He has been engaged in research, criticism, and writing with a critical focus on the intersections of technology, society, and ecology. He is a Professor in the Graduate School of IT Policy at Seoul National University of Science and Technology, specializing in Digital Culture Policy. Since 2020, he has served as the Editor-in-Chief of Culture/Science, a journal of cultural theory. His main research interests include technology and cultural studies, the commons, platforms, techno-ecological politics, and AI-driven automation societies. His major works include The Society of Digital Gluttony, Post-Digital, Phygital Commons, The Betrayal of the Digital, Aesthetics of the Data Society, Critique of the Data Society, and Digital Barbarism. He also co-edited and co-authored AI, Platforms, and the Future of Labor, Crafting with Things, Impure Technologies, and Branches of Contemporary Philosophy of Technology and Media*.
Authors
Lee Kwang-suk
이광석
다른 사람들
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He majored in calligraphy at Wonkwang University and completed his doctoral program at Dongguk University. In 2002, he founded CalliDesign, a company specializing in calligraphy, where he is currently the president, and served as a board member of the Korea Calligraphy and Design Association. He has been in charge of important large-scale projects in Korea, including the slogan titles for the 17th and 18th presidential inaugurations, the slogan titles for the opening of Gwanghwamun Square, the …
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Simon Garfield
Simon Garfield was born in London in 1960. He is the author of an appealingly diverse and unpredictable canon of non-fiction, including the bestsellers Mauve, Just My Type and On The Map. He is a trustee of Mass Observation, and is the editor of several books of diaries from the archive, including Our Hidden Lives and A Notable Woman. His recent books include Timekeepers, In Miniature, and All the Knowledge in the World: The Extraordinary History of the Encyclopaedia. -
Chung Hye-uk
Studied Visual Communication Design in the Department of Industrial Design at the College of Fine Arts, Seoul National University. Earned a master’s degree in New Media Design from the University of California, Los Angeles (UCLA), and a Ph.D. in Visual Communication from the Graduate School of Communication at Yonsei University. Currently, she serves as a professor at the Content School of Cheonggang University of Culture and Industry. -
정유선
상명여자대학교 중문과를 졸업하고, 성균관대학교 중어중문학과에서 석사 학위를, 중국 베이징사범대학 중문과에서 박사 학위를 받았다. 현재 상명대학교 계당교양교육원 교수다. 동양 고전을 기반으로 하는 한중 문화 비교 연구와 명저 다시 쓰기 작업을 하고 있다. 저서로 『중국 설창예술의 이해』 『중국 경극 검보의 이해』, 공저로 『종로미각』, 역서 및 공역서로 『열자』 『조씨 고아』 『사치의 제국』 『송원화본』 『장물지』 등이 있다. -
Lee Hyun-kyung
Starting her journey in design in the Department of Visual Communication Design at Hongik University, she worked as a GUI designer at LG Electronics’ Design Management Center. She pursued Museum Studies at Syracuse University in New York and gained practical experience as an intern at the National Museum of Modern and Contemporary Art in Korea and the Orange County Museum of Art in the United States. She earned her Ph.D. in Arts Administration from Florida State University. She honed her skills … -
Shunmyo Masuno
He is the abbot of Dokuozan Genko-ji Temple of the Soto School, a garden designer, and a professor in the Department of Environmental Design at Tama Art University. Born in 1953, he graduated from the Department of Agriculture in the College of Agriculture at Tamagawa University in Japan and practiced at the head temple Sojiji. While creating Zen gardens, he has given lectures at schools and museums around the world. As a garden designer, he has received numerous honors, including the Art … -
Yim Seock-jae
An architectural historian and architect, born in Seoul in 1961. He graduated from the Department of Architecture at Seoul National University, earned a master’s degree from the University of Michigan, and completed a Ph.D. at the University of Pennsylvania with research on French Enlightenment architecture. In 1994, he established the Department of Architecture at Ewha Womans University as its founding professor, where he continues to serve. His extensive and profound research transcends time … -
Chae Sung-zin
After graduating from the Department of Applied Arts at Seoul National University in 1985, he earned a Master of Fine Arts (MFA) in Industrial Design from Hongik University in 1987 and from the University of Michigan in 1990. In 2007, she completed her Ph.D. in Design Studies at Seoul National University with his dissertation, The Characteristics of Technology and the Formation of Product Archetypes (advisor: Lee Soon-jong). He served as an associate professor in the Department of Design … -
Shin Seung-won
An invited artist and judge for the Korea Calligraphy Grand Exhibition, recognized as Korea’s Outstanding New Intellectual for pioneering and promoting calligraphy education programs. Held solo exhibitions in 2015 at the Museo Nacional de Arte Decorativo and the Cultural Center of the Korean Embassy in Argentina, where two works, “Life” and “Ten Symbols of Longevity”, are now part of the permanent collection. Former director of the Pilmuk Calligraphy Research Institute, … -
Ota Hiroshi
Born in 1968. Architect.Co-chair of Design Nouveau, Tokyo Picnic Club. Researcher at the International Center for Urban Regeneration Research, University of Tokyo, and lecturer at the Institute of Production Technology, University of Tokyo, where he studies urban regeneration cases around the world. Since 2011, he has been a lecturer at the Children’s Architecture School. -
Kim Hyun
He is the CEO of Design Park, an invited artist at the Korea Design Exhibition, and a stamp reviewer at the Korea Postal Service, Ministry of Knowledge Economy. He graduated from Chung-Ang University and Konkuk University Graduate School of Education. After working as an art director in the design department of a large company, he opened his own office, Design Park, and has worked on over 400 corporate design projects, starting with the 1988 Seoul Olympics mascot, Hodol. From the cards in … -
라슬로 모호이너지
20세기 디자인 교육의 가장 혁명적인 인물로, 바우하우스에서 교수로 재직하며 예술과 기술의 통합을 주도했다. 회화 중심의 교육에 사진, 영화, 타이포그래피 등 신매체를 도입하며 인간 지각의 확장을 탐구했다. “예술과 기술—새로운 통합(Kunst und Technik — eine neue Einheit)”이라는 구호 아래 바우하우스를 단순한 예술학교를 넘어 산업사회와 조화하는 디자인 교육기관으로 이끌었다. 1895년 오스트리아-헝가리 제국에서 태어났고, 제1차 세계대전 시기에 청년기를 보냈다. 전후 서구에서 일어난 격렬한 문화적 격동과 모더니즘 속에서 포토그램, 포토몽타주, 영화, 키네틱 조각 등을 활용해 새로운 시각 실험을 펼쳤다. 발터 그로피우스, 마르셀 브로이어 등 동시대 예술가와 활발하게 협업했으며, 알바르 알토, 요제프 알베르스, 헤르베르트 바이어 등 많은 예술가에게 영향을 미쳤다. 예술평론가 피터 셸달은 그를 “끊임없이 실험하는 작가”라고 불렀다. 1937년 발터 …