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Small Architecture

小さな建築

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Kuma Kengo’s Call for Architecture That Prioritizes Nature and Humanity

“Let’s Start Again from the Beginning!”

Throughout history, in response to devastating disasters such as massive wildfires, earthquakes, and tsunamis, humans have pursued “strong, rational, and large-scale architecture”, built primarily with concrete and steel. However, the 2011 Great East Japan Earthquake and subsequent tsunami and nuclear disaster served as a stark reminder of how fragile and powerless such “big architecture” can be.

Renowned architect Kuma Kengo advocates for “small architecture,” embracing nature and human interaction rather than sheer size and modernity. From exhibition spaces utilizing “water block” and “water branch” concepts to opera houses and flagship stores of global brands, Kuma continuously challenges conventional norms, pioneering innovative designs that harmonize with both people and the environment. His approach redefines contemporary architecture, proving that creativity and sustainability hold more value than mere scale and material strength.

Kuma Kengo

Born in Yokohama in 1954, he studied architecture at the University of Tokyo and was a visiting scholar at Columbia University’s Department of Architecture and Urban Planning in the United States. He is currently a principal of Kengo Kuma and Associates and a special professor and professor emeritus at the University of Tokyo. His major works include Kiro-San observatory (1994), Water/Glass, Atami, Noh Stage in the Forest /Moributai Traditional Performing Arts Museum, Bato Hiroshige Museum, Great (Bamboo) Wall House, Nagasaki Prefectural Art Museum, Suntory’s Tokyo office building, China Academy of Art’s Folk Art Museum, V&A Dundee, and the Japan National Stadium for the 2020 Tokyo Olympics.

Lim Taehee

After completing a research program in Architecture at Kyoto University, he returned to South Korea and gained six years of practical experience in the field. He later went back to Japan and earned a Ph.D. in Architecture from Kyoto Institute of Technology. Currently, he runs Im Taehee Design Studio, continuing to work on various projects.

Lee Jeong-hwan

Lee Jeong-hwan graduated from Kyung Hee University’s Department of Business Administration and Intercultural Japanese Language School. He is a researcher of Eastern philosophy and religion, a Japanese translator, and a writer. He has translated many books into Korean, including The Architecture of Tomorrow, The Secret of the Macaroni Hole, Connecting Architecture, 三低主, White, Nagaoka Kenmei no Kangae, Tokyo University Students Become Fools, and Ready Luck.
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