A professor and doctoral advisor at the Academy of Arts & Design, Tsinghua University, as well as the Executive Deputy Director of the Chinese Ancient Characters Art Research Center. He serves as Deputy Chair of the Visual Communication Design Department and holds a Ph.D. in Design. He is a member of the China Artists Association, a director of the Beijing Industrial Design Promotion Association, and notably participated as a torchbearer in the Beijing Olympics relay. He chaired the Visual Communication Design category for The Beauty of Chinese Characters’ Global Youth Design Contest and delivered a lecture on Chinese character design at UNESCO headquarters in Paris. He designed the first oracle bone script font and cursive script font, pioneering research-based design education and proposing the Rhythmic Structure (律格) design theory. In 2017, he organized the exhibition Recreate Oracle: Ancient Characters in the Context of Modern Design in Beijing and, in 2018, launched his first national touring exhibition, Chinese Characters & Rhythmic Structure: Chen Nan’s Perspective on Chinese Character Art & Design, at the Hubei Museum of Art.
Authors
Chen Nan
陳楠
다른 사람들
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She is a Ph.D. candidate at Yonsei University’s HCI Lab. She is currently working with HAII (a company specializing in digital therapeutics) on the planning, development, and clinical trials of a digital therapeutic for language therapy targeting stroke patients. She has directly experienced the A to Z of creating digital therapeutics and researches how patients can better and continuously benefit from digital therapy. She co-authored The Digital Therapeutics Revolution: Everything About …
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Omagari Toshi
Toshi Omagari is a font designer at Monotype in the UK. He studied typography and font design at Musashino Art University in Tokyo, graduating in 2008. Arcade Game Typography is his first book. -
Yoon Young-jun
Yoon Young-jun graduated from Seoul National University, Department of Life Sciences, and majored in Communication Design at SADI. She has been working mainly on editorial design and motion graphics. She is currently working as an editorial designer at Insight, a book publishing company. -
손용학
1970년에 동산방에 들어가 박주환 선생에게 표구를 배웠으며, 1986년에 낙원표구사로 옮긴 후 2002년에 묵호당을 열어 현재까지 표구업에 몸담고 있는 50년 이상 경력의 표구 장인이다. 2014년부터 2019년까지 한국표구협회 회장을 지냈으며, 문화재수리기능자 제1365호 자격을 보유하고 있으며, 고용노동부 선정 숙련기술전수자(배첩기능) 제2021-3호로 지정되었다. 2024년에는 이화여자대학교에서 표구를 가르쳤다. -
Lee Dong-guk
Lee Dong-guk is a Korean calligraphy researcher, curator, and current director of the Gyeonggi-do Museum. He has been an academic researcher at the Calligraphy Museum at the Arts Center of Korea for 35 years and has published Myth, Song of Life - From Petroglyphs to Atheists (1999), Two Thousand Years of Korean Calligraphy (2000), Ose Chang’s Pavilion. Collection World (2001), Heavenly Life, Sky of Fertility (2012), Special Exhibition on the 10th Anniversary of the Passing of Galesun … -
Park ji-hee
After studying Biology and German Literature at Sogang University, they began working at an international patent law firm. Following their completion of the Gulbab Academy program, they have been working as a translator affiliated with Barun Translation . Their translated works include Demian , Beneath the Wheel , Capture the Moment for Me , and Capture the Moment for Love . -
Sohyun Park
She studied film theory at the Korea National University of Arts and Southeast Asian studies at the National University of Singapore. Her translated works include The Brown History of the World , Selling Poverty , and Beauty Is a Wound , among others. -
Choi Jin-young
Observes daily life and translates memorable scenes and stories into illustrations. Aspiring to convey the joy and vitality of drawing, contributes artwork across various media. Illustrated books include: Children’s University: Physics , Accidental Design , The More Different, the Better , Words on the Road . -
Jan Tschichold
Jan Tschichold also known as Iwan Tschichold or Ivan Tschichold, was a German calligrapher, typographer and book designer. He played a significant role in the development of graphic design in the 20th century – first, by developing and promoting principles of typographic modernism, and subsequently idealizing conservative typographic structures. His direction of the visual identity of Penguin Books in the decade following World War II served as a model for the burgeoning design practice of … -
Koyama Ryusuke
Associate Professor Koyama started his business career at a major advertising agency after receiving a Bachelor’s degree in Philosophy at Kyoto University. After working as a producer at Shochiku Co., Ltd. to launch a new business based on the theme of Kabuki, he established Bloom Concept Inc. Professor Koyama received an MBA from the Thunderbird School of Global Management and Ph.D. from Kyoto University of the Arts, before joining NUCB Business School in 2015, and his research interests … -
Takaoka Masao
Born in Tokyo in 1957, Mr. Takaoka is the President of Kazui Kobo, a limited company. After graduating from Kokugakuin University’s Law Department, he joined his father, Takaoka Juzo’s company, Kazui Kobo, and has been in his current position since 1995.He learned Latin alphabet typesetting and typography from his father. From 1999-2001, he served as an advisor to printing museums and workshops and gave lectures and talks on Latin alphabet typesetting, typography, and corporate … -
Ogawa Naho
Ogawa Naho is a unique and whimsical sensibility who draws with elegant and delicate lines and brings her own playfulness to her paintings. She studied at Parsons School of Design in New York City, which gives her drawings a distinctly New York style. She has traveled and worked with luxury brands, fashion magazines, and famous department stores in the world’s biggest cities, including Anna Sui, Vogue , Elle , Newsweek , Wall Street Journal , The New Yorker , Ja Cosmetics , Hong Kong …