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The T-Shirts We Can’t Throw Away

捨てられないTシャツ

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T-Shaped Memories We Can’t Throw Away

70 T-Shirts, 70 Stories

Journalist and editor Kyoichi Tsuzuki, who has traveled the streets of the world collecting fragments of life, presents 70 irreplaceable T-shirts and the 70 stories behind them, carefully pressed and woven together. A T-shirt swapped with the vocalist at a punk show, A T-shirt adorned with one’s own hand-drawn artwork, A T-shirt still carrying the scent of a former lover, A T-shirt inherited from a father, worn to the point of falling apart through daily use, A T-shirt impulsively bought, never once worn, yet pulled out and admired over and over again…

Seventy people, whose names remain hidden save for their age, gender, occupation, and hometown, reveal the rich variety of their lives—their joys, sorrows, and everything in between—through their one “T-shirt they just can’t throw away.” As readers encounter the scents, textures, and memories embedded in this most universal of garments, they will inevitably begin to reflect on their own “irreplaceable things” that have quietly stayed by their side.

편집자의 글

The Most Personal Dress Code: The T-Shirt

Seventy Carefully Pressed Life Anthologies

Veteran editor and journalist Kyoichi Tsuzuki, known for uncovering the overlooked in contemporary society across fields like contemporary art, architecture, design, and urban life, has released The T-Shirts We Can’t Throw Away, a collection of seventy T-shirts and their accompanying stories, each carefully pressed and compiled. This book gathers sixty-nine articles serialized weekly from the July 8, 2015, to December 28, 2016, issues of his paid weekly email magazine ROADSIDE’ weekly, with one additional T-shirt story to complete the set. What began as a simple project to collect T-shirt-related memories under the same title evolved into something much deeper and more expansive with each installment. The T-shirts became both a key and a pretext for unlocking the inner lives of their owners.

Starting from its origins as underwear to becoming an icon of rebellion donned by James Dean and Marlon Brando, the T-shirt has evolved into both a daily staple and a fashion statement for special occasions. Yet the vast majority of the “unthrowable” T-shirts in this book are neither obviously stylish nor expensive branded items. They’re stained, faded, outdated in style, or even printed with embarrassingly cheesy slogans—scrappy, awkward garments by all appearances. Precisely because of that, these seemingly trivial fixations, incomprehensible to outsiders, vividly reveal the intimate trajectories of their owners’ lives. Childhood songs that once played on repeat, fleeting moments with a former lover, life-changing encounters, laugh-out-loud anecdotes, irreparable mistakes—each is woven into the fabric of these seventy T-shirts.

The T-Shirts We Can’t Throw Away features a wide range of voices: from the refined prose of well-known writers whose names anyone would recognize, to the rough, hastily written texts of amateurs, left intentionally raw with minimal editing to preserve their authenticity. This unpolished sincerity brings out the unique personality in each contributor’s writing style, adding to the book’s charm. As you turn the pages and encounter this panoramic showcase of unique memories embedded in a universally familiar item—the T-shirt—you’ll once again feel the power of life’s diversity. None of the seventy contributors reveal their names or faces. Only their age, gender, occupation, and hometown are provided, leaving readers to imagine the T-shirt owners as they listen to these heartfelt life stories.

Not all the essays focus solely on a single T-shirt anecdote. Many digress into sprawling life stories, from birth up to the present. This offers a chance to discover unexpected sides of famous figures or tune in to the hidden narratives of society’s fringe outsiders. Through these layered personal histories, readers can gain a sweeping view of modern Japanese society, spanning the Showa, Heisei, and Reiwa eras. The book also offers delightful glimpses into the personal tastes of the T-shirts’ owners. It serves as an archive of memory and taste, vividly capturing the dynamic currents of subcultures like music, fashion, and art—almost like shopping through an emotional collection.

Though the book declares itself not to be a stylish T-shirt catalog, the vibrancy of the photos—each T-shirt lovingly pressed and photographed by Tsuzuki himself, a 50-year veteran editor who left a mark on cult publishing with POPEYE, BRUTUS, and the photo book TOKYO STYLE—rivals that of fashion magazines. Every photo exudes the atmosphere of the era in which the T-shirt was worn. The layout, where text dynamically threads through the pages alongside the images, offers a reading experience as if walking through a living museum of T-shirt memories.

Before closing the book, be sure to search the hashtag #捨てられないTシャツ (#TheTShirtsWeCantThrowAway) on Instagram. You’ll find countless people sharing their own T-shirts and the lives woven into them, outside the pages of this book. This is a project still in progress—one you too can become part of. After all, you may just find that an unthrowable memory is quietly folded away in your own drawer.

Tsuzuki Kyoichi

Kyoichi Tsuzuki was born in Tokyo in 1956. From 1976 to 1986, he was a freelance editor for the influential men’s fashion and lifestyle magazines Popeye and Brutus, where he wrote on contemporary art, design, urban living, and related topics. From 1989 to 1992, he published Art Random (Kyoto Shoin), a 102-volume series covering 1980s trends in global contemporary art. He continues to write and edit works on contemporary art, architecture, photography, design, and more. In 1993, he released the photobook Tokyo Style (Kyoto Shoin), which depicts the living spaces of Tokyoites in a raw, unfiltered context; in 1997, he received the Kimura Ihei Award for his photobook Roadside Japan (Aspect, 1997), which marked the start of a still-ongoing project to document roadside subjects both in Japan and abroad.

Lee Hong-hee

Born in Seoul in 1982. Drawn to Japanese culture from the early 1990s precisely because it was technically illegal in Korea at the time, Lee went on to study Japanese literature at both undergraduate and graduate levels. After graduation, Lee worked as an editor in the publishing industry, editing and translating books across various fields. His T-shirt size is L in Japan, M in Korea, and S in the U.S. The one T-shirt she can’t throw away is a Hulk Hogan tee she bought during the WWE Korea Tour in 2003. The fabric turned out to be much thicker than expected, so it’s stayed in his closet ever since. His goal is to one day rip it apart like Hulk Hogan — so she’s working out hard toward that day.
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