Lee Kwang-suk is a professor of digital culture policy at the Graduate School of IT Policy, Seoul National University of Science and Technology. He has been conducting research, criticism, writing, and field activities with a critical interest in the intersection of technology, society, and culture. His main research interests include technocultural studies, media and art activism, information commons studies, youth surplus culture and technology studies, and he is currently focusing on archival studies of online activism and participatory art, critical hand-made culture studies, digital humanities criticism, and socio-cultural history of the early Internet. He is the author of Betrayal of the Digital, Aesthetics of Data Society, Critique of Data Society, New Art Activism, Cyvantgarde , Digital Savagery, Rooftop Aesthetics Notes, Impure Technology, Forks in Contemporary Technology and Media Philosophy, and Tinkering with Things.
Authors
Lee Kwang-suk
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다른 사람들
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Design critic. Graduated from the Department of Industrial Design and the Department of Aesthetics at Hongik University. Served as the editor-in-chief of the monthly magazine Design and as the editor of the design criticism journal Design Critique . Focused on critically analyzing Korean society and culture through the lens of design. Authored several books, including: A View on Korean Design , Where is Korean Design Heading? , Korean Design: Beyond the Myth , If I Had Read That Book in Those …
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Ezio Manzini
Ezio Manzini is a world-renowned scholar in the field of design for sustainability. In 2009, he founded the DESIS Network, a network of design universities dedicated to social innovation design, to connect design universities around the world and revitalize the discourse on social innovation design. As a longtime professor of design at Politecnico di Milano, Italy, he conducted research on design for sustainability and expanded the scope of design education by launching new design majors such … -
Kim Young-bae
He majored in visual design at Dankook University and the Department of Applied Arts at the same graduate school. He served as the editor-in-chief of the monthly Pop Sign , Sign Culture , and Sign Korea , and as the principal of the Sign Design School at the Sign Culture Institute of Hope Production Center, he conducted “Sign Design School” educational programs in Gyeonggi-do, Chungnam-do, and Jeonnam-do. He has served as a jury member for outdoor advertisements in local governments and is … -
Hori Michihiro
Hori Michihiro is a lacquer craftsman, manga artist and author from Toyama. He graduated from Takaoka National College (now University of Toyama, School of Art and Design) with a major in lacquerware and Ishikawa Prefectural Wajima-nuri Lacquerware Training Institute. After working for a cultural property restoration company and as a craftsman in a lacquer workshop, he made his debut as a manga artist in 2003 and has been active in the fields of lacquer and manga ever since. He is the author of … -
Kim Seong-won
Director of the Play AT Institute. He teaches young people at the Kurikindi center. He is the author of “An Earthbag House with Neighbors , The Return of the Fire Pit , The Age of the Woodstove , and “My Hands Are Tired . -
Sofie Beier
Sofie Beier is an internationally recognized researcher in typeface legibility and professor WSR at the Royal Danish Academy. She has a long career in academic research and is the author of several books and numerous academic articles on typography and legibility. -
Park Su-ji
An independent curator, operating the curatorial agency RARY and co-managing the curator platform WESS . Previously, they have worked as a curator at the independent cultural space Agit in Busan, editorial team leader for the art and culture criticism magazine BIART , coordinator for Jeju Biennale 2017: Tourism , curator at Tongui-dong Boan Inn , and associate curator for the 2024 Busan Biennale: Seeing in the Dark . Their work revolves around questioning how the fundamental nature of art … -
Saras D. Sarasvathy
Saras D. Sarasvathy (born 1959) is an American entrepreneurship professor and recipient of the 2022 Global Award for Entrepreneurship Research. She is currently the Paul M. Hammaker Professor in Business Administration at the University of Virginia Darden School of Business and the Jamuna Raghavan Chair Professor in Entrepreneurship, Indian Institute of Management, Bangalore. She serves on the editorial boards or as associate editor of several academic journals as well as serving as an outside … -
Renate Menzi
Renate Menzi enjoyed a craft-based design education at the Kunstgewerbeschule Zürich, which she continued at the Bezalel Academy in Jerusalem. Having graduated in 1996, she worked as an assistant at the Chair of Visual Design in the Department of Architecture at ETH Zurich and studied Theory of Design and Art at the Zurich University of the Arts. Since 2008, she is the curator of the design collection at the Museum für Gestaltung Zürich where she teaches, collects, researches and publishes in … -
Momose Hiroyuki
He graduated from the Department of Painting at Tokyo Zokei University and earned her graduate degree in Comprehensive Design at the University of Tsukuba. he served as an assistant professor in the Department of Performing Arts and Film at Paichai University and is currently a full-time lecturer in the College of Design at Sangmyung University. A member of ANBD(Asia Network Beyond Design), he has held numerous exhibitions, including From in the Memory , and has given various lectures on topics … -
Erik Spiekermann
Erik Spiekermann is a German typographer, designer and writer. He is an honorary professor at the University of the Arts Bremen and ArtCenter College of Design. -
IDR
IDR is a combination of letters reminiscent of ordinary English words such as idea and ideal. It is intended to be a more free architecture that responds flexibly to various external conditions without being bound by a specific logic or theory. Questioning what is taken for granted in our cities and architecture is the starting point of his work, and he is particularly interested in the role of architecture as a mediating background between users and everyday life.