He studied Glass and Sculpture at Seoul National University, Ohio State University Graduate School, and University of Illinois Graduate School, and received his Ph.D. in Crafts from Seoul National University. He has held 13 solo exhibitions in Korea, Italy, Japan, and the United States, and has exhibited his works at SOFA Chicago and Kanazawa Art Fair. Currently, he serves as a Professor in the Department of Ceramics and Glass at Hongik University’s College of Fine Arts and as the Chairman of the Korea Formative Design Association. He is also active as an editorial board member of the Korea Craft & Design Foundation. He has published seven research papers in registered journals on improving urban living spaces and food culture, and he is the author of Glass, Knocking on the Door of Art.
Authors
Kim Jung-suk
김정석
다른 사람들
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Graduated from Hongik University, Department of Industrial Design. She is active as a freelance illustrator in various fields such as product, advertising, video, and print. She has illustrated for Hansol Education’s ‘Finden Soundrug’, Duta’s ‘♡to♡ FESTIVAL’, YTN’s ‘Hello Weather’, 601 BISANG and SK m&c’s ‘MARK’. She created My First Helsinki in the second half of 2012 as a series of illustrations about Helsinki, …
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Shin Seung-won
An invited artist and judge for the Korea Calligraphy Grand Exhibition, recognized as Korea’s Outstanding New Intellectual for pioneering and promoting calligraphy education programs. Held solo exhibitions in 2015 at the Museo Nacional de Arte Decorativo and the Cultural Center of the Korean Embassy in Argentina, where two works, “Life” and “Ten Symbols of Longevity”, are now part of the permanent collection. Former director of the Pilmuk Calligraphy Research Institute, … -
Kim Eun-young
She started her career as a book designer at a design-focused publishing house and now works as a planner building on her foundation in design. As she strived to truly understand her work, she ended up writing her third book and became someone who shares knowledge in front of others. Although she has experienced design and publishing as professional fields, she places more emphasis on design and bookmaking as part of everyday life and general education. Since August 2012, she has been teaching … -
Yamazaki Ryo
CEO of studio-L, Social entrepreneur, Community Designer, Professor and Director of the department of Spatial Design in the Kyoto University of Art and Design, Vice President in RIPS, NPO. Born in Aichi, in 1973. After the university, he worked in SEN, inc., where he developed his skills and knowledge in landscape design advised by Mr. Shosuke Miyake, a founder of this firm. As well, he learnt social organization and relationship management from Dr. Fusayo Asano there. Then he founded studio-L … -
Fiona Raby
Fiona Raby, of Dunne & Raby , is University Professor of Design and Social Inquiry at The New School in New York and a Visiting Distinguished Professor at the China Academy of Art (CAA) in Hangzhou. She was Professor of Industrial Design (id2) at the University of Applied Arts in Vienna between 2011-2016 and was Reader in Design Interactions at the RCA between 2005-2015. She studied Architecture at the RCA before working for Kei’ichi Irie Architects in Tokyo. She also holds an MPhil … -
Hwang Su-hyun
A journalist for The Hankook Ilbo , she majored in Clothing and Textiles at Hanyang University. Her career spans magazines and weekly publications before transitioning to a daily newspaper, where she has been working as a journalist for a decade. Her reporting began with fashion and has since expanded to cover architecture, art, food, design, publishing, and pop culture. In 2014, she wrote the serialized feature Living in Small Houses , introducing compact homes across Korea. With a natural … -
Jin Whui-yeon
With a bachelor’s degree in Archaeology and Art History from Seoul National University and a master’s and Ph.D. in Art History from Columbia University, she has built a distinguished academic career. After teaching at the Samsung Design Institute (SADI) and the Department of Painting at Sungshin Women’s University, she is currently a professor at the Korea National University of Arts, School of Visual Arts. Her work focuses on the dynamic intersection of art exhibitions, criticism, … -
Helmut Schmid
Typographer. Born in February 1942 in Austria with German nationality, he completed an apprenticeship as a typesetter in Germany before studying at the Basel School of Design (Schule für Gestaltung Basel) under Emil Ruder, Kurt Hauert, and Robert Büchler. He subsequently worked in Germany, Sweden, Denmark, Canada, and Japan, where he created his renowned type design “Katanaka Eru”. In Japan and Germany, he published several books, including Gestaltung ist Haltung (Design Is … -
Muroga Kiyonori
He is the former editor-in-chief of Japan’s renowned design magazine Idea . Currently, he works as an editor, writer, and curator specializing in graphic design and typography. -
Lee Jee-hee
Graduated from the Department of Painting at Seoul National University’s College of Fine Arts and completed a master’s degree at the same institution. Earned a Master of Fine Arts in Computer Art from New York University (NYU) and a Ph.D. in Media Art from Soongsil University. Currently serves as a professor in the Department of Industrial Design at Hanyang Women’s University. -
Momose Hiroyuki
He graduated from the Department of Painting at Tokyo Zokei University and earned her graduate degree in Comprehensive Design at the University of Tsukuba. he served as an assistant professor in the Department of Performing Arts and Film at Paichai University and is currently a full-time lecturer in the College of Design at Sangmyung University. A member of ANBD(Asia Network Beyond Design), he has held numerous exhibitions, including From in the Memory , and has given various lectures on topics … -
Valentina Vergara
Valentina Vergara is a multidisciplinary designer and illustrator who’s interested in using design as a catalyst for change. She’s collaborated on projects addressing gender disparity in graphic design education and continues to explore ways in which she can dismantle oppressive design thinking and continue to advocate for and uplift marginalized perspectives.