Jan V. White (1928-2014) was an American designer, communication design consultant, and graphic design educator and writer. Czech by birth, he was educated in England at Leighton Park School and held degrees in architecture from Cornell University and Columbia University School of Architecture, Planning and Preservation. From 1951 to 1964 he worked on two of TIME’s architectural magazines: Architectural Forum (1951–56) as associate art director, and House & Home (1956-1964) as art director. Since 1964 he has worked as a designer, design consultant, writer and teacher. He redesigned more than 200 publications on four continents, and influenced many more with his books and articles about design for print. Initially focused on periodical design, in the mid-1980s White brought his analysis of the visual rhetoric of structure, white space and typographic hierarchy to bear on corporate publishing in a way that shared common ground with information design. As an educator ‘his most valued contribution for people trying to learn how to design has been his articulation, in very clear and easy-to-follow language, what publication design is about; and his insistence that it is not a mystery, but a rational activity of manipulating the elements of a publication in order to achieve certain defined communication outcomes.’ ‘White was an early proponent of the idea of design as being more than “good looks”.’ Author of more than a dozen books on editorial design including the 1974 landmark work, “Editing by Design” in which he first presented his original thesis that design is a clarifying tool rather than a decorative tool. “Editing by Design” is now in its fourth edition (co-authored by his son Alex W. White) and has been in continuous publication since 1974. In 2012, he dedicated several of his design books to the public domain. He was the son of the illustrator and architect Emil Weiss, and the father of the designer, writer and educator Alex W White. He is buried in New Canaan, Connecticut and is survived by his four sons and seven grandchildren.

An editorial designer who graduated from Korea University with a degree in French Literature and studied design at École Estienne in Paris. In 1979, he co-founded the editorial company Yeoreogaji Munje Yeonguso with writer Lee Yoon-ki and later established Jung Byung-kyu Design in 1985, which continues to this day. He has served as a Specialist for the Seoul Olympics, President of the Korean Society of Visual Information Design, and President of the Korean Society for Image Culture. His career includes roles such as Chief Editor at Soseol Munye, Editorial Director at Minumsa, Managing Editor at Hongseongsa, and Art Director at JoongAng Daily. He has received numerous accolades, including the Editorial Award at the Reading Grand Prize (1979), the Korean Publishing Society Award (1983), and the Grand Prize at the Kyobo Book Design Awards (1989).

Ahn Sang-soo is a graphic designer and typographer with a keen interest in Korean visual culture. He studied in the Visual Communication Design Department at Hongik University, where he also completed his graduate studies. A former professor at his alma mater, he took early retirement in 2012 to establish the Paju Typography Institute, where he currently serves as the president, also known as ‘Nalgae.’ In 2007, he received the Gutenberg Prize from the city of Leipzig, Germany. He is also a visiting professor at the Central Academy of Fine Arts (CAFA) in Beijing and a member of the Alliance Graphique Internationale (AGI).