We are Architects, who think, create, enjoy and share everyday Architecture. The title ‘ArchiWorkshop’ has two meanings. One is ‘workshop of artisans’, and the other is the meaning of ‘attacking and defending to each other through discussion’. From a result perspective of view, architecture is a visual work. But at the same time, its origin accompanies philosophy and rational thinking. For that reason, we discuss and converse as much as sketching and this approach allows us for more influential operations and results. We, ArchiWorkshop, think, create, enjoy and share everyday architecture. Our ‘Everyday architecture’ has meaning of high level of architecture, namely, architecture with healthy environment and expansion of this architecture culture to more people to share.
Authors
ArchiWorkshop
건축공방
다른 사람들
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Drawer, illustrator. He studied visual communication at Central Saint Martins and the Royal College of Art (RCA) postgraduate program. His work is based on drawing and new media, blurring the boundaries between illustration and fine art painting. He has worked with Factum-Arte, Bompas & Parr, Jotta studio, and RA in London, and has won awards such as the Jerwood Drawing Prize, V&A Illustration Awards, and RCA Sustain, a London design festival. He has presented and curated exhibitions …
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Shur Ki-heun
Graphic designer and professor in the Department of Visual Design at Gachon University. He has served as the president of the Korea Society of Visual Information Design and the Korea Society of Basic Design & Art. He received the Art Division Award at the 2008 Korean Culture and Arts Awards and the Education Division Award at the 2012 Korea New Knowledge Management Awards. -
Adrian George
Adrian George is Deputy Director and Senior Curator at the UK Government Art Collection. She leads a department responsible for publication projects ranging from education, commentary and public programs to professional art events, and lectures on curating and contemporary art commissioning. She has commissioned site-specific works in Belgium, the Philippines, Qatar, Spain, the UK, and Yemen, and has curated exhibitions in Hong Kong, Dublin, London, Skopje, New York, and Taipei. He has held … -
Lee Dong-guk
Lee Dong-guk is a Korean calligraphy researcher, curator, and current director of the Gyeonggi-do Museum. He has been an academic researcher at the Calligraphy Museum at the Arts Center of Korea for 35 years and has published Myth, Song of Life - From Petroglyphs to Atheists (1999), Two Thousand Years of Korean Calligraphy (2000), Ose Chang’s Pavilion. Collection World (2001), Heavenly Life, Sky of Fertility (2012), Special Exhibition on the 10th Anniversary of the Passing of Galesun … -
Seongyoon Min
She graduated from the Department of Visual Design in the College of Arts at Dongduk Women’s University, as well as its graduate school. She participated in planning and directing the “Innocence Room” exhibition at the Daejeon Expo Regeneration Sculpture Hall and organized the “World Children’s Art Exhibition” there. She worked as a designer at the Asia Cultural Exchange Institute and is currently serving as the Design Director at the Korea Electric Power Corporation(KEPCO). -
Chung Byoung-kyoo
An editorial designer who graduated from Korea University with a degree in French Literature and studied design at École Estienne in Paris. In 1979, he co-founded the editorial company Yeoreogaji Munje Yeonguso with writer Lee Yoon-ki and later established Jung Byung-kyu Design in 1985, which continues to this day. He has served as a Specialist for the Seoul Olympics, President of the Korean Society of Visual Information Design, and President of the Korean Society for Image Culture. His career … -
Min Gu-hong
He studied literature and linguistics at Chung-Ang University and computer programming—though he prefers to call it “narrow-sense literature and linguistics” or “poetic computation”—at the School for Poetic Computation (SFPC) . He worked as an editor, designer, and programmer at Angraphics and Workroom. Now running his one-person company Min Guhong Manufacturing , he works both within and beyond the art and design fields. Meanwhile, through “New Order” , which bills itself as “a liberal arts … -
Shin Myung-ho
Researches the history of visual expression and representational theory, with a focus on picture books, and teaches Studies of Culture and Representation at Musashino Art University in Japan. Engages in various activities such as exhibition planning and translation, striving to raise awareness of the role and impact of picture books in society. -
Park Hee-won
After studying Living Design and Journalism & Broadcasting at Yonsei University , they worked as a product development MD. Driven by a desire to shape and engage with stories, they transitioned into the world of translation. After completing the publishing translation program at Gulbab Academy , they began working as a translator affiliated with Barun Translation . Their translated works include Vinyl , Ace , The Outlaw Ocean , and A Bookshelf of One’s Own . -
kim Ju-gyeong
A lead researcher and type designer at AG Typography Institute , the designer has created typefaces such as AG Hunminjeongeum and AG Choteuktae Myeongjo . They have also directed, researched, and designed both AG original typefaces and custom corporate identity fonts, including Amorepacific’s “APHQ Hangul” , Projekt Produkt’s “PP Sans” , Hyundai Department Store’s “Happiness Sans” , and Jeju Air’s “Flight Sans.” -
Helmut Schmid
Typographer. Born in February 1942 in Austria with German nationality, he completed an apprenticeship as a typesetter in Germany before studying at the Basel School of Design (Schule für Gestaltung Basel) under Emil Ruder, Kurt Hauert, and Robert Büchler. He subsequently worked in Germany, Sweden, Denmark, Canada, and Japan, where he created his renowned type design “Katanaka Eru”. In Japan and Germany, he published several books, including Gestaltung ist Haltung (Design Is … -
Ahn Sang-soo
Ahn Sang-soo is a graphic designer and typographer with a keen interest in Korean visual culture. He studied in the Visual Communication Design Department at Hongik University, where he also completed his graduate studies. A former professor at his alma mater, he took early retirement in 2012 to establish the Paju Typography Institute, where he currently serves as the president, also known as ‘Nalgae.’ In 2007, he received the Gutenberg Prize from the city of Leipzig, Germany. He is also a …