He was born in Zurich in 1914. After primary and secondary school in Zurich and vocational training as a caterer, he studied in Paris and earned a degree in French at the Cercle Commercial Suisse de Paris. He then worked as a commercial printer at a Zurich publishing house. He attended a weekly course in typesetting and letterpress at the Kunstgewerbeschule Zürich, where he learned typography from Alfred Willimann (1900-1957) and Walter Käh (1901-1970). In 1942 he was appointed permanent teacher of typography at the AGS Basel. In 1947, he founded a specialized typography department at the third department of the same school (Department of Art, Industry and Vocational Education) and became its director. In 1948, he became president of the Basel branch of the Swiss Association of Craftsmen (SWB). In 1956, he was a member of the Die gute Form jury at the Swiss Industrial Fair and was elected to the Central Board of the SWB (succeeding Georg Schmidt). He was also a member of the steering committee of the same association. In 1959, he was the Swiss delegate to the ATypI (International Typographical Union). In 1961 he became a member of the Swiss Federal Council for Applied Arts (succeeding Bercholt von Grunigen) and was artistic advisor to the philatelic department of the Swiss Post and Telegraph Office. In 1962 he co-founded the International Center for Typographic Arts (ICTA) in New York, and in 1965 he became principal of the Basel Industrial School and director of the Industrial Museum. In 1966, he became the second president of the Swiss Association of Craftsmen. In 1967, he published Typography with the Swiss publishing house Nickli, and in 1968, together with Armin Hoffmann, he founded the higher course in graphic design at the Basel Institute of Technology. He died in Basel in 1970.
Authors
Emil Ruder
다른 사람들
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            He studied design in college and graduate school and received her PhD in design archive research. He has been practicing design curation and archival research since he worked as a chair designer at FURSYS Inc.’s and curated exhibitions such as droog design , Korean Design , and The New Vision from László Moholy-Nagy while working as a curator at the Design Museum at the Arts Center of Korea, and conducts workshops and research on maker culture and Korean design at Jayul Design Lab. He is …
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Kim Eun-ha
She completed her doctorate in education at the University of Cambridge. She is currently a researcher at the Institute of Social Education, Korea University Continuing Education Center, where she develops programs for teachers. - 
          
            
Kim So-jeong
She studied visual design in South Korea and worked in design education and magazine design. After studying illustration in the UK, she now lives in the seaside town of Bournemouth, where she works as a designer and illustrator. - 
          
            
Chung Hye-uk
Studied Visual Communication Design in the Department of Industrial Design at the College of Fine Arts, Seoul National University. Earned a master’s degree in New Media Design from the University of California, Los Angeles (UCLA), and a Ph.D. in Visual Communication from the Graduate School of Communication at Yonsei University. Currently, she serves as a professor at the Content School of Cheonggang University of Culture and Industry. - 
          
            
Kim Soo-jeong
He graduated from the Department of Philosophy at Hannam University and the Department of Advertising Design at Hongik University Graduate School of Industrial Arts. He edited and planned Picturebook Imagination , a magazine specializing in creative picture books and picture books at a commercial publishing house, and was the head of the planning team for the 1st CJ Picture Book Festival and a member of the 1st and 2nd primary jury. He is currently the head of Soojung Edition, and has been … - 
          
            
Kuma Kengo
Born in Yokohama in 1954, he studied architecture at the University of Tokyo and was a visiting scholar at Columbia University’s Department of Architecture and Urban Planning in the United States. He is currently a principal of Kengo Kuma and Associates and a special professor and professor emeritus at the University of Tokyo. His major works include Kiro-San observatory (1994), Water/Glass, Atami, Noh Stage in the Forest /Moributai Traditional Performing Arts Museum, Bato Hiroshige … - 
          
            
Shin Myung-ho
Researches the history of visual expression and representational theory, with a focus on picture books, and teaches Studies of Culture and Representation at Musashino Art University in Japan. Engages in various activities such as exhibition planning and translation, striving to raise awareness of the role and impact of picture books in society. - 
          
            
Jeong Yeon-suk
Graduated from the Department of English Literature at Sogang University and the Department of Political Science at the University of Winnipeg. She contributed to the Korean edition of Lonely Planet and has worked for several years on Korean-to-English and English-to-Korean translations for travel magazines, airline in-flight publications, and design journals. - 
          
            
Florencia Colombo
Florencia Colombo, a Switzerland-based architect, designs cultural projects with a creative focus. She works across architecture, contemporary art, and design, developing interdisciplinary academic exhibitions and publications for various international institutions. - 
          
            
Kang Ye-jin
She studied journalism at Yonsei University and worked in marketing and public relations in the corporate world. While pursuing her master’s program in arts management at Carnegie Mellon University, she worked for the public art team at Pittsburgh City Hall and later worked as a design strategy manager in the corporate world. She is a graduate of the Gulbab Academy and currently works as a translator for BarTranslation. - 
          
            
Kim Jin-sub
A pilgrim who travels around the country in search of book-making tools and machines, a collector who collects books handmade by senior craftsmen, a connector who is networked with professionals in the publishing and printing industry, a squirrelly teacher who can’t throw away anything once he gets his hands on it and hides it here and there like an acorn, a cranky old man who finds happiness in the things he collects, but sometimes struggles with insomnia, and the owner of the tools … - 
          
            
Sara De Bondt
Sara De Bondt is a graphic designer, publisher, and educator. Her current design projects include creating a new website for The Showroom, developing exhibition graphics for the Wellcome Collection, and designing books for Camden Art Centre and Book Works. She has been a member of the Alliance Graphique Internationale (AGI) since 2017. In 2008, she co-founded the publishing imprint Occasional Papers with Antony Hudek and has since edited several of its titles. Her most recent book, Off the …