Ahn Graphics

Art

Meotjilbi. Lee Kyu-chul

멋질비.이규철

Buy

Explore the Art and Philosophy of Lee Kyu-chul : Blurring the Lines Between Sculpture (3D) and Photography (2D)

and Uncovering New Possibilities in Visual Experimentation and Thought

This book is a posthumous collection honoring the work of the late Lee Kyu-chul, published to coincide with a retrospective of the artist’s final works. Emerging in the Korean art scene in the late 1980s, Lee was reputed for tackling the boundaries between sculpture and photography, often blending three-dimensional and two-dimensional media. Despite his brief career of just six years, Lee put his stamp on Korean art with his philosophical and innovative approach. The exhibition was organized by his close friend Gum Nuri and his student Ju Suja, and was the first event that gathered his artworks cherished by family and friend. Contributions from photographer Bae Bien U and designer Ahn Sang-soo, along with writings by critic Park Young-taek, further enriched the show. This book provides a deeper understanding of Lee as both an Meotjilbi (artist) and a person.

Lee Kyu-chul

Lee Kyu-chul (1948-1994, Incheon) graduated from Hongik University in 1974, majoring in sculpture. In 1975, he left for Saudi Arabia, where he worked as an administrator and videographer for the Vinnell Company in the United States. In 1983, he entered graduate school at the Massachusetts College of Art and Design, but returned home after three semesters. He had his first solo exhibition, Space and Visual Perception (Kwanhoon Museum of Art, 1988), which he spent time researching alone, and later participated in group exhibitions such as The Triptych of Kim Sung-bae, Kang Ha- jin, and Lee Kyu-chul (Gallery 81-10, 1988) curated by Jung Deok-young, and Photography, 새시좌 Exhibition (Walkerhill Art Museum, 1988) curated by Koo Bohn-chang. He was a lecturer at the Department of Sculpture, Chung-Ang University and the Department of Photography, Seoul Institute of the Arts, until his death in a car accident in 1994. Since then, his works have been presented in major photography exhibitions at Korean museums, including Four Photographic Sculptures (Kumho Museum of Art, 1996), 60 Years of Korean Contemporary Photography: 1948-2008 (National Museum of Modern and Contemporary Art, 2008; Gyeongnam Provincial Museum of Art, 2009), Very Private, Very Public (National Museum of Modern and Contemporary Art, 2016), and Frame after Frame (Daegu Museum of Art, 2018). His works are in the collections of the National Museum of Modern and Contemporary Art, Moran Art Museum, and Bess Gallery (Nagoya).

관련 분야

Art
은 안그라픽스에서 발행하는 웹진입니다. 사람과 대화를 통해 들여다본
을 나눕니다.