An active design educator and artist, Kan Tai-keung is one of Hong Kong’s most famous graphic designers and noted ink painters. Born in 1942 in Pangyu, Guangdong, Kan has resided in Hong Kong since 1957. His passion for painting developed early on in his childhood, and his grandfather, Kan Yaosheng, a clay sculptor, encouraged his pursuit of art. Kan first studied art and design in 1964, and then watercolour painting and sketching with his uncle Kan May-tin. In 1967, he began attending design classes taught by Wucius Wong and Chinese ink painting lessons under Lui Shou-kwan. Concurrently, he began working as a professional designer. In 1969, he began creating his own ink paintings, and became a member and chairman of the One Art Group. Kan was an active participant of Hong Kong’s New Ink Art Movement and has continued to explore his unique brand of creativity. Since the early 1970s Kan has been actively involved in art and design education, and has influenced many of his pupils. In 2005, Kan was awarded an Honorary Doctorate of Design from the Hong Kong Polytechnic University. He is now the Chair Professor of the Cheung Kong School of Art and Design, Shantou University, Guest Professor of Central Institute of Fine Arts in Beijing and Guest Professor at Tsinghua University in Beijing.
Authors
Kan Tai-Keung
靳埭强
다른 사람들
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Born in Seoul, Chang Eung-bok graduated from the College of Fine Arts at Hongik University and founded Mono, the predecessor of Mono Collection, in 1985. With a foundation in textile design, she has contributed significantly to Korea’s textile design industry, working across residential and commercial spaces, domestic and international hotel projects, and furniture and soft interior design. She has held numerous exhibitions, including at Mori Art Museum (2005), Gallery Artlink (2010), Seoul …
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Peter Troxler
An independent researcher and concept developer, he focuses on the overall composition and design of the social, technological, and commercial dimensions of businesses. His work pays particular attention to companies as permanent organizations and projects as temporary organizational structures. -
Dunne & Raby
Dunne & Raby use design as a medium to stimulate discussion and debate amongst designers, industry and the public about the social, cultural and ethical implications of existing and emerging technologies. They are the authors of Hertzian Tales (CRD Research, 1999, MIT Press, 2005) and co-author, with Fiona Raby, of Design Noir (Birkhauser, 2001) and Speculative Everything (MIT Press, 2013). Projects include Technological Dream Series, No 1: Robots (2007), Designs For An Over Populated … -
Sosun Park
With a background in media, theater, and programming development, she uses technology as both material and inspiration for her creative work. As a developer and artist, she creates content that merges technology and art, sharing her work across various social media platforms. Furthermore, she maximizes the unique characteristics of technology and the web as mediums, designing interactive experiences that engage audiences and encourage their participation. -
Yoo Yoon-seok
Practice Designer. -
Kim Jae-hong
He graduated from Central St. Martins College Art & Design, UK, and has been active in VIDAK, the Korean Society Of Basic Design & Art, and the Korea package Design Association. He is currently a professor of art and visual design at Chungbuk National University, College of Humanities. He has co-authored the books Design Education and Slow Food . -
Koyama Ryusuke
Associate Professor Koyama started his business career at a major advertising agency after receiving a Bachelor’s degree in Philosophy at Kyoto University. After working as a producer at Shochiku Co., Ltd. to launch a new business based on the theme of Kabuki, he established Bloom Concept Inc. Professor Koyama received an MBA from the Thunderbird School of Global Management and Ph.D. from Kyoto University of the Arts, before joining NUCB Business School in 2015, and his research interests … -
Oh Byung-keun
His teaching and research focuses on visualization for information and knowledge transfer. He is also interested in design-centered and interdisciplinary approaches for desirable interactions between humans and information, humans and media, and humans and space. He received his B.A. and Ph.D. in design from Seoul National University and his M.F.A. from New York University Graduate Center, and is currently a professor of visual design at Yonsei University, College of Design and Art. His books … -
Akasegawa Genpei
Akasegawa Genpei was a pseudonym of Japanese artist Akasegawa Katsuhiko (赤瀬川克彦), born March 27, 1937 in Yokohama. He used another pseudonym, Otsuji Katsuhiko (尾辻克彦), for literary works. A member of the influential artist groups Neo-Dada Organizers and Hi-Red Center, Akasegawa went on to maintain a multi-disciplinary practice throughout his career as an individual artist. In 1986, Akasegawa and his collaborators, Terunobu Fujimori and Shinbo Minami, to announce the formation of a new group: … -
Emil Ruder
He was born in Zurich in 1914. After primary and secondary school in Zurich and vocational training as a caterer, he studied in Paris and earned a degree in French at the Cercle Commercial Suisse de Paris. He then worked as a commercial printer at a Zurich publishing house. He attended a weekly course in typesetting and letterpress at the Kunstgewerbeschule Zürich, where he learned typography from Alfred Willimann (1900-1957) and Walter Käh (1901-1970). In 1942 he was appointed permanent … -
Yeongchun Park
He studied Ceramic Engineering at Yonsei University and Industrial Design at the University of the Arts (formerly Philadelphia College of Art) in the United States. He holds an MBA from the Helsinki School of Economics and a Ph.D. in Business Administration from Seoul School of Integrated Sciences & Technologies. He worked as a senior designer at the New York-based design firm IDI (Innovations and Development Inc.) and as a design director at Deskey Associates. He also served as a professor … -
Park Hye-sook
After graduating from the Department of Visual Design at Hongik University’s College of Fine Arts, she received her Master’s degree(M.F.A.) in Fashion Design from the same university’s graduate school. She later completed her Master’s degree(M.F.A.) at the London College of Fashion in England, and her Ph.D. from Kookmin University. She is currently serving as the Dean of the Department of Fashion Design and Branding at Pyeongtaek University, and is active as an executive in several academic …