With a bachelor’s degree in Archaeology and Art History from Seoul National University and a master’s and Ph.D. in Art History from Columbia University, she has built a distinguished academic career. After teaching at the Samsung Design Institute (SADI) and the Department of Painting at Sungshin Women’s University, she is currently a professor at the Korea National University of Arts, School of Visual Arts. Her work focuses on the dynamic intersection of art exhibitions, criticism, theory, and art history. Studying in 20th-century New York, she explored the evolution and direction of contemporary art, understanding its inseparable connection to the broader history of art. She has authored books such as What is Avant-Garde?, Painters of Opera Street: 19th-Century French Civil Society and Art, Coexisting Differences: Contemporary Korean Women Artists, and Contemporary Art Through 22 Key Concepts, along with numerous research papers. She has served as President of the Korean Society of Art History and Chair of the Arts and Sports Advancement Council.
Authors
Jin Whui-yeon
진휘연
다른 사람들
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Renate Menzi enjoyed a craft-based design education at the Kunstgewerbeschule Zürich, which she continued at the Bezalel Academy in Jerusalem. Having graduated in 1996, she worked as an assistant at the Chair of Visual Design in the Department of Architecture at ETH Zurich and studied Theory of Design and Art at the Zurich University of the Arts. Since 2008, she is the curator of the design collection at the Museum für Gestaltung Zürich where she teaches, collects, researches and publishes in …
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Kim Sang-kyu
He studied design in college and graduate school and received her PhD in design archive research. He has been practicing design curation and archival research since he worked as a chair designer at FURSYS Inc.’s and curated exhibitions such as droog design , Korean Design , and The New Vision from László Moholy-Nagy while working as a curator at the Design Museum at the Arts Center of Korea, and conducts workshops and research on maker culture and Korean design at Jayul Design Lab. He is … -
Hirano Kouga
Hirano Kouga graduated from the Department of Visual Communication Design at Musashino Art University and worked in the PR department of Takashimaya before becoming a freelance graphic designer. Beginning in the 1960s, he actively participated in the underground theater scene, creating numerous posters. From 1964 to 1992, he was responsible for book design at Shobunsha Publishing, where he designed nearly all of its publications. His contributions earned him the Kodansha Publishing Culture … -
Song Myung-min
Studied Visual Design at the College of Design, Sangmyung University, and Communication Design at its Graduate School of Art and Design. Worked as a designer at companies such as Hong Design Co., Ltd., and has taught typography and editorial design courses at Sangmyung University, Hannam University, Kyonggi University, Chungbuk National University, and Pyeongtaek University. Actively engages in creative projects through organizations such as the Korean Society of Typography, the Korean Society … -
배수현
After graduating from Korea University with a degree in English Language and Literature and earning a degree in Translation from the Monterey Institute of International Studies , they worked for several years as an interpreter and translator for government agencies and corporations. Currently, they work as a translator specializing in culture, creativity, and technology , while also serving as the Creative Commons Asia-Pacific Coordinator . -
Kil Hyung-jin
He is passionate about design and making complex concepts more accessible. He is currently working on design systems at Wanted Lab to improve the speed and quality of digital product creation. -
Kim Eun-young
She started her career as a book designer at a design-focused publishing house and now works as a planner building on her foundation in design. As she strived to truly understand her work, she ended up writing her third book and became someone who shares knowledge in front of others. Although she has experienced design and publishing as professional fields, she places more emphasis on design and bookmaking as part of everyday life and general education. Since August 2012, she has been teaching … -
NAMELESS Architecture
NAMELESS Architecture is a idea-based design practice, based in Seoul. Committed to the simplicity on the unpredictable world, they explore the world of architecture, city, and global cultural phenomenon. NAMELESS’s work has been widely published and exhibited at Museum of Modern Art (MoMA), New York Center for Architecture, Parsons The New School, Museum of Modern and Contemporary Art (MMCA) and Seoul Museum of Art, National Museum of Korea. The office has received numerous awards, including … -
Lim Taehee
After completing a research program in Architecture at Kyoto University, he returned to South Korea and gained six years of practical experience in the field. He later went back to Japan and earned a Ph.D. in Architecture from Kyoto Institute of Technology. Currently, he runs Im Taehee Design Studio, continuing to work on various projects. -
Seo Ji-su
She majored in ancient art history at university. After graduating from the Glbab Academy, she worked in various Japanese translation jobs and is currently working as a professional Japanese translator at Bareun Translation. -
Kashiwagi Hiroshi
Design critic. Professor Emeritus at Musashino Art University and Honorary Fellow at the Royal College of Art. Born in Kobe in 1946. Graduated from Musashino Art University. After working as an editor, became an associate professor at Tokyo Zōkei University in 1983. Started at his current position in 1996. His works include Design no 20 seiki (The 20th Century of Design) (NHK Shuppan, 1992), Housework no seiji gaku (The Politics of Housework) (Seidosha, 1995), and Nichijitsu no bunka shi (The … -
Korean Society of Typography
The Korean Society of Typography (hereafter KST) is an academic organization in South Korea, started in 2009. The KST supports many design activities to diversify the visual communication field. Some of which include the journal LetterSeed , academic conferences, annual exhibitions as well special committees on Korean typography, typographic terminology, digital typography education, international typography biennale, and a diverse range of research.