish Kitchen at Samji Gallery, Insadong (Seoul, 2009), and Casas Marcs Illustration Group (Barcelona, 2010). Since 2003, he has been a design exhibition commissioner and curator, organizing various exhibitions, and … -
현경훈
한양대학교 실내건축디자인학과 부교수이자 인간-중심 AI 디자인 연구센터 센터장. 2026년 한국차세대과학기술한림원(YKAST)에서 미래를 선도할 차세대 과학자로 선정되었으며, 컴퓨테이셔널 디자인과 HCI 분야에서는 유일한 회원이다. 또한 〈ACM UIST〉와 《디자인학 연구(Archives of Design Research)》의 편집위원으로 활동하고 있다. 일리노이대학교에서 산업 디자인을 공부했으며, 로드아일랜드스쿨오브디자인에서 산업 디자인으로 석사 학위를, 한국과학기술원(KAIST) 문화기술대학원에서 컴퓨테이셔널 디자인으로 박사 학위를 취득했다. 디자인 자동화와 인간-컴퓨터 상호작용을 연구하며, AI가 디자이너의 창의성과 의사 결정을 효과적으로 지원하는 방법을 개발해왔다. 그 성과로 국내외 저명한 학술지와 학술대회에 약 50편의 논문을 게재했다. -
Min Gu-hong
He studied literature and linguistics at Chung-Ang University and computer programming—though he prefers to call it “narrow-sense literature and linguistics” or “poetic computation”—at the School for Poetic Computation (SFPC) . He worked as an editor, designer, and programmer at Angraphics and Workroom. Now running his one-person company Min Guhong Manufacturing , he works both within and beyond the art and design fields. Meanwhile, through “New Order” , which bills itself as “a liberal arts … -
Nam Jung-min
He graduated from Yonsei University with a bachelor’s degree in architecture and received his master’s degree in architectural design from Harvard University Graduate School of Design (GSD). He has interned and practiced at various offices including Kennedy & Violich Architecture (KVA), Office for Metropolitan Architecture (OMA), and Safdie Architects. He is currently a professor at Seoul National University of Science and Technology, where he founded the OA-Lab architectural … -
Amorepacific
Amorepacific Corporation is a South Korean beauty and cosmetics chaebol, operating more than 30 beauty, personal care, and health brands. The firm was founded in 1945 by Sungwhan Suh and currently managed by Kyungbae Suh, the son of the founder. It is the largest cosmetics company in South Korea and one of the 10 largest cosmetics companies in the world. -
아야코 록카쿠
1982년 일본 치바 출생. 현재 베를린을 기반으로 활동하고 있다. 붓 대신 손으로 직접 물감을 밀고 문지르며 화면을 구축하는 독창적 회화 방식으로 국제적 주목을 받아온 작가다. 정규 미술 교육을 받지 않고 독학으로 회화를 시작했으며, 2006년 무라카미 다카시가 주관한 GEISAI에서 ‘스카우트 어워드(SCOUT AWARD)를 수상하며 세계 미술계에 알려졌다. 이후 스위스 바젤에서 열린 VOLTA에 참가한 것을 계기로 활동 무대를 일본에서 유럽으로 확장했다. 초기에는 동화적 소녀 이미지와 강렬한 색채로 주목받았고, 최근에는 형상이 사라진 채 순수한 색과 리듬, 신체적 제스처가 전면화된 추상 회화로 스타일이 이동하고 있다. 유럽·아시아·중국 등 주요 미술관에서 개인전을 열었으며, 오케타 컬렉션, 보를린덴 미술관, 군마현립미술관 등 다수의 공공 컬렉션에 작품이 소장되어 있다. -
마크 브로사
마크 브로사는 스페인 등록 건축가이자 도시연구자로 대규모 주거와 표준화된 도시 형태가 일상과 환경에 작용하는 사회적·정치적 메커니즘을 탐구한다. 현재 서울시립대학교 부교수로 재직하며 연구, 교육, 비판적 설계를 아우른다. 카탈루냐 공과대학교(Polytechnic University of Catalonia)에서 건축 및 도시학 학위와 박사 학위를 취득했으며, 컬럼비아대학교에서 도시디자인 석사 학위를 받았다. 그의 작업은 2014년 베니스건축비엔날레 황금사자상을 수상한 한국관에 소개되었으며, 국제 학술 매체에도 발표되었다. -
Kim Gyeong-cheol
He majored in visual design at the Department of Industrial Design at Chung-Ang University. After graduation, he worked as a designer at a branding design company, gaining experience in various projects centered around branding. After working at the design studio Handprint in 2009, he co-founded Everyday Practice with colleagues in 2013 and has been running it ever since. His primary focus lies in UX/UI design, particularly in interface design and website development that considers user … -
Lee Jung-min
Lee Jung-min graduated from Ewha Womans University, Faculty of Design and received her master’s degree from the Graduate School of Industrial Design with the thesis Strategies for Legal Protection of Service Design . Since 2013, she has been working as a researcher at the Korean Intellectual Property Office.