Lee Dong-guk is a Korean calligraphy researcher, curator, and current director of the Gyeonggi-do Museum. He has been an academic researcher at the Calligraphy Museum at the Arts Center of Korea for 35 years and has published Myth, Song of Life - From Petroglyphs to Atheists (1999), Two Thousand Years of Korean Calligraphy (2000), Ose Chang’s Pavilion. Collection World (2001), Heavenly Life, Sky of Fertility (2012), Special Exhibition on the 10th Anniversary of the Passing of Galesun Junggwang (2012), Korean Calligraphy × Latin Typography (2016), Kim Jong-young, Sculpting with Brushes (2017), From Chivas Ranch to Master (2017), The Beauty of the Monster of Chusa Kim Jung-hee (2018), Fantasia of Korean Folk Tales (2019), and The Moment of G (2021). His major works include The Aesthetics of the Monsters of Chusa (Conversations between Chusa Kim Jung-hee and Qing Dynasty Moonin, Arts Center of Korea, 2020) and 12 Stories of Art Exhibition Organizers (Han Gil Art, 2004).
Authors
Lee Dong-guk
이동국
다른 사람들
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Specialized in Visual Design and Design Theory at Seoul National University and its graduate school. As a recipient of the Japanese Ministry of Education scholarship, earned a master’s degree from Musashino Art University and a Ph.D. in Art from the Department of Design at Nihon University. After serving as a researcher at Musashino Art University, currently works as a professor in the Department of Visual Design at Semyung University while actively pursuing art, including two solo exhibitions. …
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Choi Dae-suk
Graduated with a BFA from the College of Fine Arts at Hongik University, an MFA in Industrial Design from Seoul National University, and an MBA in Marketing from Yonsei University. Guided by the belief that “a successful designer must balance theory (文) and practice (武),” he is dedicated to professional design education while contributing to the field as a recommended designer and jury member for the Korea Industrial Design Exhibition. His primary interests include new product … -
Adrian George
Adrian George is Deputy Director and Senior Curator at the UK Government Art Collection. She leads a department responsible for publication projects ranging from education, commentary and public programs to professional art events, and lectures on curating and contemporary art commissioning. She has commissioned site-specific works in Belgium, the Philippines, Qatar, Spain, the UK, and Yemen, and has curated exhibitions in Hong Kong, Dublin, London, Skopje, New York, and Taipei. He has held … -
Yoo Da-mi
She has worked as an editor for online and offline media, including Elion , Design Monthly , 1.5°C , and East . She is interested in stories about art, design, climate and environment, cities and spaces, and ways of life. She is currently the editor of C , a magazine published by GrandeClip. -
Lee Seung-heon
Lee Seung-heon is a professor of interior architecture at Dongmyung University. He majored in architectural engineering at Dong-A University and earned his PhD from Pusan National University with a thesis on the meaning and expression of locality in architecture. He writes and lectures on various media for public understanding of architecture, and his research interests include the evolution of space and the aesthetics of weaving. He has worked as a planner and designer for ‘Reno House , … -
Jo Kim
Graphic designer. He majored in communication design at Hongik University, earned a master’s degree from Yale University and a PhD from Hongik University. He is the co-author of the A Dictionary of Typography published by Angraphics in 2012, published “Technical Problems in Multilingual Typography” (2016), and designed typefaces such as “Bemby” in 2017 and “Glyphs Sans” in 2018. He passed away in 2021. -
Helmut Schmid
Typographer. Born in February 1942 in Austria with German nationality, he completed an apprenticeship as a typesetter in Germany before studying at the Basel School of Design (Schule für Gestaltung Basel) under Emil Ruder, Kurt Hauert, and Robert Büchler. He subsequently worked in Germany, Sweden, Denmark, Canada, and Japan, where he created his renowned type design “Katanaka Eru”. In Japan and Germany, he published several books, including Gestaltung ist Haltung (Design Is … -
Shim Bok-seob
Graduated from the Department of Visual Design at Hongik University’s College of Fine Arts and its Graduate School of Industrial Arts, and later from the Graduate School of Art and Design at the University of Tsukuba, Japan. Won an award at the international competition Extrasensory Museum hosted by Nikkei Inc. and participated in the planning and production of symbolic parade vehicles for the 50th Anniversary of Liberation. Currently serves as a professor of Visual Design in the Department of … -
Seung H-Sang
Seung H-Sang graduated from Seoul National University and studied at Technische Universitaet in Wien. Worked for Kim Swoo-Geun from 1974 to 1989 and established his office “IROJE architects & planners” in 1989. He was a core member of “4.3 Group” which strongly influenced Korean architectural society, and participated in founding “Seoul School of Architecture” for a new educational system. His works are based on his own critical concerns on Western culture of the 20th century whose subject … -
Jeong Yeong-seon
CEO of Seoahn Total Landscape Architecture Co., Ltd. and an adjunct professor at the College of Agriculture and Life Sciences at Seoul National University. His notable works include the landscape design for the Won Dharma Center of Won Buddhism in the United States and the basic and detailed designs for the Amorepacific Technology Research Institute. She has received numerous awards for his projects, including the Environmental Culture Award (1998) for the traditional garden Heewon at the Ho-Am … -
Karl Gerstner
Karl Gerstner (1930–2017) was a leading representative of Swiss typography and one of the most important innovators of typography, advertising graphics and corporate design. From 1945 to 1948, he completed an apprenticeship in Fritz Bühler’s studio and attended courses at the Allgemeine Gewerbeschule Basel, where Armin Hofmann and Emil Ruder were his instructors. In 1949 he followed Max Schmid’s call and joined the legendary design team of Geigy Pharmaceuticals, where he later met … -
Dunne & Raby
Dunne & Raby use design as a medium to stimulate discussion and debate amongst designers, industry and the public about the social, cultural and ethical implications of existing and emerging technologies. They are the authors of Hertzian Tales (CRD Research, 1999, MIT Press, 2005) and co-author, with Fiona Raby, of Design Noir (Birkhauser, 2001) and Speculative Everything (MIT Press, 2013). Projects include Technological Dream Series, No 1: Robots (2007), Designs For An Over Populated …