A science journalist, filmmaker, and book creator, he began his career as a portrait photographer in London and has contributed articles on science, aerospace, and cosmology to various magazines in the UK and the US. From 2012 to 2018, he worked closely with Stanley Kubrick’s family on book projects and international exhibitions commemorating Kubrick’s films 2001: A Space Odyssey and Dr. Strangelove. He collaborated with NASA on a major retrospective celebrating its most iconic missions for the agency’s 60th anniversary and created brochures for NASA’s launch site in Florida with Quarto. Additionally, he produced brochures and political speeches for senior officials at the European Space Agency. His authored books include Moonshots: 50 Years of NASA Space Exploration Seen Through Hasselblad Cameras (2017), The Space Shuttle: Celebrating Thirty Years of NASA’s First Space Plane (2011), One Giant Leap: Apollo 11 Remembered (2009), 2001: Filming the Future (2000), and The Rivers of Mars (1997). He is also actively involved in science outreach programs for young people in his native UK.
Authors
Piers Bizony
다른 사람들
-
She graduated from the Department of Creative Writing at Chung-Ang University and completed coursework in Aesthetics at Hongik University Graduate School. After working as a publishing editor and caregiver, she is currently active as a professional translator. Her translated works include The Death of Truth , Churchill’s Black Dog, Kafka’s Mice , Automating Inequality , Capital Without Borders , To the Letter , The Art of Forgetting and “Why Heidegger Should Not Be …
-
Kwon Joon-ho
Kwon Joon-ho studied Visual Communication at the Royal College of Art (RCA) in the UK and taught graphic design at the same school for a year. His 2011 RCA graduation work, Life: The Life of a North Korean Woman , a typographic installation, was selected as one of the ‘Special Choices of the Year’ by the British magazine Creative Review. He was named ‘Rising Star of the Year’ at UK Design Week 2012 and one of the ‘20 Saatchi New Sensations’ at London’s … -
Jin Whui-yeon
With a bachelor’s degree in Archaeology and Art History from Seoul National University and a master’s and Ph.D. in Art History from Columbia University, she has built a distinguished academic career. After teaching at the Samsung Design Institute (SADI) and the Department of Painting at Sungshin Women’s University, she is currently a professor at the Korea National University of Arts, School of Visual Arts. Her work focuses on the dynamic intersection of art exhibitions, criticism, … -
Charles Wallschlaeger
In his long tenure at The Ohio State University (OSU), Charles A. Charles Wallschlaeger was instrumental in creating one of the first full-scale industrial design departments at the university level. In more than 30 years there – including 19 as department chair, Charles influenced countless students and design educators. -
Chon Seung-il
An adjunct professor in the Department of Spatial Production at Kaywon University of Art and Design and an automata artist. As the director of Studio Mimesis and Automata Workshop, he is actively involved in animation, automata, and kinetic art through education, exhibitions, and various projects. He co-authored the book Automata Workshop and has showcased his work in notable exhibitions such as ‹Chon Seung-il’s Thinking Automata› (2017), ‹Goguryeo Mural Automata› (2017), ‹Friends of the … -
Shin Hee-kyoung
Specialized in Visual Design and Design Theory at Seoul National University and its graduate school. As a recipient of the Japanese Ministry of Education scholarship, earned a master’s degree from Musashino Art University and a Ph.D. in Art from the Department of Design at Nihon University. After serving as a researcher at Musashino Art University, currently works as a professor in the Department of Visual Design at Semyung University while actively pursuing art, including two solo exhibitions. … -
Gerrit Noordzij
Typographer, type designer, book designer, author, historian, and educator. Born in 1931 in Rotterdam, Netherlands, he taught type design at the Royal Academy of Art in The Hague from 1960 to 1990. Over three decades, he transformed the academy into one of the world’s leading institutions for type design education. He has influenced the field profoundly, producing numerous students who have become prominent type designers in Europe and the United States, collectively known as the “Hague … -
Soonbho Park
He graduated from the College of Fine Arts at Hongik University and earned a master’s degree from its graduate school. He obtained a Ph.D. in Fine Arts from Bergische Universität Wuppertal. He previously served as a professor at the College of Design at Hongik University and as the director of the Art and Engineering Research Center at the Korea-Germany Graduate School of Engineering. Currently, he is the senior vice president of the Korean Society of Basic Design & Art (KSBDA) and the … -
Lee Dong-guk
Lee Dong-guk is a Korean calligraphy researcher, curator, and current director of the Gyeonggi-do Museum. He has been an academic researcher at the Calligraphy Museum at the Arts Center of Korea for 35 years and has published Myth, Song of Life - From Petroglyphs to Atheists (1999), Two Thousand Years of Korean Calligraphy (2000), Ose Chang’s Pavilion. Collection World (2001), Heavenly Life, Sky of Fertility (2012), Special Exhibition on the 10th Anniversary of the Passing of Galesun … -
Koyama Ryusuke
Associate Professor Koyama started his business career at a major advertising agency after receiving a Bachelor’s degree in Philosophy at Kyoto University. After working as a producer at Shochiku Co., Ltd. to launch a new business based on the theme of Kabuki, he established Bloom Concept Inc. Professor Koyama received an MBA from the Thunderbird School of Global Management and Ph.D. from Kyoto University of the Arts, before joining NUCB Business School in 2015, and his research interests … -
Kim Jin-sub
A pilgrim who travels around the country in search of book-making tools and machines, a collector who collects books handmade by senior craftsmen, a connector who is networked with professionals in the publishing and printing industry, a squirrelly teacher who can’t throw away anything once he gets his hands on it and hides it here and there like an acorn, a cranky old man who finds happiness in the things he collects, but sometimes struggles with insomnia, and the owner of the tools … -
Emil Ruder
He was born in Zurich in 1914. After primary and secondary school in Zurich and vocational training as a caterer, he studied in Paris and earned a degree in French at the Cercle Commercial Suisse de Paris. He then worked as a commercial printer at a Zurich publishing house. He attended a weekly course in typesetting and letterpress at the Kunstgewerbeschule Zürich, where he learned typography from Alfred Willimann (1900-1957) and Walter Käh (1901-1970). In 1942 he was appointed permanent …