He was born in Zurich in 1914. After primary and secondary school in Zurich and vocational training as a caterer, he studied in Paris and earned a degree in French at the Cercle Commercial Suisse de Paris. He then worked as a commercial printer at a Zurich publishing house. He attended a weekly course in typesetting and letterpress at the Kunstgewerbeschule Zürich, where he learned typography from Alfred Willimann (1900-1957) and Walter Käh (1901-1970). In 1942 he was appointed permanent teacher of typography at the AGS Basel. In 1947, he founded a specialized typography department at the third department of the same school (Department of Art, Industry and Vocational Education) and became its director. In 1948, he became president of the Basel branch of the Swiss Association of Craftsmen (SWB). In 1956, he was a member of the Die gute Form jury at the Swiss Industrial Fair and was elected to the Central Board of the SWB (succeeding Georg Schmidt). He was also a member of the steering committee of the same association. In 1959, he was the Swiss delegate to the ATypI (International Typographical Union). In 1961 he became a member of the Swiss Federal Council for Applied Arts (succeeding Bercholt von Grunigen) and was artistic advisor to the philatelic department of the Swiss Post and Telegraph Office. In 1962 he co-founded the International Center for Typographic Arts (ICTA) in New York, and in 1965 he became principal of the Basel Industrial School and director of the Industrial Museum. In 1966, he became the second president of the Swiss Association of Craftsmen. In 1967, he published Typography with the Swiss publishing house Nickli, and in 1968, together with Armin Hoffmann, he founded the higher course in graphic design at the Basel Institute of Technology. He died in Basel in 1970.
Authors
Emil Ruder
다른 사람들
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Born in 1929, he completed an apprenticeship in typesetting and later worked as an instructor. He taught photography and graphic design at various colleges and at the Zurich School of Design, while also serving as a teacher at the Zurich School of Industrial Design, where he developed lifelong learning programs in typographic design. His work spans book design for the cultural sector, exhibition catalogs, posters, and exhibition and installation design. A prolific writer, he has authored …
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Moon Ju-hwa
Film critic. Debuted through the 2024 Cine21 Film Criticism Award and began working as a critic. Currently pursuing a Ph.D. in the Department of Art, Culture, and Film Studies at Pusan National University, conducting research on the representation of history in contemporary cinema. Has worked with institutions such as the Art Sonje Center, Gwangju Biennale, Busan Biennale, and Busan International Film Festival, participating in numerous exhibitions and projects. -
Park Ji-soo
Jisoo Park is a professor in the Department of Emotional Engineering at Sangmyung University. She is one of South Korea’s first-generation UI designers, having begun studying UI design in 1991 as a master’s student in the Department of Industrial Engineering at KAIST. After earning her Ph.D. in UI design from the same graduate school, she worked at the Daewoo Electronics Design Research Center, collaborating with designers on product UI design. She also served as the lead researcher for the … -
Noh Min-ji
She is a typeface designer based in Seoul. She received her master’s degree from Hongik University Graduate School with a research on Korean punctuation. He has been working as a typeface designer at the AG Typography Institute since 2012, after having worked at the Yoon Design Institute. She has developed typefaces such as Boeunche, Maleungullimche, and Bomnunche. -
Nagaoka Kenmei
Design activist, publisher of d design travel . Born in 1965 in Mororan City, Hokkaido, and raised in Agui Town, Aichi Prefecture. He participated in the establishment of the Hara Design Institute, Japan Design Center, and founded Drawing & Manual in 1997 and D&DEPARTMENT PROJECT in 2000. He later founded 60VISION and proposed branding styles beyond reprinting, such as Garimoku 60. Long-life design is the theme of his activities, which range from publishing to product development. He … -
Nat McCully
Nat McCully worked at Claris Corporation and Apple Computer in Japanese product development, specializing in text layout, from 1991 to 1998. He then joined Adobe Systems as the lead engineer for the Japanese version of InDesign, implementing text composition and Japanese publishing workflow features. He has worked on Flash, AIR, RMSDK, and advised the teams on Photoshop, Illustrator, and Adobe Text Engine (ATE). He now works with the Spark and the XD teams on worldwide extensibility and … -
Koo Sang
Professor Koo, Sang has been researched for mobility and automotive design over 30 years since his career in Kia Motors Design Center either California Design Research Center as a senior designer, and now works as a professor at Hongik University. He got a doctor degree at the Graduate School of SNU for the first turn. He wrote 12 books related to automotive design and two long novels. Nowadays, he is writing design critique columns in Medias for every week. So far, they’ve collected more … -
Choi Dong-shin
Graduated from the Department of Applied Arts at Seoul National University and the Graduate School of Hongik University. A former professor at the College of Fine Arts at Hongik University, he also served as President of the Korean Society of Package Design. He contributed to significant projects such as creating cultural posters for the 36th Asian Games and signage and environmental design for the 1988 Seoul Olympics. His collaborative works include textbooks such as High School Design … -
Lee Jeong-hwan
Lee Jeong-hwan graduated from Kyung Hee University’s Department of Business Administration and Intercultural Japanese Language School. He is a researcher of Eastern philosophy and religion, a Japanese translator, and a writer. He has translated many books into Korean, including The Architecture of Tomorrow , The Secret of the Macaroni Hole , Connecting Architecture , 三低主 , White , Nagaoka Kenmei no Kangae , Tokyo University Students Become Fools , and Ready Luck . -
Charles Wallschlaeger
In his long tenure at The Ohio State University (OSU), Charles A. Charles Wallschlaeger was instrumental in creating one of the first full-scale industrial design departments at the university level. In more than 30 years there – including 19 as department chair, Charles influenced countless students and design educators. -
Go Yun-seo
She explores how text, graphics, and people interact between the virtual and the real. After working as a designer and developer at graphic design studio Everyday Practice, She recently went independent to run his own creative design studio, YYY. Continues to experiment with digital interaction in the graphic web experimentation group HHHA. -
Chung Dah-young
Chung Dah-young is a curator at the National Museum of Modern and Contemporary Art, specializing in architecture and design exhibitions and writing. She has curated significant exhibitions, including Diary of Drawings: Chong Ki-yong Architecture Archive (2013), Itami Jun: Sculpting the Wind (2014), Experiments of Architopia (2015), Paper and Concrete: Korean Modern Architecture Movements 1987–1997 (2017), Kim Chung-up: Dialogue (2018), The Olympic Effect: Korean Architecture and Design of the …