Lee Kwang-suk is a professor of digital culture policy at the Graduate School of IT Policy, Seoul National University of Science and Technology. He has been conducting research, criticism, writing, and field activities with a critical interest in the intersection of technology, society, and culture. His main research interests include technocultural studies, media and art activism, information commons studies, youth surplus culture and technology studies, and he is currently focusing on archival studies of online activism and participatory art, critical hand-made culture studies, digital humanities criticism, and socio-cultural history of the early Internet. He is the author of Betrayal of the Digital, Aesthetics of Data Society, Critique of Data Society, New Art Activism, Cyvantgarde , Digital Savagery, Rooftop Aesthetics Notes, Impure Technology, Forks in Contemporary Technology and Media Philosophy, and Tinkering with Things.

A full-time researcher at the Research Center for Common Resources and Sustainable Society at Jeju National University. She dreams of running a small research institute under the name Democracy for All. She is the author of The Miryang War: A Radical Democracy Project Based on Common Resources and is currently working on her next book.

A member of the steering committee at the Center for Cultural Society and a former activist with the Cultural Action. Currently works in the field of cultural education. Maintains a steady interest in technology, culture, and labor while studying cultural theory and social sciences.

A digital culture researcher specializing in critiques of information capitalism, game studies, and technology and information culture. Actively engaged in various writing projects. Co-authored the book Mario, Born in 1981.

She is a professor specializing in Digital Culture Policy at the IT Policy Graduate School of Seoul National University of Science and Technology. She has authored works such as Memory of War and the Theory of the Cultural State, The Ethical Future of Museums – Focusing on the Genealogy of Museum Activism, The Demographic Turn in Cultural Policy and the Policy Status of Artists, Alternative Paths (and Media) of the Lee Jung-seop Myth – Focusing on the 1970s Biographies and Films on Lee Jung-seop, and The Consumption of Art History. Her co-authored books include School for All – The Village Project, Reading Korean Contemporary Art, and Asian Events – The Competition of Different Asias.

Unmake Lab turns algorithmic obsessions into irony, allegory, and a form of humor using machine perception in an unconventional manner. Specifically, they superimpose the historical context of developmentalism with the resource extraction aspect of machine learning to shed light on contemporary socio-political and ecological situations. In recent times, their narratives have been constructed upon elements such as Generic Nature, disaster, datasets, and computer vision. Besides their artistic approach, education is a fundamental component of their methodology. They actively engage in discourse and research through participation in events such as Forking Room.

An adjunct professor in the Department of Spatial Production at Kaywon University of Art and Design and an automata artist. As the director of Studio Mimesis and Automata Workshop, he is actively involved in animation, automata, and kinetic art through education, exhibitions, and various projects. He co-authored the book Automata Workshop and has showcased his work in notable exhibitions such as ‹Chon Seung-il’s Thinking Automata› (2017), ‹Goguryeo Mural Automata› (2017), ‹Friends of the Sky World› (2017), ‹Scotland Moving Toy Special Exhibition› (2017), SICAF ‹Chon Seung-il Automata Invitational Exhibition› (2016), and ‹King Jeongjo’s Royal Procession to Hwaseong› (2016).

Director of the Play AT Institute. He teaches young people at the Kurikindi center. He is the author of “An Earthbag House with Neighbors, The Return of the Fire Pit, The Age of the Woodstove, and “My Hands Are Tired.