Ahn Sung-jin graduated from the Department of Theater and Film at Chung-Ang University in 1993. He has been photographing musicians’ record jackets since 1992 and has photographed more than 500 albums. He has photographed corporate advertisements for Samsung, LG, Motorola, Hyundai, Kia, and SKT, as well as launch ads for sports brands such as Puma, Adidas, and LeCap, beauty brands such as Laneige and The Face Shop, and most of Korea’s casual fashion brands. To this day, he is still one of Korea’s top photographers whose work has been widely recognized and recognized for its quality throughout the advertising photography industry. He was the visual director of Esquire Korea (2005-2010) and Numero Korea (2009–2010). He continues to shoot jacket photos and motion posters for ‘Monthly Yoon Jongshin’ (2011–).
Authors
Ahn Sung-jin
안성진
다른 사람들
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Associate Professor Koyama started his business career at a major advertising agency after receiving a Bachelor’s degree in Philosophy at Kyoto University. After working as a producer at Shochiku Co., Ltd. to launch a new business based on the theme of Kabuki, he established Bloom Concept Inc. Professor Koyama received an MBA from the Thunderbird School of Global Management and Ph.D. from Kyoto University of the Arts, before joining NUCB Business School in 2015, and his research interests …
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Park Jaeyong
He is a writer, translator, and curator primarily based in Seoul, South Korea. A bibliophile, he founded and operates Seoul Reading Room (@seoulreadingroom), a contemporary art and theory library. He is also a frontman of the research band NHRB (@nhrb.space) alongside Heo Youngkyun, and co-runs the stand-up comedy group Seochon Comedy Club (@westvillagecomedyclub) with Jung Sung-eun and Kim Su-ji. His translated works include There Is No Last Revolution: Art and Political Imagination Since 1980 … -
Kim Jung-suk
He studied Glass and Sculpture at Seoul National University, Ohio State University Graduate School, and University of Illinois Graduate School, and received his Ph.D. in Crafts from Seoul National University. He has held 13 solo exhibitions in Korea, Italy, Japan, and the United States, and has exhibited his works at SOFA Chicago and Kanazawa Art Fair. Currently, he serves as a Professor in the Department of Ceramics and Glass at Hongik University’s College of Fine Arts and as the … -
강수진
이화여자대학교 디자인학부 교수로, CXD 랩(Connected eXperience Design Lab)을 운영한다. 삼성전자 수석 디자이너, 뉴욕 어도비 시니어 UX 디자이너, 디지타스 및 R/GA 디자이너로 20여 년간 일했으며, 한국디자인학회 이사로 활동 중이다. 이화여자대학교에서 영어영문학과 경영학을 공부한 뒤, 뉴욕 스쿨오브비주얼아트에서 미술 석사 학위(MFA)를 취득했다. 최신 기술과 문화 트렌드를 바탕으로 미래를 현재로 연결하고 사람과 사람을 잇는 경험을 디자인하며, 학생들과 함께AI가 변화시키는 디자인 프로세스를 탐구해 새로운 가능성을 열어가고 있다. -
Gerrit Noordzij
Typographer, type designer, book designer, author, historian, and educator. Born in 1931 in Rotterdam, Netherlands, he taught type design at the Royal Academy of Art in The Hague from 1960 to 1990. Over three decades, he transformed the academy into one of the world’s leading institutions for type design education. He has influenced the field profoundly, producing numerous students who have become prominent type designers in Europe and the United States, collectively known as the “Hague … -
Yoon Hei-jeong
Yoon Hei-jeong has been at the forefront of culture and art since the 1990s, writing about the work, philosophy, and lives of contemporary artists. She began her editorial career as a founding member of the film magazine Film 2.0, then worked as a feature director for Harper’s Bazaar and Vogue , and in 2009 founded Bazaar Art , a publication that explores the coexistence of fashion and art. She is the author of Life, Art (2022), a book about contemporary art as experienced in everyday … -
Kim Soo-jeong
He graduated from the Department of Philosophy at Hannam University and the Department of Advertising Design at Hongik University Graduate School of Industrial Arts. He edited and planned Picturebook Imagination , a magazine specializing in creative picture books and picture books at a commercial publishing house, and was the head of the planning team for the 1st CJ Picture Book Festival and a member of the 1st and 2nd primary jury. He is currently the head of Soojung Edition, and has been … -
Kim Hyun-kyung
After graduating from Sogang University’s English Department, she worked at a publishing house and edited various books. She is currently working as a freelance translator for major museums and companies in Korea. Her translations include The Form of the Book Book , BIG-GAME : Everyday Objects , First Principles of Typography , 100 Classic Graphic Design Journals , I Used To Be A Design Student: 50 Graphic Designers Then And Now , Bibliographic: 100 Classic Graphic Design Books , … -
Lee Kwang-suk
He has been engaged in research, criticism, and writing with a critical focus on the intersections of technology, society, and ecology. He is a Professor in the Graduate School of IT Policy at Seoul National University of Science and Technology, specializing in Digital Culture Policy. Since 2020, he has served as the Editor-in-Chief of Culture/Science , a journal of cultural theory. His main research interests include technology and cultural studies, the commons, platforms, techno-ecological … -
연명흠
국민대학교 공업디자인학과와 테크노디자인전문대학원 교수. 사용자 경험 디자인, 인터페이스 디자인, 인간공학 관련 과목을 강의하며, 디자인 방법론, 제품 기반 UX 디자인을 연구하고 있다. ADR 최우수 논문상을 받았으며, 근래에는 생성형 인공지능 기술과 툴을 디자인에 활용하는 효과와 가능성에 관심을 두고 있다. -
Im Nam-sook
Graduated from the Department of Ceramics at Ewha Womans University. She majored in Graphic Design at Braunschweig University of Art (Braunschweig Kunsthochschule) in Germany and earned a Ph.D. in Design Philosophy from the same institution. Currently, she is a professor in the Department of Art Education at Daegu National University of Education. -
Adolf Loos
Adolf Franz Karl Viktor Maria Loos was an Austrian and Czechoslovak architect, influential European theorist, and a polemicist of modern architecture. He was inspired by modernism and a widely-known critic of the Art Nouveau movement. His controversial views and literary contributions sparked the establishment of the Vienna Secession movement and postmodernism.