Karl Gerstner (1930–2017) was a leading representative of Swiss typography and one of the most important innovators of typography, advertising graphics and corporate design. From 1945 to 1948, he completed an apprenticeship in Fritz Bühler’s studio and attended courses at the Allgemeine Gewerbeschule Basel, where Armin Hofmann and Emil Ruder were his instructors. In 1949 he followed Max Schmid’s call and joined the legendary design team of Geigy Pharmaceuticals, where he later met the copywriter and editor Markus Kutter. In 1959 they founded the advertising agency Gerstner + Kutter, which was joined by architect Paul Gredinger and in 1963 became GGK (Gerstner Gredinger Kutter), one of Europe’s most successful advertising agencies. Gerstner left the agency in 1970 to focus on his art and on selected design projects. Karl Gerstner had a significant influence on Swiss typography and graphic design. As an artist, he developed a systematic language of colors and forms and pleaded for a correlation between art and everyday life and a functional and aesthetic design of the environment.
Authors
Karl Gerstner
다른 사람들
-
John Thackara is a writer, advisor and event producer. For more than thirty years he has traveled the world in a search of stories about the practical steps taken by communities to realise a sustainable future. He writes about these stories online, and in books; he uses them in talks for cities, and business; he also organizes festivals and events that bring the subjects of these stories together. He curated the celebrated Doors of Perception conference for 20 years – first in Amsterdam, later …
-
Choi Jeong-ho
A Pioneer of modern Korean type design and typeface research. He moved to Japan, where he worked at a printing company, mastering various printing techniques, and studied at Yodobashi Art Academy. In 1957, he developed the Dong-A Publishing Typeface, which received high acclaim. In the early 1970s, he collaborated with Japanese phototypesetting companies Shaken (寫硏) and Morisawa (モリサワ) to create Hangeul typefaces. In his later years, he focused on writing and researching the philosophy and … -
Lee Kwang-suk
He has been engaged in research, criticism, and writing with a critical focus on the intersections of technology, society, and ecology. He is a Professor in the Graduate School of IT Policy at Seoul National University of Science and Technology, specializing in Digital Culture Policy. Since 2020, he has served as the Editor-in-Chief of Culture/Science , a journal of cultural theory. His main research interests include technology and cultural studies, the commons, platforms, techno-ecological … -
Ulf Meyer
Born in 1970 in Berlin, Germany. Writer, critic, and educator specializing in architecture. He studied architecture at the Technical University of Berlin(Germany) and the Illinois Institute of Technology(USA), worked at Inggenhofen Architects(Germany) and Shigeruban Architects(Japan), and was an architecture journalist for the San Francisco Chronicle (USA). He has published hundreds of articles on architecture and urban design in newspapers, magazines, and internet media in Europe and … -
Kil Hyung-jin
He is passionate about design and making complex concepts more accessible. He is currently working on design systems at Wanted Lab to improve the speed and quality of digital product creation. -
Choi Bum
Design critic. Graduated from the Department of Industrial Design and the Department of Aesthetics at Hongik University. Served as the editor-in-chief of the monthly magazine Design and as the editor of the design criticism journal Design Critique . Focused on critically analyzing Korean society and culture through the lens of design. Authored several books, including: A View on Korean Design , Where is Korean Design Heading? , Korean Design: Beyond the Myth , If I Had Read That Book in Those … -
Kelly M. Choi
Studied visual design and typography at the Rhode Island School of Design (RISD) and The Basel School of Design. Currently runs the brand Once Type, exploring the visual potential of letters. -
Park Su-ji
An independent curator, operating the curatorial agency RARY and co-managing the curator platform WESS . Previously, they have worked as a curator at the independent cultural space Agit in Busan, editorial team leader for the art and culture criticism magazine BIART , coordinator for Jeju Biennale 2017: Tourism , curator at Tongui-dong Boan Inn , and associate curator for the 2024 Busan Biennale: Seeing in the Dark . Their work revolves around questioning how the fundamental nature of art … -
Choi Min-young
Graduated from the department of industrial design at KAIST, earned a master’s degree in industrial design from the same institution, and completed the doctoral coursework there. With practical experience in product design and interaction design, served as a senior designer at Daewoo Motors and as the head of the research institute at Decos Interactive. Currently, a professor specializing in Interaction Product Design in the Department of Industrial Design at Sungshin Women’s … -
Yang Seong-hee
Yang Seonghee graduated from Ewha Womans University’s Department of Chinese Language and Literature and studied at Beijing Normal University. She is currently working as a professional translator. The books she has translated include: Learning to Love, Reading the City, Living the World, Learning Flexibility from Lao Tzu, Don’t Make Enemies Even if They Are Not on Your Side, The Art of Choosing at a Decisive Moment, Chaegeundam 1, 2, Mencius’s Management, Wasin Consulting 1, 5, Qinghai-Tibet … -
Kim Ju-sung
They graduated from the Graduate School of Industrial Arts at Hongik University. They have served as a researcher at Seoul Graphic Center, Creative Director at Type House and Inter Graphic, Production Director at Pureun Gamsung Co., Ltd., Vice President of the Korea Visual Information Design Association, Vice President of the Korean Society of Typography, and Vice President of the Korean Society of Basic Design & Art. They have participated in various exhibitions both domestic and … -
Jeong Jin-uk
Majored in Aesthetics at university and admires musicians who compose and transcribe invisible music. Believes that love resembles music in its essence. During times of turbulence, instead of leaning on a prewritten life, he embraces her uncertainties and writes imperfect sentences as if transcribing music, striving to play his future more vividly. He is the publisher of ESSAI , an independent magazine for minimalists, and the author of Etudes on Love .