Established in 2017, the Seoul Biennale of Architecture and Urbanism explores the diverse challenges arising from rapid urban growth through the lens of architecture and urbanism. With a focus on Seoul and other global cities, the Biennale seeks to address pressing urban issues and propose innovative solutions. The Biennale features Thematic Exhibitions centered on a specific theme, Guest Cities Exhibition showcasing pioneering public projects from around the globe, and On-site Projects that bring the theme to life. Additionally, the Biennale directs participatory programs such as Global Studios and educational workshops, providing a collaborative space where experts, government agencies, and members of the community can all come together to envision the future of Seoul.
Authors
Seoul Biennale of Architecture and Urbanism
서울도시건축비엔날레
다른 사람들
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She graduated from Hongik University, College of Fine Arts, Department of Industrial Design and received his MFA from Pratt Institute Graduate School of Industrial Design. Since 1995, she has been a keynote professor at Samsung Art and Design Institute (SADI), and since 1999, she has been a research professor at Parsons School of Design and Pratt Institute’s Department of Industrial Design in New York City. Currently, she teaches three-dimensional sculpture at Parsons School of …
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Kim Dae-kwon
He started his career as a font engineer with the first project, “Malgun Gothic”, the first Korean hinting font for UI. He developed various plugins for font editors and gave many technical lectures. He enjoys various collaborations and conversations with font designers. He is currently in charge of mobile font download service at Font Bank and operates Line Gap. -
Florencia Colombo
Florencia Colombo, a Switzerland-based architect, designs cultural projects with a creative focus. She works across architecture, contemporary art, and design, developing interdisciplinary academic exhibitions and publications for various international institutions. -
Gilda Williams
Based in London since 1994, Dr. Gilda Williams is a contemporary art critic and teacher; editor of ON&BY Andy Warhol (MIT/Whitechapel Press, 2016); and author of the bestselling art book How to Write about Contemporary Art (Thames & Hudson, 2014), now published in seven languages. From 2008-23 Williams was Senior Lecturer on the MFA Curating programme at Goldsmiths College (University of London), where she taught art writing. Dr. Williams has also taught at the The Ruskin School of Art, … -
Kim Yeong-seon
She graduated from the Department of Creative Writing at Chung-Ang University and completed coursework in Aesthetics at Hongik University Graduate School. After working as a publishing editor and caregiver, she is currently active as a professional translator. Her translated works include The Death of Truth , Churchill’s Black Dog, Kafka’s Mice , Automating Inequality , Capital Without Borders , To the Letter , The Art of Forgetting and “Why Heidegger Should Not Be … -
Chon Seung-il
An adjunct professor in the Department of Spatial Production at Kaywon University of Art and Design and an automata artist. As the director of Studio Mimesis and Automata Workshop, he is actively involved in animation, automata, and kinetic art through education, exhibitions, and various projects. He co-authored the book Automata Workshop and has showcased his work in notable exhibitions such as ‹Chon Seung-il’s Thinking Automata› (2017), ‹Goguryeo Mural Automata› (2017), ‹Friends of the … -
Gang Yeong-ok
She studied at Duksung Women’s University, Department of German and Literature, and Hankuk University of Foreign Studies, Graduate School of Interpretation and Translation. She has worked as a translator at various organizations and taught math to students. Currently, she works as a publication planner and professional translator at the translation agency Enterkorea. Her books include Great Myths of Aging , Nett ist die kleine Schwester von Scheiße , and Schrödinger’s Cat: Fifty Experiments … -
Lee Young-choon
He graduated from Hongik University, College of Fine Arts, Department of Wooden Furniture, and majored in Industrial Design at Rochester Institute of Technology, USA. He has worked as a senior designer at Spoon Design, an adjunct professor at the Department of Industrial Design at Rochester Institute of Technology, a commissioned researcher at the Korea Institute of Design Promotion (KIDP), and is currently a professor at the Department of Living Furniture Design at Seoil University. -
Kim Jin-a
She studied education at Sookmyung Women’s University and holds a master’s degree in theater and education from the Freie Universität Berlin. She has been a lecturer at the Universität Duisburg-Essen and is currently working as a professional translator. Her translations include Schneewittchen muss Sterben , Mordsfreunde , Erebos , and Effekten af Susan . -
Kwon Myung-kwang
Graphic designer. Distinguished Professor at Sangmyung University. 15th President of Hongik University, Honorary Professor of Hongik University. He graduated from summer term at Osaka University of the Arts, Japan in 1974 and Hongik University, Faculty of Crafts and Graduate School of Visual Design in 1974. Since 2006, he has been an advisor to the Animation Society of Korea, a standing advisor to the Korean Federation of Design Associations (KFDA), and a standing advisor to the Visual … -
Yang Ye-kyu
Graduated from Dongduk Women’s University College of Arts, Department of Visual Design and its graduate school, and completed the web design course at Fashion Institute Technology (F.I.T) in New York, USA. Worked as a designer at the advertising production team of Samhee Planning Co., Ltd., the predecessor of advertising agency Hancom Co., Ltd., and taught CI and computer graphics at Dongduk Women’s University Department of Visual Design. Currently working as the head of the design … -
Armin Hofmann
Armin Hofmann was a Swiss graphic designer. He was one of the most prominent individuals in Swiss design. He began his career in 1947 as a teacher at the Allgemeine Gewerbeschule Basel School of Art and Crafts at the age of twenty-six. Hofmann followed Emil Ruder as head of the graphic design department at the Schule für Gestaltung Basel (Basel School of Design) and was instrumental in developing the graphic design style known as the Swiss Style. His teaching methods were unorthodox and broad …