CEO of studio-L, Social entrepreneur, Community Designer, Professor and Director of the department of Spatial Design in the Kyoto University of Art and Design, Vice President in RIPS, NPO. Born in Aichi, in 1973. After the university, he worked in SEN, inc., where he developed his skills and knowledge in landscape design advised by Mr. Shosuke Miyake, a founder of this firm. As well, he learnt social organization and relationship management from Dr. Fusayo Asano there. Then he founded studio-L …

Born in 1958, he is a designer, President of the Nippon Design Center, and a professor at Musashino Art University. Known for groundbreaking exhibitions that challenge conventional values, he has curated projects such as RE-DESIGN – The Daily Products of the 21st Century , JAPAN CAR – Designs for a Crowded World , and HOUSE VISION , which have had a global impact. He applied design deeply rooted in Japanese culture for the opening and closing ceremonies of the Nagano Olympics and the Aichi …

He majored in visual design at the Department of Industrial Design at Chung-Ang University. After graduation, he worked as a designer at a branding design company, gaining experience in various projects centered around branding. After working at the design studio Handprint in 2009, he co-founded Everyday Practice with colleagues in 2013 and has been running it ever since. His primary focus lies in UX/UI design, particularly in interface design and website development that considers user …

A partner at BOUNDLESS(경계없는작업실) and the CEO of Spacewalk. After graduating from the Department of Architecture at Seoul National University, he gained practical experience at iArc before co-founding BOUNDLESS. Currently, he oversees business development for the team and focuses on solving architectural and urban issues through Spacewalk, an independent startup spun off from BOUNDLESS’s in-house technology team, BOUNDLESS-X, which collaborates with various experts and technologies. He has …

Majored in visual design at Hongik University and lectured at several universities before coming across the National Museum of Korea, where work has continued for over twenty years. While working in the fields of ‘museums,’ ‘design,’ and ‘culture,’ doubts arose about the fact that design was being absorbed only in external decoration. Reevaluating design led to confronting the question of ‘why and for whom to design,’ rather than ‘how to design.’ This process led to the realization that design …

Anthony Dunne, of Dunne & Raby , is University Professor of Design and Social Inquiry at The New School in New York and a Visiting Distinguished Professor at the China Academy of Art (CAA) in Hangzhou. Between 2005-2015 he was professor and head of the Design Interactions department/programme at the Royal College of Art in London. He studied Industrial Design at the RCA before working at Sony Design in Tokyo. On returning to London he completed a PhD in Computer Related Design at the RCA. …

Armin Hofmann was a Swiss graphic designer. He was one of the most prominent individuals in Swiss design. He began his career in 1947 as a teacher at the Allgemeine Gewerbeschule Basel School of Art and Crafts at the age of twenty-six. Hofmann followed Emil Ruder as head of the graphic design department at the Schule für Gestaltung Basel (Basel School of Design) and was instrumental in developing the graphic design style known as the Swiss Style. His teaching methods were unorthodox and broad …

Stanley Arthur Morison was a British typographer, printing executive and historian of printing. Largely self-educated, he promoted higher standards in printing and an awareness of the best printing and typefaces of the past. From the 1920s Morison became an influential adviser to the British Monotype Corporation, advising them on type design. His strong aesthetic sense was a force within the company, which starting shortly before his joining became increasingly known for commissioning popular, …

Renate Menzi enjoyed a craft-based design education at the Kunstgewerbeschule Zürich, which she continued at the Bezalel Academy in Jerusalem. Having graduated in 1996, she worked as an assistant at the Chair of Visual Design in the Department of Architecture at ETH Zurich and studied Theory of Design and Art at the Zurich University of the Arts. Since 2008, she is the curator of the design collection at the Museum für Gestaltung Zürich where she teaches, collects, researches and publishes in …

Entered the world of translation after becoming captivated by the charm of Japanese translation, which involved meticulously studying original texts, while working an ordinary office job. After completing her studies at Geulbab Academy, she is currently working as a translator affiliated with Bareun Translation. Her translated works include The #1 Seller Doesn’t Sell Like You Do , The Neural Cleansing Revolution , The History of Business Model Innovation 1, 2 , The Diet That Melts Away …

Farah Kafei is a designer and art director who has led initiatives addressing gender disparity in design education and fostered communities pushing for a more inclusive industry. She’s had the pleasure of working for the Metropolitan Museum of Art and studios such as Sagmeister & Walsh and Doubleday & Cartwright.

Yuka aims for sensible translations that capture the nuances of the original, and will continue to introduce Chinese-language books that are both entertaining and meaningful.