Following an undergraduate degree in Graphic Information Design and a postgraduate teaching qualification, he completed a postgraduate degree at the Royal College of Art. He worked for the Nederlandse Omroep Stichting (Netherlands Broadcasting Service) and later for Sebastian Conran Associates before co-founding a studio in East London with Russel Warren-Fisher and Hannah Tofts. He authored and designed a series of 32 non-fiction children’s books covering science, history, and geography, which were published in 14 languages across 26 countries. In 1994, he won the American Institute of Physics Award for Science Writing and, in 1997, the Geography Gold Medal for Most Significant Contribution to Geography. He became Head of Typography at the London College of Printing, then Course Director for the MA in Communication Design at Central Saint Martins, and later served as Academic Programme Leader at the University of Brighton. Eventually, he was appointed Associate Head of School and Head of the Graphic Design Department at Kingston School of Art.
Authors
Andrew Haslam
다른 사람들
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After studying Architectural Engineering at Yonsei University , they worked in the construction industry. Following their completion of the English Publishing Translation program at Gulbab Academy , they began working as a translator affiliated with Barun Translation . Their translated works include Japanese-Style Small Houses .
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Akasegawa Genpei
Akasegawa Genpei was a pseudonym of Japanese artist Akasegawa Katsuhiko (赤瀬川克彦), born March 27, 1937 in Yokohama. He used another pseudonym, Otsuji Katsuhiko (尾辻克彦), for literary works. A member of the influential artist groups Neo-Dada Organizers and Hi-Red Center, Akasegawa went on to maintain a multi-disciplinary practice throughout his career as an individual artist. In 1986, Akasegawa and his collaborators, Terunobu Fujimori and Shinbo Minami, to announce the formation of a new group: … -
Ko Bong-seok
He graduated from Hongik University and the Graduate School of Industrial Art. He is a member of the Korean Institute of Brand Design. He is currently the CEO of August Brand. -
Choi Bum
Design critic. Graduated from the Department of Industrial Design and the Department of Aesthetics at Hongik University. Served as the editor-in-chief of the monthly magazine Design and as the editor of the design criticism journal Design Critique . Focused on critically analyzing Korean society and culture through the lens of design. Authored several books, including: A View on Korean Design , Where is Korean Design Heading? , Korean Design: Beyond the Myth , If I Had Read That Book in Those … -
Kil Hyung-jin
He is passionate about design and making complex concepts more accessible. He is currently working on design systems at Wanted Lab to improve the speed and quality of digital product creation. -
Suzy Lee
Suzy Lee studied painting in Korea and book arts in the UK and has published picture books internationally. Her work has garnered several prestigious awards, including the “2022 Hans Christian Andersen Award” “the Bologna Ragazzi Award”, “the Inchon Memorial Award” “The Korean Publishing Culture Award” and “The New York Times Best Illustrated Children’s Book Award”. Among her most celebrated works are the picture books Summer , River , Wave , Shadow , The Black Bird , Alice in Wonderland , and … -
Shur Ki-heun
Graphic designer and professor in the Department of Visual Design at Gachon University. He has served as the president of the Korea Society of Visual Information Design and the Korea Society of Basic Design & Art. He received the Art Division Award at the 2008 Korean Culture and Arts Awards and the Education Division Award at the 2012 Korea New Knowledge Management Awards. -
Lauren Daugherty
Lauren Daugherty, LMHC, ATR-P, is the Arts-based Wellness Experiences Manger and full-time art therapist at the Sidney and Lois Eskenazi Museum of Art at Indiana University Bloomington. In this inaugural position at the museum, she established art therapy programming for individuals of all ages and abilities, including children from backgrounds of abuse and neglect, individuals with cognitive and developmental disabilities, and Indiana University students. She obtained her master’s degree in … -
Park Ji-min
I graduated with a degree in Korean history and have lived in China for seven years, including three years as a student in Beijing, as well as one year in the United States. Just like translating Chinese, I enjoy traveling from place to place, meeting people, and writing. Fortunately, I have been able to continue doing what I love. I have translated over 50 books, including That Mountain, That Man, That Dog , China: Incredibly Close Yet Surprisingly Foreign , Landscape , and Reading Psychology … -
Yorifuji Bunpei
Book designer, illustrator, art director, and author, whose witty work is active in various fields. After dropping out of Musashino Art University’s Visual Communication Design Department, he worked for the advertising company Hakuhodo. In 1988, he opened Yorifuji Design Office, and in 2000, he founded Bunpei Ginza, a limited company. In 2008, he won the 29th Kodansha Publishing Culture Award in the Book Design category for Life Miscellany Notebook and Designers Who Don’t Design . … -
Choi Jeong-ho
A Pioneer of modern Korean type design and typeface research. He moved to Japan, where he worked at a printing company, mastering various printing techniques, and studied at Yodobashi Art Academy. In 1957, he developed the Dong-A Publishing Typeface, which received high acclaim. In the early 1970s, he collaborated with Japanese phototypesetting companies Shaken (寫硏) and Morisawa (モリサワ) to create Hangeul typefaces. In his later years, he focused on writing and researching the philosophy and … -
Jan Tschichold
Jan Tschichold also known as Iwan Tschichold or Ivan Tschichold, was a German calligrapher, typographer and book designer. He played a significant role in the development of graphic design in the 20th century – first, by developing and promoting principles of typographic modernism, and subsequently idealizing conservative typographic structures. His direction of the visual identity of Penguin Books in the decade following World War II served as a model for the burgeoning design practice of …