Ahn Young-joo graduated from Hongik University, Department of Art, and received her doctorate from the same university with a thesis titled “Critical Discourse on Vernacular Design and Political Possibilities.” She has lectured on various design cultural theories such as design and material culture, design history, and craft theory at Hongik University and Konkuk University, and is currently an adjunct professor at Konkuk University’s Department of Industrial Design. Her publications include Visual Culture and Design (co-authored), and her papers include “A Study on Vernacular Design in Charlotte Perriand’s Design,” “The Politics of Design: Design as Sensory Transformation,” and “The Cultural Status of Vernacular from a Postcolonial Perspective.” She writes for various media outlets including Design Criticism, discussing design from a sociocultural perspective and is researching new possibilities for craft.
Authors
Ahn Young-joo
안영주
다른 사람들
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Lee Jeong-eun received her master’s degree from the Graduate School of Architecture at the University of California, Los Angeles (UCLA). She worked at RTKL, MAD, and Callison, where she participated in many large-scale mixed-use projects in China. He is currently a designer at the architectural firm AUD.
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Kwon Jin
Kwon Jin is a contemporary art researcher and curator and currently works as the project director of the Seoul Mediacity Biennale at the Seoul Museum of Art (SeMA). He has been at the SeMA since 2016 after working at ARKO Art Center and the 4th Anyang Public Art Project (APAP), where he curated Ahn Sang-soo’s solo exhibition Nalgae.pati (2017), Latin American Contemporary Art Exhibition Work for the Future Past (2017–2018), Middle Eastern Contemporary Art Exhibition gohyang: home … -
Kim Joo-yun
He studied architecture at Hongik University and interior design at Cornell Graduate School, U.S.A. He is the dean of the Graduate School of Industrial Art at Hongik University and a professor at the College of Art and Architecture since 1996. He was the general director of the IFI World Interior Design Competition in 2007, a board member of the IFI World Federation of Interior Architecture from 2007–2011, president of the Korean Society of Interior Designers (KOSID) in 2011–2012, and president … -
김동환
연세대학교 커뮤니케이션대학원 HCI디자인 전공 교수이자 디자인 & 인텔리전스 연구실 디렉터. LG전자 MC사업부 UX 디자이너와 뉴욕 와이어리스 제너레이션 프로덕트 디자이너로 일했고, 인간과 알고리즘의 협업을 연구한 Lab64를 설립·운영했다. 롱아일랜드대학교에서 컴퓨터 과학을 공부했고, 카네기멜론대학교에서 HCI 석사 학위를, 서울대학교에서 언론정보학 박사 학위를 취득했다. 기술이 인간의 고유한 창의성을 무한히 확장시키는 즐거운 도구가 될 것으로 믿고, 디자이너가 여러 AI 에이전트와 호흡을 맞추며 단순한 작업자를 넘어 ‘창의적 지휘자’로 거듭나는 방법을 연구한다. “AI가 나를 대체할까?”라는 막연한 두려움이 “AI와 함께 무엇을 더 할 수 있을까?”라는 설렘으로 변하기를 바란다. -
Gilda Williams
Based in London since 1994, Dr. Gilda Williams is a contemporary art critic and teacher; editor of ON&BY Andy Warhol (MIT/Whitechapel Press, 2016); and author of the bestselling art book How to Write about Contemporary Art (Thames & Hudson, 2014), now published in seven languages. From 2008-23 Williams was Senior Lecturer on the MFA Curating programme at Goldsmiths College (University of London), where she taught art writing. Dr. Williams has also taught at the The Ruskin School of Art, … -
Yongrak Park
He is the Creative Director of Fontworks Inc., a font design company he co-founded in 2005. With over 25 years of experience, he is recognized as one of South Korea’s leading type designers. He has developed corporate fonts for Samsung, Kakao, Naver, Hyundai Card, Nexon, the Korea Publishers Association, MBC, KBS, YTN News, Dong-A Ilbo, Lotte Mart, Daishin Securities, and LINE Japan, among others. His work includes commercial typefaces such as Yoon Gothic and Yoon Myungjo, Rix Gothic and … -
Lee Jeong-hwan
Lee Jeong-hwan graduated from Kyung Hee University’s Department of Business Administration and Intercultural Japanese Language School. He is a researcher of Eastern philosophy and religion, a Japanese translator, and a writer. He has translated many books into Korean, including The Architecture of Tomorrow , The Secret of the Macaroni Hole , Connecting Architecture , 三低主 , White , Nagaoka Kenmei no Kangae , Tokyo University Students Become Fools , and Ready Luck . -
Yoo Jung-sook
She graduated from Seoul Women’s University with a BFA in Visual Design and received her MFA in Typography from the same graduate school. After studying at Gesamthochschule Kassel, Germany, she earned her Ph.D. in communication design at Bergische Universität Wuppertal and served as a research professor in the Department of Visual Design at Seoul Women’s University. Currently, she lectures at various universities and serves as a mid-career research officer of the National Research … -
Kay Jun
She studied literature at Ewha Womans University and Seoul National University and pursued visual design at the Graduate School of Hongik University. After graduation, she worked as the publishing team leader at the design studio AGI Society. Starting with her master’s thesis, Photography as Text and Society as Image: Handling of Photography in Twen」 (2006), she has focused her research on the intersections of photography, text, and design. Currently, she runs the photography book publishing … -
Choi Ji-won
A senior researcher at AG Typography Institute , the designer previously worked at Yoon Design and T-Lab before joining AG Typography Institute, where they led projects such as Jeju Air’s corporate typeface “Flight Sans” and “AG Choi Jeongho Sun Myeongjo.” As an independent type designer , they released “Damjae,” a typeface designed for vertical writing, and collaborated with designer Lee Yongje on the typefaces “Nouvelle” and “Jonjae.” -
Fukasawa Naoto
Naoto Fukasawa was born in 1956 in Yamanashi, Japan. He graduated from Tama Art University in 1980 and began his career at Seiko Epson, where he worked on advanced designs for watches and other micro-electronic devices. In 1989, he joined ID Two, a San Francisco-based product design firm that later became IDEO. In 1996, Fukasawa returned to Japan to establish and oversee IDEO’s Tokyo office. In 2003, he founded Naoto Fukasawa Design . Since 2001, he has served as a design advisor for MUJI … -
An Byeong-hak
With a keen interest in the relationship between text and image, he explores the boundaries where design and its adjacent fields intersect, grounded in typographic principles. He was a member of the visual culture experimental group Jindalrae and held solo exhibitions such as Arrangement of Fragments or a Spectacle (2014) and Juxtaposition (2013). He served as the general director for the 5th Typojanchi: Body and Typography (2016-2017), the 1st Public Design Festival Thematic Exhibition: …