Born in 1958, he is a designer, President of the Nippon Design Center, and a professor at Musashino Art University. Known for groundbreaking exhibitions that challenge conventional values, he has curated projects such as RE-DESIGN – The Daily Products of the 21st Century, JAPAN CAR – Designs for a Crowded World, and HOUSE VISION, which have had a global impact. He applied design deeply rooted in Japanese culture for the opening and closing ceremonies of the Nagano Olympics and the Aichi Expo. Since 2002, he has served as the art director for MUJI and has worked across diverse fields, designing for Matsuya Ginza, Mori Building, Tsutaya Books, Ginza Six, Mikimoto, Yamato Transport, and the visual identity (VI) for Xiaomi in China. In 2008–2009, he held large-scale solo exhibitions in Beijing and Shanghai. At the 2016 Milan Furniture Fair, he collaborated with Italian architect Andrea Branzi on the exhibition New Primitive Era – 100 Verbs, presenting human history as a co-evolution of tools and desires. He is also the general producer of the Japanese Ministry of Foreign Affairs’ JAPAN HOUSE, focusing on leveraging Japanese culture as a resource for the future. In 2019, he launched the website Low Flying – High Resolution Tour, introducing Japan from a unique perspective and exploring innovative approaches to tourism. He is the author of several books, including Designing Design, 100 Whites, Design of the Future, and The Secret of Macaroni Holes.
Authors
Hara Kenya
原硏哉
다른 사람들
-
Specialized in Korean typography at Kaywon University of Art and Design. Focused on font production, he is an active member of the design studio FORMULA. He has released typefaces such as Cheongwol, Cheongjo, Choseol, Goyo, Shinsegae, Tal, Classic, Giha, and Omin. Passionate about creating typefaces, he enjoys the process of detecting and studying subtle differences in letterforms.
-
Jeong Min-ju
After studying Industrial Design and International Business at Carnegie Mellon University, she worked as a product designer, participating in projects for medical devices and various consumer electronics. She later earned a master’s degree in Design and Branding Strategy from Brunel University. Recently, her focus has shifted to research on platform strategy and service design. -
Bas van Abel
He is the Creative Director at Waag Society, focusing on developing various projects based on open design principles. He is also the co-founder of Waag Society’s Fab Lab and the Instructables Restaurant. On a personal level, he is actively involved in the global maker and digital fabrication community. -
Jan Tschichold
Jan Tschichold also known as Iwan Tschichold or Ivan Tschichold, was a German calligrapher, typographer and book designer. He played a significant role in the development of graphic design in the 20th century – first, by developing and promoting principles of typographic modernism, and subsequently idealizing conservative typographic structures. His direction of the visual identity of Penguin Books in the decade following World War II served as a model for the burgeoning design practice of … -
Won Yu-hong
Won Yu-hong graduated from Hongik University’s College of Fine Arts and Dongguk Graduate School of Industrial Arts. He studied communication design at the Pratt Institute Graduate School of Design in the United States. He has worked as a designer at Cheil Industries and Deskey Associates Inc. in New York City, and served as Dean of the College of Design and Graduate School of Design at Sangmyung University and President and Vice President of the Korean Typography Society. He is currently … -
Margaret Colquhoun
1947–2017. Goethean biologist and the Founding Director of the Life Science Trust, based at Pishwanton Wood in East Lothian, Scotland, at the foot of the Lammermuir Hills. She studied zoology and genetics with agricultural acience at Edinburgh University in the 1960s and worked there as a Research Associate in the 1970s on questions of population genetics and evolutionary biology. Later on, still carrying questions into the reality and relationship of taxonomy and evolution, she spent four … -
Jeon Nina
She graduated from the Department of Fiber Arts at Ewha Womans University and studied Motion Pictures at Brooks Institute in Santa Barbara, USA. She earned a master’s degree in Computer Art from the Academy of Art University (AAU) in San Francisco and completed a doctoral coursework in Media Design at the Cross Media Creative Lab in the Department of Digital Media at Ewha Womans University. Currently, she serves as a professor in the Department of Visual Design at Kaywon University of Art and … -
Kim Mi-ja
She graduated from Hongik University with a BFA in Visual Design and majored in Packaging Design at Dongguk Graduate School of Industrial Art. She majored in illustration at California State University, Long Beach, USA. He is currently a professor at Yeongsan University, Department of Design. -
Park Hee-won
After studying Living Design and Journalism & Broadcasting at Yonsei University , they worked as a product development MD. Driven by a desire to shape and engage with stories, they transitioned into the world of translation. After completing the publishing translation program at Gulbab Academy , they began working as a translator affiliated with Barun Translation . Their translated works include Vinyl , Ace , The Outlaw Ocean , and A Bookshelf of One’s Own . -
Edo Smitshuijzen
정부와 기업 클라이언트를 대상으로 다수의 중요한 대규모 아이덴티티 및 사이니지 프로젝트에서 디자인 책임자로 일했다. 그의 디자인 작업은 네덜란드 그래픽 디자인의 독특한 위상 정립에 일조한 바 있다. 저자가 개발한 기능별 종합 사이니지 패널 시스템은 디자인 클래식으로 자리 잡았고 지난 23년간 전 세계 시장에서 판매되었다. -
Kim Eun-ha
She completed her doctorate in education at the University of Cambridge. She is currently a researcher at the Institute of Social Education, Korea University Continuing Education Center, where she develops programs for teachers. -
Stanley Morison
Stanley Arthur Morison was a British typographer, printing executive and historian of printing. Largely self-educated, he promoted higher standards in printing and an awareness of the best printing and typefaces of the past. From the 1920s Morison became an influential adviser to the British Monotype Corporation, advising them on type design. His strong aesthetic sense was a force within the company, which starting shortly before his joining became increasingly known for commissioning popular, …