Born in 1929, he completed an apprenticeship in typesetting and later worked as an instructor. He taught photography and graphic design at various colleges and at the Zurich School of Design, while also serving as a teacher at the Zurich School of Industrial Design, where he developed lifelong learning programs in typographic design. His work spans book design for the cultural sector, exhibition catalogs, posters, and exhibition and installation design. A prolific writer, he has authored numerous books on art, architecture, typography, typographic design, and typefaces, contributed to many journals, and delivered extensive lectures on these subjects. His creative endeavors include painting, graphic design, land art, and photography. In 1956, he founded Janus-Presse in Zurich, producing portfolios and books on original graphics and art. A member of “Xylon” (the International Association of Wood Engravers), he edited and designed the association’s magazine Xylon, dedicated to woodcuts and woodcutting techniques, from 1967 to 1991.
Authors
Hans Rudolf Bosshard
다른 사람들
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He graduated from the Department of Philosophy at Hannam University and the Department of Advertising Design at Hongik University Graduate School of Industrial Arts. He edited and planned Picturebook Imagination , a magazine specializing in creative picture books and picture books at a commercial publishing house, and was the head of the planning team for the 1st CJ Picture Book Festival and a member of the 1st and 2nd primary jury. He is currently the head of Soojung Edition, and has been …
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정시화
국민대학교 조형대학 시각디자인학과 명예교수. 1976년부터 30여 년간 그래픽 디자인 창작실기, 디자인론, 색채계획, 전통색채론 등을 가르치며 교육자로서 활발히 활동했다. 대한민국산업디자인전에 추천작가·초대작가로 선정됐으며, 심사위원을 역임했다. 한국시각디자인협회 국제부회장을 지냈으며, 88서울올림픽위원회 중 디자인전문위원회의 주요 일원으로 활동했다. 국립현대미술관 「한국전통표준색명 및 색상: 제1차 시안」에 연구위원으로 참여했고, 서울시립미술관 개관전 〈한민족의 빛과 색〉에는 자문위원으로 참여했다. 국제디자인협의회(ICoD, 전 세계그래픽디자인협의회), 국제색채심포지엄, 바우하우스 답사 연구 등 다양한 국제 활동을 통해 세계 그래픽 디자인의 동향을 한국 디자인계에 반영하는 데 일조했다. 지은 책으로 『현대 디자인 연구』 『한국의 현대 디자인』 『산업 디자인 150년』이 있으며, 옮긴 책으로 『디자인론』 『포스터 디자인사』가 있다. 대표 논문으로는 「덴마크 디자인의 에센스」 … -
Kim Jin-a
She studied education at Sookmyung Women’s University and holds a master’s degree in theater and education from the Freie Universität Berlin. She has been a lecturer at the Universität Duisburg-Essen and is currently working as a professional translator. Her translations include Schneewittchen muss Sterben , Mordsfreunde , Erebos , and Effekten af Susan . -
Chung Hye-uk
Studied Visual Communication Design in the Department of Industrial Design at the College of Fine Arts, Seoul National University. Earned a master’s degree in New Media Design from the University of California, Los Angeles (UCLA), and a Ph.D. in Visual Communication from the Graduate School of Communication at Yonsei University. Currently, she serves as a professor at the Content School of Cheonggang University of Culture and Industry. -
ARTIST PROOF
‘Artist Proof’ is a print & design label run by an artist, Kyungjoo Choi. The artist, working based in Seoul, embodies multi-layered inner structures in layers of overlapped colours and refined symbols. By experimenting with images she created and crossing the boundaries of art genres, ‘Artist Proof’ has done various projects such as producing items, holding exhibitions, and collaborative art projects. -
Kim Seong-won
Director of the Play AT Institute. He teaches young people at the Kurikindi center. He is the author of “An Earthbag House with Neighbors , The Return of the Fire Pit , The Age of the Woodstove , and “My Hands Are Tired . -
Fukuda Shigeo
Graduated from the Department of Design at Tokyo University of the Arts, she worked at Ajinomoto Co., Inc. and Deska Co. before embarking on a freelance career. She carved out a unique space in the design world with works that fuse simplified forms and trick art, embodying a playful and cynical spirit. Her accolades include the Gold Prize at the Warsaw International Poster Biennale, the Grand Prix at the Poland 30th Anniversary of Victory International Poster Competition, the Newcomer Award … -
Jeong Ha-rin
A typeface designer and graphic designer who studied Graphic Design at Yeungnam University and Yale University. From 2014 to 2017, he worked as a type researcher and designer at Ahn Graphics’ Typography Institute, where he contributed to the creation of AG Choijeongho Typeface and AG Superblack Gothic. During the same period, he taught typeface design at the PaTI (Paju Typography Institute). -
Kiura Mikio
Born and raised in Osaka. He has two master degrees in computer science at Nara Institute of Science and Technology and design at Copenhagen Institute of Interaction Design. Currently, he runs his award-winning design studio ANKR DESIGN in Tokyo and designs new products and services with his clients. He thoroughly understands the Japanese manufacturing industry, as well as, the workflow of large companies and startups in Japan. He also has a profound knowledge of Japan’s unique culture and … -
Ota Hiroshi
Born in 1968. Architect.Co-chair of Design Nouveau, Tokyo Picnic Club. Researcher at the International Center for Urban Regeneration Research, University of Tokyo, and lecturer at the Institute of Production Technology, University of Tokyo, where he studies urban regeneration cases around the world. Since 2011, he has been a lecturer at the Children’s Architecture School. -
Jo Kim
Graphic designer. He majored in communication design at Hongik University, earned a master’s degree from Yale University and a PhD from Hongik University. He is the co-author of the A Dictionary of Typography published by Angraphics in 2012, published “Technical Problems in Multilingual Typography” (2016), and designed typefaces such as “Bemby” in 2017 and “Glyphs Sans” in 2018. He passed away in 2021. -
Kim Jee-hyun
She studied graphic design at Seoul National University’s Department of Applied Arts and Graduate School of Design, and received his master’s degree in typography from Eastern Michigan University, USA. She has been teaching design at Hansung University since 1991. She was a research professor at Syracuse University in the United States and the third president of the Korean Typography Society. She is currently serving as the chairman of the Future Planning Committee and editorial …