Jasper Morrison CBE RDI (born 1959) is an English product and furniture designer. He is known for the refinement and apparent simplicity of his designs. In a rare interview with the designer, he is quoted as saying: “Objects should never shout.” Jasper Morrison is a leading British designer, best known for his work in furniture, lighting, tableware and everyday products. Born in London in 1959, he studied design at Kingston Polytechnic, the Royal College of Art and Berlin’s HdK. In 1986 he opened his Office for Design in London, which remains his base. He seeks to design objects that fit seamlessly into everyday surroundings. Among recent projects are the seating types Zampa, APC and Iso-Lounge, the Oplight, Raami tableware, and a mobile phone. Jasper began by designing objects from ready-made components – as seen in his Handlebar Table (1982) – and selling them himself in small batches. He made his name with the Thinking Man’s Chair (1985), Plywood Chair (1988) and the 1144 Handle (1991), pieces which reduced furniture visually to its essential needs. In early exhibitions Reuters News Centre at Documenta 8 (1987) and Some New Items for the Home at the Berlin Design Werkstadt (1988), he proved his inventiveness by creating a powerful atmosphere with just three walls and a small number of objects. Aram and SCP in London, Cappellini in Milan, and FSB in Brakel were the first manufacturers to produce Jasper’s designs. He has gone on to design furniture and products for companies such as Vitra, Flos, Emeco, Magis, Maruni, Muji and Alessi. Examples include the Hal chair, the Rotary Tray, Glo-ball lighting, Alfi, Air Chair, cutlery and the Glass Family. Over the decades he has honed his expertise in designing objects that are simple and familiar in form yet characterful and refreshing.
Authors
Jasper Morrison
다른 사람들
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Jan V. White (1928-2014) was an American designer, communication design consultant, and graphic design educator and writer. Czech by birth, he was educated in England at Leighton Park School and held degrees in architecture from Cornell University and Columbia University School of Architecture, Planning and Preservation. From 1951 to 1964 he worked on two of TIME’s architectural magazines: Architectural Forum (1951–56) as associate art director, and House & Home (1956-1964) as art …
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Yoon Min-goo
Yoon Min-goo was born in 1989. Graphic designer and font designer. He draws letters and turns them into fonts. He has created various Korean fonts, starting with the web font Barngul in 2002. A separate interest is modern paleontology. He is fascinated by the process of providing letters as materials to workers in various fields and collaborating with them to produce unexpected results. -
Bas van Abel
He is the Creative Director at Waag Society, focusing on developing various projects based on open design principles. He is also the co-founder of Waag Society’s Fab Lab and the Instructables Restaurant. On a personal level, he is actively involved in the global maker and digital fabrication community. -
Guho Choi
Studied Visual Design at Kaywon University of Art and Design. He is a graphic designer, application developer, and amateur musician. He runs the graphic design studio Guho Choi and is the developer, designer, and operator of Paperman, an app designed to assist with book production. -
정시화
국민대학교 조형대학 시각디자인학과 명예교수. 1976년부터 30여 년간 그래픽 디자인 창작실기, 디자인론, 색채계획, 전통색채론 등을 가르치며 교육자로서 활발히 활동했다. 대한민국산업디자인전에 추천작가·초대작가로 선정됐으며, 심사위원을 역임했다. 한국시각디자인협회 국제부회장을 지냈으며, 88서울올림픽위원회 중 디자인전문위원회의 주요 일원으로 활동했다. 국립현대미술관 「한국전통표준색명 및 색상: 제1차 시안」에 연구위원으로 참여했고, 서울시립미술관 개관전 〈한민족의 빛과 색〉에는 자문위원으로 참여했다. 국제디자인협의회(ICoD, 전 세계그래픽디자인협의회), 국제색채심포지엄, 바우하우스 답사 연구 등 다양한 국제 활동을 통해 세계 그래픽 디자인의 동향을 한국 디자인계에 반영하는 데 일조했다. 지은 책으로 『현대 디자인 연구』 『한국의 현대 디자인』 『산업 디자인 150년』이 있으며, 옮긴 책으로 『디자인론』 『포스터 디자인사』가 있다. 대표 논문으로는 「덴마크 디자인의 에센스」 … -
정연종 추모전 추진위원회
디자이너 정연종의 작고를 기리며 그의 디자인 사료를 발굴하고 기록하기 위해 동료 및 선후배 디자이너, 연구자들이 자발적으로 구성한 단체이다. 류명식 위원장을 필두로 김현, 명계수, 이영혜, 김성천 위원 등이 참여하고 있으며, 이번 도록 발간과 추모 전시를 통해 정연종이 남긴 한국적 디자인의 가치를 학술적으로 재조명하고 후대에 전달하는 것을 목적으로 한다. -
Yorifuji Bunpei
Book designer, illustrator, art director, and author, whose witty work is active in various fields. After dropping out of Musashino Art University’s Visual Communication Design Department, he worked for the advertising company Hakuhodo. In 1988, he opened Yorifuji Design Office, and in 2000, he founded Bunpei Ginza, a limited company. In 2008, he won the 29th Kodansha Publishing Culture Award in the Book Design category for Life Miscellany Notebook and Designers Who Don’t Design . … -
Son Boo-kyung
Graduated from the Department of Art Theory at Hongik University and earned a master’s degree from the same university with research on spatial experiences in Minimalism and New Media Art. Co-translated works such as 40 Essential Readings in Art Theory and Criticism, 21 Terms for Media Criticism, and Postproduction. Published papers including “Jeffrey Shaw’s New Media Installations: Tension between Physical Space and Virtual Space”, “Medial Turns in Korean Avant-Garde”, and “Binghamton Letter: … -
Jeon Jeong-heui
Graduated with a degree in Architectural Engineering from Chungnam National University and earned a master’s degree in Civil and Environmental Engineering from KAIST (Korea Advanced Institute of Science and Technology). After completing the publishing translation program at Geulbab Academy, she now works as a translator with Bareun Translation. -
Sohyun Park
She is a professor specializing in Digital Culture Policy at the IT Policy Graduate School of Seoul National University of Science and Technology. She has authored works such as Memory of War and the Theory of the Cultural State , The Ethical Future of Museums – Focusing on the Genealogy of Museum Activism , The Demographic Turn in Cultural Policy and the Policy Status of Artists , Alternative Paths (and Media) of the Lee Jung-seop Myth – Focusing on the 1970s Biographies and Films on Lee … -
Korea Craft & Design Foundation
The Korea Craft & Design Foundation (KCDF) is a public organization affiliated to the Korean Ministry of Sports, Culture and Tourism. The objective of the organization is to promote Korea’s craft, design and hanbok both in Korea and internationally. It is our responsibility to promote the field in order to create opportunities for young makers, artists and related groups. We focus on preserving our own cultural heritage by re-interpreting tradition, research on craft materials/skills and … -
Go Yun-seo
She explores how text, graphics, and people interact between the virtual and the real. After working as a designer and developer at graphic design studio Everyday Practice, She recently went independent to run his own creative design studio, YYY. Continues to experiment with digital interaction in the graphic web experimentation group HHHA.