Typographer. Born in February 1942 in Austria with German nationality, he completed an apprenticeship as a typesetter in Germany before studying at the Basel School of Design (Schule für Gestaltung Basel) under Emil Ruder, Kurt Hauert, and Robert Büchler. He subsequently worked in Germany, Sweden, Denmark, Canada, and Japan, where he created his renowned type design “Katanaka Eru”. In Japan and Germany, he published several books, including Gestaltung ist Haltung (Design Is Attitude), and worked as a designer in Osaka, focusing on the duality of information transmission and freeform design. He edited and designed Typography Today in 1980 and published The Road to Basel, the fourth in the Typographic Reflection series, in 1997. He contributed to magazines such as Idea (Japan), Baseline (UK), and TM (Switzerland). He also taught typography and conducted workshops at institutions like the IDC in Mumbai, KDU in Kobe, and Hongik University in Seoul. He passed away in 2018.
Authors
Helmut Schmid
다른 사람들
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He has been engaged in research, criticism, and writing with a critical focus on the intersections of technology, society, and ecology. He is a Professor in the Graduate School of IT Policy at Seoul National University of Science and Technology, specializing in Digital Culture Policy. Since 2020, he has served as the Editor-in-Chief of Culture/Science , a journal of cultural theory. His main research interests include technology and cultural studies, the commons, platforms, techno-ecological …
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Choi Jeong-ho
A Pioneer of modern Korean type design and typeface research. He moved to Japan, where he worked at a printing company, mastering various printing techniques, and studied at Yodobashi Art Academy. In 1957, he developed the Dong-A Publishing Typeface, which received high acclaim. In the early 1970s, he collaborated with Japanese phototypesetting companies Shaken (寫硏) and Morisawa (モリサワ) to create Hangeul typefaces. In his later years, he focused on writing and researching the philosophy and … -
Im Tae-su
A professional dedicated to uncovering the philosophy and values hidden within brands and delivering their unique essence to everyday life. Preferring leisure, simplicity, and thoughtful conversations, he tends to limit gatherings to four people or fewer. With experience at the brand consulting firm Brand&Company, Hanwha Hotels & Resorts Marketing Strategy Team, the brand experience design firm Plus X, and Kakao Pay Brand Marketing Team, he now runs Standard Project. He has led brand … -
김동환
연세대학교 커뮤니케이션대학원 HCI디자인 전공 교수이자 디자인 & 인텔리전스 연구실 디렉터. LG전자 MC사업부 UX 디자이너와 뉴욕 와이어리스 제너레이션 프로덕트 디자이너로 일했고, 인간과 알고리즘의 협업을 연구한 Lab64를 설립·운영했다. 롱아일랜드대학교에서 컴퓨터 과학을 공부했고, 카네기멜론대학교에서 HCI 석사 학위를, 서울대학교에서 언론정보학 박사 학위를 취득했다. 기술이 인간의 고유한 창의성을 무한히 확장시키는 즐거운 도구가 될 것으로 믿고, 디자이너가 여러 AI 에이전트와 호흡을 맞추며 단순한 작업자를 넘어 ‘창의적 지휘자’로 거듭나는 방법을 연구한다. “AI가 나를 대체할까?”라는 막연한 두려움이 “AI와 함께 무엇을 더 할 수 있을까?”라는 설렘으로 변하기를 바란다. -
Massimo Vignelli
He was born in Italy in 1931 and studied architecture in Milan and Venice from 1950 to 1957. After actively engaging in various projects, including designing posters and graphic materials for the 1964 Venice Biennale, he moved to the United States in 1956. In Chicago, he co-founded Unimark International, and in 1971, together with his wife and business partner Lella, established Vignelli Associates in New York. From 1966 to 1980, he worked on the graphic program for Knoll; in 1966, he designed … -
제프리 타이
제프리 타이는 뉴사우스웨일스대학교에서 박사 학위를 취득했다. 그의 연구는 도시의 변화 과정에 주목하며, 미완성 상태의 도시를 건축의 실천 방식을 형성하는 핵심 조건이자 공정하고 자율적인 미래의 기반으로 본다. 해당 연구는 《Environment and Planning B: Urban Analytics and City Science》에 게재되었으며, 뉴사우스웨일스 건축사 등록위원회의 지원을 받았다. 『서울 현상』에 수록된 그의 글은 한국 서울에서 9개월간 수행한 현장 조사를 바탕으로 시간과 장소의 경계를 넘어 가상에서 물리적 실재로 이어지는 미시적 역사를 추적한다. 그는 뉴사우스웨일스대학교와 시드니공과대학교에서 건축 환경을 가르치고 있으며, 시드니 오페라하우스의 지원으로 운영되는 바이에라 해들리 트래블링 장학금(Byera Hadley Travelling Scholarship)과 호주-덴마크 다학제 교류 프로그램 MADE(Multidisciplinary Australian Danish … -
Unmake Lab
Unmake Lab turns algorithmic obsessions into irony, allegory, and a form of humor using machine perception in an unconventional manner. Specifically, they superimpose the historical context of developmentalism with the resource extraction aspect of machine learning to shed light on contemporary socio-political and ecological situations. In recent times, their narratives have been constructed upon elements such as Generic Nature, disaster, datasets, and computer vision. Besides their artistic … -
Lee Jin-ryeol
A full professor in the Design Management program of the Department of Design Engineering at Chosun University. He graduated from the Department of Business Administration at Chonbuk National University, where he also earned a master’s degree in Design Management and a Ph.D. in Business Administration. He previously served as a senior researcher at the IBRD Design Development Research Institute and the Design Strategy Development Team at R&C KOREA. Actively engaged in various academic … -
Kelly M. Choi
Studied visual design and typography at the Rhode Island School of Design (RISD) and The Basel School of Design. Currently runs the brand Once Type, exploring the visual potential of letters. -
Joo ha-na
M.A., ATR-BC, Senior Researcher at the Public Design Research Center at Hongik University’s Graduate School and the founder of PSDI (Psychosocial Design Initiative) Research Lab. She focuses on researching and practicing socially prescriptive design for diversity, inclusion, and sustainability. Previously, she worked on museum projects for families with autism at the Autism Initiative team of the Queens Museum’s Art Access program. Later, at the National Museum of Modern and … -
Shin Seung-won
An invited artist and judge for the Korea Calligraphy Grand Exhibition, recognized as Korea’s Outstanding New Intellectual for pioneering and promoting calligraphy education programs. Held solo exhibitions in 2015 at the Museo Nacional de Arte Decorativo and the Cultural Center of the Korean Embassy in Argentina, where two works, “Life” and “Ten Symbols of Longevity”, are now part of the permanent collection. Former director of the Pilmuk Calligraphy Research Institute, … -
Lee Yong-je
Lee Yong-je studied visual design at Hongik University and was the first designer to receive a PhD in Hangul design from the same graduate school. He worked at the Hangeul Design Institute from 1999-2003, and since 2004, he has been running ‘Hangeul Space’, a space for research and design. He has designed numerous fonts, including ‘꽃길’, a font for vertical writing, and ‘아리따’, a typeface for Amorepacific. Recently, he has been focusing on ‘ink-saving …