He was born in Zurich in 1914. After primary and secondary school in Zurich and vocational training as a caterer, he studied in Paris and earned a degree in French at the Cercle Commercial Suisse de Paris. He then worked as a commercial printer at a Zurich publishing house. He attended a weekly course in typesetting and letterpress at the Kunstgewerbeschule Zürich, where he learned typography from Alfred Willimann (1900-1957) and Walter Käh (1901-1970). In 1942 he was appointed permanent teacher of typography at the AGS Basel. In 1947, he founded a specialized typography department at the third department of the same school (Department of Art, Industry and Vocational Education) and became its director. In 1948, he became president of the Basel branch of the Swiss Association of Craftsmen (SWB). In 1956, he was a member of the Die gute Form jury at the Swiss Industrial Fair and was elected to the Central Board of the SWB (succeeding Georg Schmidt). He was also a member of the steering committee of the same association. In 1959, he was the Swiss delegate to the ATypI (International Typographical Union). In 1961 he became a member of the Swiss Federal Council for Applied Arts (succeeding Bercholt von Grunigen) and was artistic advisor to the philatelic department of the Swiss Post and Telegraph Office. In 1962 he co-founded the International Center for Typographic Arts (ICTA) in New York, and in 1965 he became principal of the Basel Industrial School and director of the Industrial Museum. In 1966, he became the second president of the Swiss Association of Craftsmen. In 1967, he published Typography with the Swiss publishing house Nickli, and in 1968, together with Armin Hoffmann, he founded the higher course in graphic design at the Basel Institute of Technology. He died in Basel in 1970.
Authors
Emil Ruder
다른 사람들
-
An active design educator and artist, Kan Tai-keung is one of Hong Kong’s most famous graphic designers and noted ink painters. Born in 1942 in Pangyu, Guangdong, Kan has resided in Hong Kong since 1957. His passion for painting developed early on in his childhood, and his grandfather, Kan Yaosheng, a clay sculptor, encouraged his pursuit of art. Kan first studied art and design in 1964, and then watercolour painting and sketching with his uncle Kan May-tin. In 1967, he began attending …
-
Massimo Vignelli
He was born in Italy in 1931 and studied architecture in Milan and Venice from 1950 to 1957. After actively engaging in various projects, including designing posters and graphic materials for the 1964 Venice Biennale, he moved to the United States in 1956. In Chicago, he co-founded Unimark International, and in 1971, together with his wife and business partner Lella, established Vignelli Associates in New York. From 1966 to 1980, he worked on the graphic program for Knoll; in 1966, he designed … -
Lee Jin-ryeol
A full professor in the Design Management program of the Department of Design Engineering at Chosun University. He graduated from the Department of Business Administration at Chonbuk National University, where he also earned a master’s degree in Design Management and a Ph.D. in Business Administration. He previously served as a senior researcher at the IBRD Design Development Research Institute and the Design Strategy Development Team at R&C KOREA. Actively engaged in various academic … -
Chang Eung-bok
Born in Seoul, Chang Eung-bok graduated from the College of Fine Arts at Hongik University and founded Mono, the predecessor of Mono Collection, in 1985. With a foundation in textile design, she has contributed significantly to Korea’s textile design industry, working across residential and commercial spaces, domestic and international hotel projects, and furniture and soft interior design. She has held numerous exhibitions, including at Mori Art Museum (2005), Gallery Artlink (2010), Seoul … -
Cynthia Busic-Snyder
Cynthia Busic-Snyder was born in central Ohio, where she was raised with two brothers by depression-era working class parents. She studied Visual Communication Design in the Department of Industrial Design at the Ohio State University where she developed an interest in both practicing and teaching graphic design. After working as a graphic designer and art director (identity, point of purchase, signage systems and print for both retail and business to business clients internationally) she … -
Karl Gerstner
Karl Gerstner (1930–2017) was a leading representative of Swiss typography and one of the most important innovators of typography, advertising graphics and corporate design. From 1945 to 1948, he completed an apprenticeship in Fritz Bühler’s studio and attended courses at the Allgemeine Gewerbeschule Basel, where Armin Hofmann and Emil Ruder were his instructors. In 1949 he followed Max Schmid’s call and joined the legendary design team of Geigy Pharmaceuticals, where he later met … -
Cho Young-jae
A graphic designer and Professor Emeritus at Seoul National University, he is the Honorary President of the Korean Federation of Design Organizations. Throughout his illustrious career, he has held numerous influential positions in the field of design: Jury Member for the Asia Digital Art and Design Awards (2001–2007), Honorary Doctorate in Design from Dongseo University (2001), International Jury Member for Hong Kong Design Show 98 (1998), Founding President of the Korea Society of Visual … -
No Yun-gi
After graduating from Konkuk University with a degree in philosophy, he worked in international relations and corporate public relations at a public company, but was fascinated by the work of a translator to introduce good books and became a translator after graduating from the Glbab Academy of Barun Translation. His translations include The Delusions Of Crowds , The Fifth Agreement , How to Talk to a Science Denier , The Oxford Tutorial , Algorithms Of Oppression , and The Future of Men . -
Moon Eun-bae
he studied visual design and environmental design at the College of Fine Arts at Seoul National University, as well as at its graduate school. In 1995, while working at the Korea Color Research Institute, he was first introduced to color. After serving as a senior researcher at the Color Design Research Institute at Ewha Womans University, he founded his own lab, Moon Eun-bae Color Design, immersing herself in color research. His major studies include specialized research projects such as the … -
Choi Jeong-ho
A Pioneer of modern Korean type design and typeface research. He moved to Japan, where he worked at a printing company, mastering various printing techniques, and studied at Yodobashi Art Academy. In 1957, he developed the Dong-A Publishing Typeface, which received high acclaim. In the early 1970s, he collaborated with Japanese phototypesetting companies Shaken (寫硏) and Morisawa (モリサワ) to create Hangeul typefaces. In his later years, he focused on writing and researching the philosophy and … -
Ahn Sang-soo
Ahn Sang-soo is a graphic designer and typographer with a keen interest in Korean visual culture. He studied in the Visual Communication Design Department at Hongik University, where he also completed his graduate studies. A former professor at his alma mater, he took early retirement in 2012 to establish the Paju Typography Institute, where he currently serves as the president, also known as ‘Nalgae.’ In 2007, he received the Gutenberg Prize from the city of Leipzig, Germany. He is also a … -
Yang Seong-hee
Yang Seonghee graduated from Ewha Womans University’s Department of Chinese Language and Literature and studied at Beijing Normal University. She is currently working as a professional translator. The books she has translated include: Learning to Love, Reading the City, Living the World, Learning Flexibility from Lao Tzu, Don’t Make Enemies Even if They Are Not on Your Side, The Art of Choosing at a Decisive Moment, Chaegeundam 1, 2, Mencius’s Management, Wasin Consulting 1, 5, Qinghai-Tibet …