Ahn Young-joo graduated from Hongik University, Department of Art, and received her doctorate from the same university with a thesis titled “Critical Discourse on Vernacular Design and Political Possibilities.” She has lectured on various design cultural theories such as design and material culture, design history, and craft theory at Hongik University and Konkuk University, and is currently an adjunct professor at Konkuk University’s Department of Industrial Design. Her publications include Visual Culture and Design (co-authored), and her papers include “A Study on Vernacular Design in Charlotte Perriand’s Design,” “The Politics of Design: Design as Sensory Transformation,” and “The Cultural Status of Vernacular from a Postcolonial Perspective.” She writes for various media outlets including Design Criticism, discussing design from a sociocultural perspective and is researching new possibilities for craft.
Authors
Ahn Young-joo
안영주
다른 사람들
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Graduated from the Department of Applied Arts at Seoul National University and the Graduate School of Hongik University. A former professor at the College of Fine Arts at Hongik University, he also served as President of the Korean Society of Package Design. He contributed to significant projects such as creating cultural posters for the 36th Asian Games and signage and environmental design for the 1988 Seoul Olympics. His collaborative works include textbooks such as High School Design …
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Chang Eung-bok
Born in Seoul, Chang Eung-bok graduated from the College of Fine Arts at Hongik University and founded Mono, the predecessor of Mono Collection, in 1985. With a foundation in textile design, she has contributed significantly to Korea’s textile design industry, working across residential and commercial spaces, domestic and international hotel projects, and furniture and soft interior design. She has held numerous exhibitions, including at Mori Art Museum (2005), Gallery Artlink (2010), Seoul … -
아야코 로카쿠
1982년 일본 치바 출생. 현재 베를린을 기반으로 활동하고 있다. 붓 대신 손으로 직접 물감을 밀고 문지르며 화면을 구축하는 독창적 회화 방식으로 국제적 주목을 받아온 작가다. 정규 미술 교육을 받지 않고 독학으로 회화를 시작했으며, 2006년 무라카미 다카시가 주관한 GEISAI에서 ‘스카우트 어워드(SCOUT AWARD)를 수상하며 세계 미술계에 알려졌다. 이후 스위스 바젤에서 열린 VOLTA에 참가한 것을 계기로 활동 무대를 일본에서 유럽으로 확장했다. 초기에는 동화적 소녀 이미지와 강렬한 색채로 주목받았고, 최근에는 형상이 사라진 채 순수한 색과 리듬, 신체적 제스처가 전면화된 추상 회화로 스타일이 이동하고 있다. 유럽·아시아·중국 등 주요 미술관에서 개인전을 열었으며, 오케타 컬렉션, 보를린덴 미술관, 군마현립미술관 등 다수의 공공 컬렉션에 작품이 소장되어 있다. -
Oh Eun-jung
Oh Eun-jung is A fine art artist who loves forests, traveling, and contemplation. She uses the pen name “On-Jung” to reflect her alert gaze and warm heart.For him, painting is a break from writing, and writing is a break from painting. She realized the value of drawing for pleasure on a long trip during her art school days and founded the online club ‘Art and People’, where she has been sharing her life and drawing philosophy with people who love drawing as … -
손용학
1970년에 동산방에 들어가 박주환 선생에게 표구를 배웠으며, 1986년에 낙원표구사로 옮긴 후 2002년에 묵호당을 열어 현재까지 표구업에 몸담고 있는 50년 이상 경력의 표구 장인이다. 2014년부터 2019년까지 한국표구협회 회장을 지냈으며, 문화재수리기능자 제1365호 자격을 보유하고 있으며, 고용노동부 선정 숙련기술전수자(배첩기능) 제2021-3호로 지정되었다. 2024년에는 이화여자대학교에서 표구를 가르쳤다. -
김남시
서울대학교에서 미학을 전공한 후 베를린 훔볼트대학교 문화학과에서 철학 박사 학위를 취득했다. 현재 이화여자대학교 조형예술대학 교수로 재임 중이며, 동시대의 철학적, 미학적 논의와 예술적 실천에 관심을 두고 비평과 연구를 진행하고 있다. 지은 책으로 『마르쿠스 가브리엘』 『크래시』(공저) 『절멸』(공저) 등이 있고, 옮긴 책으로 마르쿠스 가브리엘의 『예술의 힘』, 발터 벤야민의 『모스크바 일기』, 프리드리히 키틀러의 『축음기, 영화, 타자기』(공역), 아비 바르부르크의 『뱀 의식』, 지그프리트 크라카우어의 『과거의 문턱』, 다니엘 파울 슈레버의 『한 신경병자의 회상록』, 빅토르 타우스크의 『영향 장치·자위에 대하여』 등이 있다. -
Kim Lee-hong
He is currently an assistant professor at Hongik University Graduate School of Architecture and Urbanism and a principal at Leehong Kim Architects. After graduating from Yonsei University’s School of Architecture and Harvard University’s Graduate School of Design (GSD), he practiced at Samwoo Architects and Steven Hall Architects for seven years. Since opening Leehong Kim Architects, he has been working on various projects between Korea and the United States. He participated in the … -
Choi Bum
Design critic. Graduated from the Department of Industrial Design and the Department of Aesthetics at Hongik University. Served as the editor-in-chief of the monthly magazine Design and as the editor of the design criticism journal Design Critique . Focused on critically analyzing Korean society and culture through the lens of design. Authored several books, including: A View on Korean Design , Where is Korean Design Heading? , Korean Design: Beyond the Myth , If I Had Read That Book in Those … -
Tanaka Ikko
Ikko Tanaka was a Japanese graphic designer. Tanaka is widely recognized for his prolific body of interdisciplinary work, which includes graphic identity and visual matter for brands and corporations including Seibu Department Stores, Mazda, Issey Miyake, Hanae Mori, and Expo 85. He is credited with developing the foundational graphic identity for lifestyle brand Muji, emphasizing the “no brand” quality of their products through unadorned, charming line drawings paired with … -
Sung Sang-woo
Graduated from Waseda University, Department of Architecture. After working at several design offices, he founded a0100z space design with his life partner in 2009. Currently, he is building a series of houses called ‘House with a Worn Threshold’ and ‘Together’, and runs Jeongchu Seodang in Yongsu Village, Yongin, where he talks about humanities and gives a lecture on humanities architecture called ‘House is Meaning’. -
Ko Young-lan
She studied design at Seoul National University and Cornell University Graduate School. She has contributed articles on design issues to the monthly Design and Designnet , and has expressed her vision of design as a social issue in the “Seoul Declaration of Industrial Designers” (2001), “Korea Design Declaration” (2007), “Charter of Women Designers” (2007), and “Human City Design Seoul Declaration” (2018). While a professor at Hansung University, she has served as a special exhibition curator … -
Kwon Jin
Kwon Jin is a contemporary art researcher and curator and currently works as the project director of the Seoul Mediacity Biennale at the Seoul Museum of Art (SeMA). He has been at the SeMA since 2016 after working at ARKO Art Center and the 4th Anyang Public Art Project (APAP), where he curated Ahn Sang-soo’s solo exhibition Nalgae.pati (2017), Latin American Contemporary Art Exhibition Work for the Future Past (2017–2018), Middle Eastern Contemporary Art Exhibition gohyang: home …