Kwon Jin is a contemporary art researcher and curator and currently works as the project director of the Seoul Mediacity Biennale at the Seoul Museum of Art (SeMA). He has been at the SeMA since 2016 after working at ARKO Art Center and the 4th Anyang Public Art Project (APAP), where he curated Ahn Sang-soo’s solo exhibition Nalgae.pati (2017), Latin American Contemporary Art Exhibition Work for the Future Past (2017–2018), Middle Eastern Contemporary Art Exhibition gohyang: home (2019–2020), and Lee Bul’s solo exhibition LEE BUL—Beginning (2021) and compiled the accompanying book. His major works include “The Allegory of ‘Beginning’” (LEE BUL—Beginning, Seoul Museum of Art; BB&M; MediaBus; BOM DIA BOA TARDE BOA NOITE, 2021) and “Garden and mountain going too, as we slowly walk” (Kang Seung Lee, Gallery Hyundai, 2024).
Authors
Kwon Jin
권진
다른 사람들
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He is the Creative Director of Fontworks Inc., a font design company he co-founded in 2005. With over 25 years of experience, he is recognized as one of South Korea’s leading type designers. He has developed corporate fonts for Samsung, Kakao, Naver, Hyundai Card, Nexon, the Korea Publishers Association, MBC, KBS, YTN News, Dong-A Ilbo, Lotte Mart, Daishin Securities, and LINE Japan, among others. His work includes commercial typefaces such as Yoon Gothic and Yoon Myungjo, Rix Gothic and …
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Chon Seung-il
An adjunct professor in the Department of Spatial Production at Kaywon University of Art and Design and an automata artist. As the director of Studio Mimesis and Automata Workshop, he is actively involved in animation, automata, and kinetic art through education, exhibitions, and various projects. He co-authored the book Automata Workshop and has showcased his work in notable exhibitions such as ‹Chon Seung-il’s Thinking Automata› (2017), ‹Goguryeo Mural Automata› (2017), ‹Friends of the … -
Arumjigi
The Arumjigi Foundation is a non-profit organization established in November 2001, dedicated to creatively preserving and passing down Korea’s traditional culture. Its mission is to rediscover the identity of Korean culture and cultivate new cultural heritage for future generations. Through efforts to care for Korea’s traditional cultural heritage and its surrounding environments, Arumjigi seeks to ensure that the values of tradition remain alive in modern life across clothing, … -
Christopher Alexander
Christopher Wolfgang John Alexander (1936–2022) was an Austrian-born British-American architect and design theorist. He was an emeritus professor at the University of California, Berkeley. His theories about the nature of human-centered design have affected fields beyond architecture, including urban design, software, and sociology. Alexander designed and personally built over 100 buildings, both as an architect and a general contractor. Alexander is best known for his 1977 book A Pattern … -
Park Su-ji
An independent curator, operating the curatorial agency RARY and co-managing the curator platform WESS . Previously, they have worked as a curator at the independent cultural space Agit in Busan, editorial team leader for the art and culture criticism magazine BIART , coordinator for Jeju Biennale 2017: Tourism , curator at Tongui-dong Boan Inn , and associate curator for the 2024 Busan Biennale: Seeing in the Dark . Their work revolves around questioning how the fundamental nature of art … -
Ku Mo-a
After graduating from Konkuk University, she worked at Sandol Communication, a Korean type foundry, for five years, and as a researcher and team leader at AG Typography Research Center, she worked on several typeface projects, including “Sandoll LateSpring,” the Maru project “Maru Buri,” and the 87MM brand’s exclusive font “87MM ILSANG.” She has been conducting research and projects on screens and fonts since “AG Choijeongho Screen” and has been working on typeface design based on … -
Asaba Katsumi
Asaba Katsumi is one of those rare individuals who has led the graphic world with both art direction and typography. With his insatiable curiosity and keen eye for detail, Asaba, who says that art direction is a combination of the two, has been the first to discover interesting things and has produced many advertisements and designs that have made people’s eyes light up. without sleeping. He believes that reading a lot of books, training his body including manual work, and … -
Kim Eun-ha
She completed her doctorate in education at the University of Cambridge. She is currently a researcher at the Institute of Social Education, Korea University Continuing Education Center, where she develops programs for teachers. -
Park Hey-kyung
She studied Western painting at Seoul National University College of Fine Arts and its graduate school. She received a master’s degree in interior design from Drexel University in the United States and a doctorate in architectural planning from Kyungpook National University’s Graduate School of Engineering. She is currently a professor at Inje University’s Department of Design. -
Ando Tadao
Born 1941 in Osaka, Japan. Self-taught in architecture. Established Tadao Ando Architect & Associates in 1969. Major works include the Church of the Light, Pulitzer Arts Foundation, and Chichu Art Museum. Awarded the Architectural Institute of Japan (AIJ) Prize for the Row House in Sumiyoshi in 1979, Japan Art Academy Prize in 1993, Pritzker Architecture Prize in 1995, Person of Cultural Merit (Japan) in 2003, International Union of ArchitectsUIA Medal in 2005, John F. Kennedy Center Gold … -
Woowa Brothers Corp.
Founded in June 2010 by Kim Bong-jin and his friends, Woowa Brothers is a food tech company that operates Baedal Minjok (Baemin), Korea’s leading delivery app. In collaboration with Delivery Hero, they established Woowa DH Asia Pte. Ltd., managing operations across Asia. Driven by the vision of “Delivering Everyday Happiness to Your Door,” Woowa Brothers has expanded into various sectors, including Baemin Riders, B Mart, and Baemin Store. Since the launch of the ‘Hanna’ font in … -
Park Hyun-taek
Majored in visual design at Hongik University and lectured at several universities before coming across the National Museum of Korea, where work has continued for over twenty years. While working in the fields of ‘museums,’ ‘design,’ and ‘culture,’ doubts arose about the fact that design was being absorbed only in external decoration. Reevaluating design led to confronting the question of ‘why and for whom to design,’ rather than ‘how to design.’ This process led to the realization that design …