Karl Gerstner (1930–2017) was a leading representative of Swiss typography and one of the most important innovators of typography, advertising graphics and corporate design. From 1945 to 1948, he completed an apprenticeship in Fritz Bühler’s studio and attended courses at the Allgemeine Gewerbeschule Basel, where Armin Hofmann and Emil Ruder were his instructors. In 1949 he followed Max Schmid’s call and joined the legendary design team of Geigy Pharmaceuticals, where he later met the copywriter and editor Markus Kutter. In 1959 they founded the advertising agency Gerstner + Kutter, which was joined by architect Paul Gredinger and in 1963 became GGK (Gerstner Gredinger Kutter), one of Europe’s most successful advertising agencies. Gerstner left the agency in 1970 to focus on his art and on selected design projects. Karl Gerstner had a significant influence on Swiss typography and graphic design. As an artist, he developed a systematic language of colors and forms and pleaded for a correlation between art and everyday life and a functional and aesthetic design of the environment.
Authors
Karl Gerstner
다른 사람들
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He graduated from Central St. Martins College Art & Design, UK, and has been active in VIDAK, the Korean Society Of Basic Design & Art, and the Korea package Design Association. He is currently a professor of art and visual design at Chungbuk National University, College of Humanities. He has co-authored the books Design Education and Slow Food .
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Choi Dong-shin
Graduated from the Department of Applied Arts at Seoul National University and the Graduate School of Hongik University. A former professor at the College of Fine Arts at Hongik University, he also served as President of the Korean Society of Package Design. He contributed to significant projects such as creating cultural posters for the 36th Asian Games and signage and environmental design for the 1988 Seoul Olympics. His collaborative works include textbooks such as High School Design … -
Kim Sun-young
She studied interior architectural design at the Department of Sculpture, Seoul National University and the École Supérieure des Arts et Techniques (ESAT). She earned a master’s degree in interior architectural design from the Academy of Art University (AAU) Graduate School and a doctorate in environmental design from Yonsei University’s Graduate School of Housing and Environment. He is currently a professor at the Department of Environmental Design, College of Visual Arts, Incheon … -
Jo Eun-ji
Studied Interaction Design at Delft University of Technology (Technische Universiteit Delft) in the Netherlands and Service Design and Design for Social Innovation at Politecnico di Milano in Italy. She earned her Ph.D. under the supervision of Ezio Manzini at Politecnico di Milano. Since 2014, she has been working as an assistant professor in the Department of Design at Hunan University in China. -
Tanaka Ikko
Ikko Tanaka was a Japanese graphic designer. Tanaka is widely recognized for his prolific body of interdisciplinary work, which includes graphic identity and visual matter for brands and corporations including Seibu Department Stores, Mazda, Issey Miyake, Hanae Mori, and Expo 85. He is credited with developing the foundational graphic identity for lifestyle brand Muji, emphasizing the “no brand” quality of their products through unadorned, charming line drawings paired with … -
강예린·이치훈
강예린과 이치훈은 건축가이며, 2011년부터 SoA(Society of Architecture)를 이끌고 있다. 강예린은 2019년부터 서울대학교 건축학과 교수로 재직하며 학생들을 가르치고 있다. 두 사람은 사회·문화적 조건 속에서 변화하는 도시 및 건축의 맥락을 이해하는 것을 작업의 토대로 삼는다. SoA는 통의동 ‘브릭웰’로 한국건축역사학회 작품상(2023)과 서울특별시 건축상 최우수상(2020) 등을 수상했다. 국립현대미술관 젊은건축가프로그램의 우승작인 ‘지붕감각’(2015)으로 영국의 권위 있는 건축 전문지 『아키텍처럴 리뷰』가 주관하는 이머징 아키텍트 어워드(Emerging Architect Award, 2016)의 최종 후보로 선정되었다. 김수근프리뷰상(2016), 젊은건축가상(2015) 등을 받았으며 〈베니스비엔날레 국제건축전〉(2023)을 비롯한 국내외 주요 전시에 작가 또는 큐레이터로 참여했다. 건축적 사유를 확장하는 중요한 수단으로 글쓰기와 출판을 지속해 왔다. … -
Park ji-hee
After studying Biology and German Literature at Sogang University, they began working at an international patent law firm. Following their completion of the Gulbab Academy program, they have been working as a translator affiliated with Barun Translation . Their translated works include Demian , Beneath the Wheel , Capture the Moment for Me , and Capture the Moment for Love . -
Lee Young-choon
He graduated from Hongik University, College of Fine Arts, Department of Wooden Furniture, and majored in Industrial Design at Rochester Institute of Technology, USA. He has worked as a senior designer at Spoon Design, an adjunct professor at the Department of Industrial Design at Rochester Institute of Technology, a commissioned researcher at the Korea Institute of Design Promotion (KIDP), and is currently a professor at the Department of Living Furniture Design at Seoil University. -
Choi Min-young
Graduated from the department of industrial design at KAIST, earned a master’s degree in industrial design from the same institution, and completed the doctoral coursework there. With practical experience in product design and interaction design, served as a senior designer at Daewoo Motors and as the head of the research institute at Decos Interactive. Currently, a professor specializing in Interaction Product Design in the Department of Industrial Design at Sungshin Women’s … -
아야코 록카쿠
1982년 일본 치바 출생. 현재 베를린을 기반으로 활동하고 있다. 붓 대신 손으로 직접 물감을 밀고 문지르며 화면을 구축하는 독창적 회화 방식으로 국제적 주목을 받아온 작가다. 정규 미술 교육을 받지 않고 독학으로 회화를 시작했으며, 2006년 무라카미 다카시가 주관한 GEISAI에서 ‘스카우트 어워드(SCOUT AWARD)를 수상하며 세계 미술계에 알려졌다. 이후 스위스 바젤에서 열린 VOLTA에 참가한 것을 계기로 활동 무대를 일본에서 유럽으로 확장했다. 초기에는 동화적 소녀 이미지와 강렬한 색채로 주목받았고, 최근에는 형상이 사라진 채 순수한 색과 리듬, 신체적 제스처가 전면화된 추상 회화로 스타일이 이동하고 있다. 유럽·아시아·중국 등 주요 미술관에서 개인전을 열었으며, 오케타 컬렉션, 보를린덴 미술관, 군마현립미술관 등 다수의 공공 컬렉션에 작품이 소장되어 있다. -
에른스트 판알펀
네덜란드의 문학·시각예술 연구자. 현재 레이던대학교 문학연구학과 교수로 재임 중이다. 이전에는 로테르담 보이만스판뵈닝언미술관의 교육·커뮤니케이션 부문 디렉터를 역임했으며, UC 버클리대학교에서 네덜란드학 석좌교수이자 수사학 교수로 재직한 바 있다. 모더니즘·포스트모더니즘 문학과 예술, 문학과 시각예술의 관계를 중심으로 문화 연구를 이어가고 있다. 미술 관련 주요 저서로는 『프랜시스 베이컨과 자아의 상실(Francis Bacon and the Loss of Self)』 『마음속의 미술: 현대 이미지가 사고를 형성하는 방식(Art In Mind: How Contemporary Images Shape Thought)』 『아카이브의 연출: 뉴미디어 시대의 미술과 사진(Staging The Archive: Art and Photography in the Age of New Media)』이 있다. -
Kim Hyun-ho
Editorial director of VOSTOK magazine and head of VOSTOK PRESS. He is the editor of various publications and the director of PLATFORM-P. He has worked as the chief editor of the design journal Yanggwibi , editor-in-chief of the Seoul National University Press and Culture Center, and a member of the planning committee of the School of Photographic Theory and the bimonthly magazine Wordnbow , and received the Art in Culture New Vision Art Criticism Award.