Based in London since 1994, Dr. Gilda Williams is a contemporary art critic and teacher; editor of ON&BY Andy Warhol (MIT/Whitechapel Press, 2016); and author of the bestselling art book How to Write about Contemporary Art (Thames & Hudson, 2014), now published in seven languages. From 2008-23 Williams was Senior Lecturer on the MFA Curating programme at Goldsmiths College (University of London), where she taught art writing. Dr. Williams has also taught at the The Ruskin School of Art, Oxford University; The Royal College of Art, London; Frieze Academy; Sotheby’s Institute of Art London; the Guardian’s ‘Masterclass’ series, among many others. Williams has served as an Examiner on PhDs at Goldsmiths, the Royal College of Art and Birkbeck University. A longtime London correspondent for Artforum magazine and a member of the International Association of Art Critics, Williams has served as an Evaluator for the Arts Writers Grant Program, The Andy Warhol Foundation | Creative Capital, New York (2020). Since 2023 Gilda Williams’ main activity is a textile- and stitching-based studio art practice.
Authors
Gilda Williams
다른 사람들
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Graphic designer. Distinguished Professor at Sangmyung University. 15th President of Hongik University, Honorary Professor of Hongik University. He graduated from summer term at Osaka University of the Arts, Japan in 1974 and Hongik University, Faculty of Crafts and Graduate School of Visual Design in 1974. Since 2006, he has been an advisor to the Animation Society of Korea, a standing advisor to the Korean Federation of Design Associations (KFDA), and a standing advisor to the Visual …
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Kim Dae-kwon
He started his career as a font engineer with the first project, “Malgun Gothic”, the first Korean hinting font for UI. He developed various plugins for font editors and gave many technical lectures. He enjoys various collaborations and conversations with font designers. He is currently in charge of mobile font download service at Font Bank and operates Line Gap. -
Choi Bum
Design critic. Graduated from the Department of Industrial Design and the Department of Aesthetics at Hongik University. Served as the editor-in-chief of the monthly magazine Design and as the editor of the design criticism journal Design Critique . Focused on critically analyzing Korean society and culture through the lens of design. Authored several books, including: A View on Korean Design , Where is Korean Design Heading? , Korean Design: Beyond the Myth , If I Had Read That Book in Those … -
Kuresawa Takemi
Born in 1966. Graduated from Keio University Faculty of Letters. Associate Professor, Tokyo Institute of Technology Faculty of Design. Entered the art criticism world by winning an award in the art criticism contest hosted by the art magazine Art Notebook . Currently engaged in a wide range of writing activities across fields such as art, architecture, design, and subculture. His books include Politics of Art Museums , Fiction Called Landscape , Where is the Art Museum? , Critical Words for … -
Kang E-Roon
He runs the design studio Math Practice in New York City and recently co-founded 908A, which researches and develops design tools for culture and the arts. He studied graphic design at Yale University and was a Special Research Fellow at MIT’s Sensible Cities Lab in the Department of Urban Planning. He has taught at the Bauhaus Weimar University in Germany, New York University ITP, and is currently an Assistant Professor at Parsons School of Design. -
Lee Jung-kuk
Lee Jung-kuk graduated from Yonsei University’s Graduate School of Education, and attended the Emerson College Waldorf Teacher Training Program and the Visual Arts Program in the UK. -
Kay Jun
She studied literature at Ewha Womans University and Seoul National University and pursued visual design at the Graduate School of Hongik University. After graduation, she worked as the publishing team leader at the design studio AGI Society. Starting with her master’s thesis, Photography as Text and Society as Image: Handling of Photography in Twen」 (2006), she has focused her research on the intersections of photography, text, and design. Currently, she runs the photography book publishing … -
Rhee Pooroni
A graphic designer and illustrator based in Seoul. She majored in Painting at the Rhode Island School of Design and earned both her master’s and doctoral degrees in Visual Design from the Graduate School of Fine Arts at Seoul National University. Currently, she is a professor at the University of Seoul. In 2008, she was recognized as a Next-Generation Design Leader by the Ministry of Knowledge Economy and was also selected as a Star Product Designer by the Korea Craft & Design Foundation. -
Go Yun-seo
She explores how text, graphics, and people interact between the virtual and the real. After working as a designer and developer at graphic design studio Everyday Practice, She recently went independent to run his own creative design studio, YYY. Continues to experiment with digital interaction in the graphic web experimentation group HHHA. -
Kwak Yung-bin
He is an art critic and visiting professor at Yonsei University’s Graduate School of Communication, and holds a PhD from the University of Iowa, USA, with a “The origin of Korean Trauerspiel”. In 2015, he was awarded the inaugural SeMA-Hana Art Criticism Award, the first national art criticism award established by the Seoul Museum of Art (SeMA). His recent publications include “The Blind Past and the Eternal Return of Global Civil War: Difference and Repetition in Omer Fasth … -
Jang Ji-seong
Graduated from the Department of Oriental Painting at Seoul National University and pursued further studies in Oriental Painting at the Graduate School of Hongik University and Art History at the Graduate School of Humanities at Dongguk University. Currently, he teaches in the Department of Art Education at Jeonju National University of Education and serves as a guest research fellow at the Kansong Art Museum. He has contributed to the 2009 and 2015 revised national curricula for elementary and … -
Hyundai Card
Established in 2001 through a technical partnership with Diners Club International, Hyundai Card quickly became a leading credit card brand under Hyundai Motor Company. In 2003, the company acquired total identity and management rights, ensuring a cohesive brand presence. Hyundai Card rapidly gained market recognition with the launch of the ‘Hyundai Card M’ and expanded its brand with a series of alphabet cards designed to align with different customer lifestyles. The company has not stopped …